- Experimental rock
- Post-folk
- Indie folk
- Musique concrète
- Kosmische Musik
- Post-rock
- Modern classical
- Folk indie
- Electronic music
- Art folk
Comment: Jan
Grünfeld likes to basking by just playing guitar and using a few elements to
accentuate the instrument`s chords. Mostly those few elements are just
algorithms to be implemented for more and less tight air surrounding his guitar
endeavours. More profoundly, there are up a loads of echoes and reverbs in the
middle and on the fringe throughout seven compositions of improvised guitar
playing, however, additionally adorned with hisses from concrete music (the
birds are singing and people are chatting) and the tolling of faint glockenspiel here and there. The only exception is The
Nightshade where the composer takes on electronic devices to create more
sequencer induced paces and synthesizer led Kosmische Musik impulses. The final track Feel Alife used to move on through slow motion lenses with the assistance of bold yet lonely piano chords and concrete music layers and an extended guitar riff thereby eventually resulting in the thoroughgoingly dream-soaked appearance. Fairly impressive. Indeed,
the result is a bewildering piece of instrumental music where experimental approach
in chords is finely balanced against beauty in touch. It is a joint release under la bèl, and Headphonica imprints.
