Kinematik VKE – Placental Drops From A Gestating Sky (2014)

Dystimbria

• Illbient
• Post-industrial
• Avant-garde
• Dark ambient
• Sound art
• Ambient drone
• Epic
• Experimentalism

Comment: this issue could be shown off as a nice exemplar of sound art music by considering that the artist exploits very intriguing approaches and a huge swarm of samples to create the craved result. However, Kinematik VKE as an artist has reached far more because these 20 minutes hide buried emotions within the whole. It might be seen quite paradoxical while the composition consists mainly of droning sounds which are at times adorned with accidental noises and metallic strikes. Furthermore, all the soundscape is highly intense and expertly accentuated. To explain the effect of the outing it could be assumed it is not music something of the sort where the sounds merely move on from a point A to a point B. Instead of it this used to develop vertically where many elements either will be progressing simultaneously or will be added at a certain time. It could be described as an example of polyphonic music where the woodwind instruments and violins are jettisoned in favour of abrasive hisses and murky threads which have been managed in the way to trudge at different speeds to alter one`s state of mind. Ultimately it chimes like an example of symphonic music, though an ominous sort of ambient music. It is staggering by any means.

Alan Morse Davies - Llais-saL (2011)

Dystimbria

/Dark ambient, Ambient noise, Dytopbient, Microtonal, Ambient drone, Soundscapes, Illbient, Avant-garde, Experimentalism/

Comment:  Alan Morse Davies` one-track composition (the total length of 19.48) consists of droney hisses and ominous ambient plateaus full of restrained frequencies and subtle noise propulsions. Indeed, it is a kind of microtonal music issue because of keeping tightly hold on microscopic changes and barely audible sonic patterns. It chimes like a slow burning surrounded by elemental impulses and divine power. All in all, the result is great and outstanding.

Post-Avantist - Vasiform Rima (2012)

 Dystimbria

9.1

/Harsh noise, Avant-garde, Experimentalism, Non-music, Psycho-acoustic, Acousmatics/

Comment: wow, it is cruel and burningly hissing. You can imagine it as if My Bloody Valentine (or Mr. Shields) were a bigwig of the harsh noise scene. The whole issue consists of one lengthy, 19 minute composition which functions like a sonic nightmare full of high-registered chords and quite static penetrating impulses. It can be considered an example of the imagination about harsh noise in the classical sense of this word because of including loads of drifts between the washes of brutal noise and silentful spans/or silence. More concretely, these minutes can be compared with the likes of Hanatarashi, John Wiese, Dror Feiler, Kanin Krusete.