/Toytronica, Baroque pop, Organic electronica, Chamber pop,
Indietronica, Post-pop, Art folk, Folktronica, Post-folk, Crossover, Cowbell
indie/
Comment: although I have listened to this
handful of tracks for many times I do not know how the artist`s name and the
title of the album should be pronounced being signified for the MS Mincho font.
However, it might even be useful of having no hints at it because of getting
free hands to interpret it on more emotional level. By classification it is a
menarche of styles which core is loaded emotionally for your sad days (divorce
from your lover, enjoying late autumn days). Indeed, it veers away from infantile
indie electronic progressions and arpeggio-shaped guitar shaping to
full-fledged orchestrated manoeuvres and picturesque cowbell indie tinkling.
Sonically it is an interesting listening because much debris used to flit
around to get entered into the mix of stringed instruments and electronic
shuffles. Furtermore, the artist exploits concrete sounds to progress into it or getting out of it. In any cases, doing it in an organic way. Although there is passed by many decades from the onset of
indietronic/folktronic music to be appeared the genre still does have enough
potential and credibility to compete with nascent genres and survive many of
them (for instance, chillwave, witch house). Similar artists might be
candidates for the future mainstream charts sometime (for instance, in 2055). One
of the most pre-eminent issues in 2015 is here to get immersed in. Utmost
coalescence.
