- Ambient noise
- Micronoise
- Avant-garde
- Experimentalism
- Electronic music
- Leftfield
- Synth fusion
- Ambient
Comment: how to
evaluate the effects of variation in music? How many features are
properly enough you are able to discern and analyse without getting
suffocated under an avalanche of excessive information? And
information you are getting from music could it be paralleled with
information you are getting from TV, for example? [mikra]'s 11-notch
outing is about avoiding pure information or to say that otherwise it
is about pure bits to be channelized through filters of excessive
information. The result is schizophrenically perturbed. Like dividing
a beatific phenomenon into many parts by immersing it with quite
irrelevant and agitated information which nevertheless makes sense
ultimately. One great example of it, the track called
oUTottuoO
is a blend of piano chords which are heavily disturbed by more and
less sharp noises coming from everywhere around it.
S7 shows
its beatific potential because perturbations are more switched off.
Submind 1976 reminds me of a witty synthesised progression from the
end 70s or beginning of the 80s as if a moody background music for a
glittering TV series. Like Miami Vice, for instance.
DooOwwNoW,
however, it is a quite intact ambient beauty. In fact, I have nothing
to add to this bunch of inordinateness and excess. It is a crafty
harbinger of decay. The outing is a part of the discography of
PZ104ORBIT.
