I can not even hesitate for some seconds that the British-rooted post-punk movement has probably offered one of the most impressive moments during the overall pop course, spawning a lot of bands with different point of views, from mocking dadaistic pop ideas to artistical endeavor for creating new exhilarating near-pop conceptions. More concretely, from industrial music-driven vanguard conceptions (This Heat) to danceable krautrock-influenced experimental punk occurences (The Magazine; Public Image Limited; Gang Of Four) were only some ways to illustrate this wave of new offsprings. There were also an array consisting of The Fall, The Mekons, Echo & The Bunnymen, The Cure, The Slits, Swell Maps, The Pop Group among others. This is music I like to consider a kind of punk music instead of so-called punk music I am used to really despise for its empty twitch (Public Image Limited pisses off Sex Pistols for sure).
Undoubtedly The Transmitters has been among the best examples of the kind of. They released three albums all in all from which the last one Count Your Blessings (1987/1989) was reissued under the Portugese label You Are Not Stealing Music in 2006. The album of 8 tracks reveals psychedelic spaced-out avant-rock environments, even the elements of world music are up here to be infused into a vibrant universe of funk rock guitars, hysteric singing/manifesting manner and detail-riched drummings, remembering the albums of CAN by the second half of 70`s. Especially outstanding number is Radio Studente, mixing burning psychedelia (of caustic synths and abrasively repeating space fusion-alike guitars) and sufi music into an exhilarating whole. However, after the hiatus of The Transmitters, the members of the band continued to make up their cult position in the line-up of Transglobal Underground, and Loop Guru.
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