- Improvised noise
- Avant-garde
- Experimentalism
- Leftfield
- Electronic
- Psycho-acoustic
- Drone
- Acousmatic music
Comment: you
are not wrong – indeed, you see 8 Ts in front of your sight. It is
obviously the most laconic and uninformative title ever I have
encountered since one album and artist's name of just consisting of
one very long hyphen only (he or she was probably Japanese by having
released a couple of issues on Rack And Ruin Records). Unlike as
laconic as the title of it used to be this 31-minute album is
speckled with different dots and spans, disparate intentions and
blackish and grayish mixed shades. More profoundly, the main line is
based on noisy improvisations and around it used to gravitate
string-tinged plucks, gathered small noise smithereens, acrimonious
autotune-alike vocal threads, bold drones and rough and acute
electronic dodges towards. One can hear the pulsations at different
frequencies like some kind of electricity permeating the main course.
Most sonic blocks are deliberately discolourized and eroded to get
stand into a classical noise music feel. Regarding this classic sense
you can partake in the intermittent case of continuation and
disruption. The mind-provoking and freeing outing is an authorised
work in the discography of ZH27 (these are the initials of Zan
Hoffman who has issued a noise and experimental music legacy under
his own imprint since 1984). This is a bullshit collector of your
thoughts. What does it mean? It does mean nothing.
