- Noise
- Electro-acoustic
- Avant-garde
- Experimentalism
- Industrial
- Spoken word
- Psycho-acoustic
- Post-industrial
- Radiophonic
art
Comment: what
does it mean the word Nitz. What does it mean the phrase No Nitz? Is
it just the negation of it or will it get an additional value with
the word No? The conversation is biting and acrimonious undoubtedly
over there. This 6-notch issue (which was initially segmented into 8
tracks and released on Oblast Records as a tape outing) is a part of
the discography of CS Industrial 1982-2010, an imprint of which
purpose is to provide examples from within the noise and (post-)
industrial scene of Slovakia, and the Czech Republic. The result is
harsh and rigid, and flamboyant in a sense. The outing starts off
with a littered, intensified noise attack which later will be
embellished with dystopian delays and echoes and hiss-filled samples
from haunted transistors and spoken word cuts as if representing some
sort of radiophonic play. Indeed, it needs to be considered more
closely regarding the profound touch given to it. In a funny way, the
album can be considered polyphonic because different aspects used to
play at the same time. The self-titled track is a mocking version of
how to learn English in a primitive way. By considering the noise
music as a genre there a presumed purpose and a way to achieve it may
seriously be hazed.
Prolog is remarkable due to muezzin-alike
repetitive lyrics, reverberant sparse drumming and a suggestive
pre-delay effect being prevalent over there.
Sludge is
sexually suggestive due to a woman who speaks about her virginity and
how to defend herself against a man's obtrusiveness and in general
how to cope with her sexuality I guess (the words are heavily
littered and interrupted). Indeed, it is a fine noise release.
