- Improvised music
- Freeformfreakout
- Abstract
- Improvised noise
- Experimentalism
- Avant-garde
Comment: this release is twofold consisting
of compositions both longer than 22 minutes. Behind the issue is the
Israeli/Jewish Joseph Copolovich whose sound is built upon
smithereens-alike noises, intermittent concrete sounds, tectonic bass
rumbling and much more I am not able to describe it for though. I am
tempted to find out a possible location for this release but I am not
allowed to do it. Undoubtedly it is crushing and crashing as if the
aforementioned elements were put into some kind of virtual washing
machine and then all the produced audible debris taken out from
within it and put gravitating toward comprehensible centres (read:
human beings). Of course, one can imagine an even more funny-tragic
mixed event when some amateurish kabbalist were demolished under the
curse because of his/her falsely chosen words. Getting knocked down by the Golem. The question is whether is the music positively or
negatively appreciated? For me, it is quite neutral by listening
experience because of being the abstract strip yet by historical
importance it is a positive cut. We know a little about Israeli
noiseniks except Dror Feiler who though has been living in Sweden for a
while. The release was initially released in 1989 and now it is
picked up by Don Campau`s The Living Archive of Underground Music.
