- Ambient
- Drone
- Noise rock
- Experimentalism
- Post-rock
- Noise
- Drone rock
- Ambient rock
- Ambient noise
- Avant-garde
Comment: these
20 minutes within just one composition reveal quite different angles and facets
throughout the course. It starts off with low-end, buried frequencies to evolve
into more masculine and labyrinthine, noise-drenched droning where guitars are
being set up to be either static or ready to render its undulations in a
minimal manner. I guess it is not the most primary case to puzzle out is it
either more about experimental rock or ambient kind of music. I guess the
borders between the styles started to blur stepwise after outings by the likes
of Labradford, Slowdive, Flying Saucer Attack, Lycia, My Bloody Valentine. Later
on, of course, Montrèal, Canadian ambient/drone/micronoise juggernaut Tim
Hecker loaned some of the peripheral rock influences from these artists and
synthesised them into his own work. Dead Gum`s Ghost Wise is like a clockwork which has been managed in the way to
rev up with every minute. Indeed, in the middle part of the whole an abrasive,
chord-changing guitar and Oriental-alike vowel effects alongside will begin to
build on mind-boggling phantasmagorical threads and noisy terrains which almost
chime like a converse, “minus-signed” symphonic work. Indeed, its influence is
twofold – it is both aesthetically overwhelming and physically loud to
stimulate one`s forehead and brain. In a word, it must be heard and shared
being created by the Greek Panagiotis Spoulos.
