/Improvised music, Electronic, Avant-rock,
Leftfield, Avant-garde, Experimentalism, Improvised noise, Experimental rock/
Comment: there are up three long-running
compositions based on improvised sessions full of feedback fuelled and distortion
induced debris. Indeed, as the title assumes this time it is without any word
games. Only the artist`s name “Feeel” designates something of an extraordinary
brand probably related to overwhelming sensations which have surfaced after the
listening of these 35 minutes. At times those more or less acute noise torrents
will slightly abate to be replaced with quite dismal emotions conjured up by a
mix of nervously plucked guitar chords and taps on the acoustic guitar. The
final track Everybody's Talking About the
End of the World is more rhythmically oriented on account of heavily
distorted electronic/big beat cadences which soon will be modulated into more messy shuffles and later will fade away to symbolically
unite the ending point with the beginning one. The second part (more
concretely, Act Two) involves buried singing/chanting for providing more living
images within the composition. Predominantly the issue is a quicksilver drift
between the compartments of improvised noise and experimental rock, at times
reaching spiritual climaxes inside each of the pigeonhole, at times providing more
transmissive parts. Let`s partake in that monster.
