The Desolation Of The Present -- The Decay Of The Self (2024)

Genetic Trance

• Ambient 
• Experimentalism 
• Modern classical 
• Avant-garde 
• Art music 
• Musique concrète

See kolmelooline üllitis on välja antud Ukraina plaadifirma Genetic Trance all; kusjuures artist on Moskvast, Venemaalt, kes näikse ilmutanud oma paariaastase olemasolu aja jooksul posu albumeid. Muusika on kussutav, enesessesüüviv, mõtlik ja melanhoolne. Kuigi ma kategoriseerisin käesoleva teose muuseas "konkreetmuusikana", siis ei ole lõpuni kindel, et pärishelisid on siin tõepoolest kasutatud (samas selline mulje on loodud). Armastus boreaalsete krõbinate ning külmade praksumiste vastu tekkis Tim Hecker'i esimese kolme albumi saatel soojendades. Vahet ei ole -- täpselt samad tähelepanekud kaasnevad AI-ga --, kui osatakse tehisintellekti suunata viisil, mis loob positiivse tulemuse, siis on ju väga hästi. See, kas kujuteldav meisterlik tõmme, noot või pilt on loodud inimese või masina poolt, ei oma tähtsust. Ilus muusika, milles nii kavatsuses kui väljenduses on kurbust, hävimise paratamatuse tunnet kui tõdemust, et vähemalt bioloogilise massi hääbumise järel jääb kunst (mitte ainult pelgalt ideena) alles. Lõppkokkuvõttes kõik muutub, hävib ning asendub -- loodus tühja kohta ei salli, ent viisil, et ühte ja samasse jõkke ei ole võimalik kaks (ja rohkem) korda astuda.

Disgorged Faeces – Contamination II (2012)

Genetic Trance

/Harsh noise, Non-music, Avant-garde, Experimentalism, Minimalism/

Comment: I discovered a quite feeling by listening to this 44-minute album just consisting of one long-running track full of static harsh noise propulsions and overwhelming sonorous brutality. However, if my first experience was disgusting because of being without apparent changes then the track would have mellowed throughout the course. By the conceptual side I truly like Yevgeniy Kukharik`s approach to reflect upon shortages related to ecological environmental pollution by malevolent consumption activities of the human being. The point is he/she pollutes himself/herself either. Is that the mind of our life? Of course, by exploiting such kind of threatening (white) noise music to hint at problems related to the human being is not the first time throughout the history of noise music but, however,  the result is impressively yelling into the listener`s ear. Please do not think about them as crazy ones but it is not the point of it.

postmeshische - накося выкуси (v30 km ot goroda mix) (2011)

Genetic Trance

• Lobit
• Noise
• Funk
• Non-music
• Primitive music
• Glitch

Comment: this 3-track issue is a weird shit composed of lobit sonic frequencies, glitches, and demented noises. The Russian experimental music project/duo postmeshische demonstrates how could sound funk music or techno music in a mutilated way (live at 30 km far from a city (v30 km ot goroda), and accidazm, respectively). In fact, there is no much imagination let above of how the music issue could sound in a more primitive way than this one.   

Maelstrom - The Passage (2012)

Genetic Trance

Bandcamp

• Post-rock
• Epic

Outstanding tracks:

In a Painted Black World
...And I Wanted to Live...

...Until the rest of my Life

Красота - Говорящие Гвозди (2012)

Genetic Trance

9.4

/Dada music, Post-punk, Noise, Experimentalism, Non-music, Avant-industrial, Avant-garde/

Comment: this is a loose unit of divergent sounds built mostly on reverb-heavy effects, blinking electronic flickers, hostile resonances, creepy and nihilistic industrial/post-punk afferents. Maybe even tape manipulations are brought forth to make impact on the whole. As you have already figured out it is not an instance of pop music at all. It resembles of an early Cabaret Voltaire, and obscure post-rock groups which had had little to do with punk music.