- Micronoise
- Avant-garde
- Experimentalism
- Post-industrial
- Musique concrète
- Field recording
- Ambient
- Drone
- Organic electronica
- Electro-acoustic
- Acousmatic music
Comment: the
more I got into this 10-notch issue by Yavor Grancharov the more I
felt some sort of confusion which had fallen over my head. The
structures of these compositions used to be complex by using quick
transitions from one style to another or just by running multiple
stylistic elements at the same time. One can hear spectral human
voices coming in from a remote distance while subtle locomotive
sounds are set up in front of the listener. In another track an
exquisite droning which tends to vary throughout the course is
embellished with glitchy shards. And it just goes on and on until it
will be finished off sometime without any determination. It is like
an antidote to a nowadays human being's life. At times droning gets
intensified in volume and in the frequency of chords being meshed
with spiky noises and ghostly electro-acoustic clatters from far
beyond. Yet it is somehow warm and tempting as if a glimpse into the
future, towards futuristic record charts. All in all, it is an
overcoming outing in any sense. The issue is a joint release on Mahorka (digital release), and Amek Collective (tape release).
