Adrián Juárez – Carbonilla y Lápices de Cera (2009)

Perkunowa

• Improvised music 
• Electro-acoustic 
• Experimentalism 
• Avant-garde

Comment: Adriàn Juarez is an Argentinian musician whose 19-track issue consists of short, 1-2 minute long sketches or miniatures, which could be considered improvised pieces in the vein of stoned folk music with Latin music ingredients. Vice versa, it could be considered a Latin-alike electro-acoustic music. More profoundly, the outing is based on the play of a prepared piano, however, which chimes like being spawned by a clockwork-alike mechanism. It is quite surprising to know because the music represented over there chirps like plucking of the strings of a guitar or something like that. Thirdly, it could be considered an example of acoustic industrial music tongue-in-cheek. Although the timbre of the tracks is monochromatic it suits perfectly with the nature of the issue. The issue is a part of the discography of Perkunowa.                  

Sébastien Biset – Openfield (2009)

PERKūNowA

/Noise, Freeformfreakout, Anti-folk, Drone folk, Weird folk, Musique concrète, Crossover, Indietronica, Folktronica, Avant-garde, Experimentalism/

Comment: it was some days ago when I discovered that I had stored two issues by such artist as Sébastien Biset, Openfield and The Time I Was Spending, Running And Shouting In The Wind. More concretely, his 11-bar issue is a psyched-out outing based on short-running compositions segmented into harsh noise torrents (indeed, it is thoroughly intense!), sublime indie and folk-tinged compositions and mellow indie electronic insights or just exploiting field recording-based samples to build up disparate dimensions. However, it is interesting that the melting pot consisting of different elements works very well, having no distractions and conjuring up no inferior feels. The issue is a part of the discography of PERKūNowA.

Pear - Young Wings/Embodiment (2008)

Perkunowa
Archive.org

7.2

/Indie, Post-rock, Slowcore/