- Electro-indie
- Leftfield
- Alternative
- Electronic
- Experimental pop
- Krautrock
- Leftfield
- Indie
- Drone pop
Comment: this bunch of 10
tracks is somehow oppressive and relieving at the same time. Mostly
it consists of rigid electro(nica) and austere drones, almost
industrial music-alike sonic elements providing somehow
dance-appealed seeds within it. The point, however, is it is not a
sort of danceable music for the human being. It rather describes
robots to shake their clanging hands and rattling fingers in the
rhythm of these vibrations. On the other side, these spasmodic and
awkward robots seem to have acquired some human characteristics to be
gentle and kind in their own terms. It is a remarkable characteristic
throughout the album. It can be concluded that the humanism is
allowed to exist without the human beings themselves on this
occasion. The more you listen to it the more it is getting softened stepwise the more it will absorb and deny its hirsute nature. It is like
living under such a star which used to bomb its subjects with
tickling electromagnetic flows and arousing particles. All in all,
it is the outstanding result of a mind-blowing idea. The artist is
promoting his 11 albums through his own blog (King Of The Glitch) of
whom
Harmony Beijing
is the latest one. Undoubtedly we are going to arrive at it sometime.
