- Breaks
- Hip-hop
- Acid jazz
- Sampledelic
- Nu jazz
- Chilltronica
- Rap
- Crossover
- Mood music
- Urban music
Comment:
undoubtedly electronic revolution in music in the end of the 80s and
the beginning of the 90s did have a huge influence on major genres,
including jazz music. Furthermore, it made possible to carry out new
flows within a new paradigm with the help of electronic music, club
dance, and other styles. It was the time to spit out such styles as
acid and nu jazz. Later on, such labels as Ninja Tune, And Rune
Grammofon, for instance, directed a part of jazz music across
different trajectories. The former of them searched for such impulses
being brought out from the human being’s
inner space to intermesh them with
cinematic panoramas and
colourful imaginations and softened rhythmic alchemy. It could be
said the Bulgarian-based Dusted Wax Kingdom imprint was obviously
strongly influenced by it, however,
to establish its own universe to exist on and having influence on
others. One planet in this galaxy is this 8-notch outing,
which is important enough because it conjures up a moody surrounding
around the listener. Otherwise it is a soul-amusing platform for
crossing different genres with one another. More profoundly, cool
jazz meets with hip-hop and rap meets chilled-out electronic
frequencies meet whimsical spoken word slices meet medieval flute
sounds now and then. Indeed, you did hear it in right way –
medieval sounds interlaced with other ones. One can imagine the
spherical sonorous layers to be alight to get fun from some innocent
mundane sins. At times the listener’s heart gets
shredded by those beatific orchestrations
and blissful moves of lead motives. In a nutshell, let’s download
it to your music folder to be adjusted with other other releases from
the discography of Dusted Wax Kingdom or the ones of being a mere but
solid bit of the aforementioned imprints. And there is the great coverprint by any means.
