Caroline Park – RIM (2013)

Vuzh Music

• Ambient 
• Drone 
• Electronic music 
• Minimalism
• Sound art 
• Experimentalism 
• Avant-garde 
• Microtonal 
• Live session 
• Experimental electronica 
• Avant-electronica 
• Ambient drone 
• Abstract electronica

Comment: this 2-notch outing consists of interesting progressions based on two lengthy tracks though not much does not happen over there. It is all about minimal progressions, microtonal algorithmic creative events, it also used to play on your imagination and perceptible "mistakes". The first of them, We Can Be What They Are Doing, is a seductive drift between a loaded droning line, and ostensible ambient music. It feeds one's mechanical fantasies, and given that you have not been involved in fantasies yet before the listening you will be involved in that for sure. Your cerebral particles will be bombed with slowly ascending and descending waves. At Live at Soto Studio (8.29.12) the listener can perceive a more audible vamped up sound as if signal-alike vivid bits would play ping pong with one another. It is just a phase of the track because at times the interaction disappears due to melting down into longer signals and hazy drones. The outing is a bit of the discography of Vuzh Music.

Jeff Sampson - Swarm (2012)

Vuzh music

9.3

/Minimalism, Dark ambient, Avant-garde, Soundscapes, Drone, Ambient drone, Experimental electronica, Abstract, Ambient noise/

Comment: indeed, the title and coverprint may hand on the essence of this one-track composition. Sampson`s oevre sounds like glowering movement of a swarm of deadly African bees somewhere in the middle of a road over to another continent. Or on the other side, you can imagine it chimes like the tape head at distorted, blurred tapes. Indeed, it is genuinely minimal, however, providing some variegation in intensity as if running on gravity and without the feeling of gravity. In a word, it is a highly abstract and contemplative composition throughout its 42 minutes and 3 seconds.

Crook'd Finger vs. Harlan vs. D.Rhythm:O (2011)

Vuzh Music

8.5/9.6

/Dystopic techno, Neoclassical, Dub, Avant-techno, Industrial techno, Remixes, Experimental techno/

Comment: C. Reider is a unsung hero of darkly brooding electronic music who has been involved in music for about two decades, being very profilic as solo artist (under his own name; Luster; Crook`d Finger), having loads of collaborations and split albums, and having participated in such collective as Drone Forest. He has worked as musical reviewer and headed up a label titled as Vuzh Music. However, the initial release of this remastered version was issued 11 years ago. Someone called as Finger (ha-ha) has re-worked the versions of such artists as Harlan and D. Rhythm:O, respectively. The first side of the album (or the first side of the cassette release initially) is a bit more joyous industrial-based appearance mixing it up with latin breaks and heavily stomping cadences and riffs. The flip side of it, however, it will be revolving around the axis of ominously sounding industrial techno, profound dystopic reverberations and murky dub progressions. For instance, if you are deeply get involved in music of Justin Broadrick`s projects or the similar kind, this album must be heard at least as well.