- House pop
- Indietronica
- IDM
- Electronic music
- Alternative dance
- Psychedelic pop
- Electro-indie
- Shoegazetronica
- Ambient pop
- Drone pop
- Post-rock
- Crossover
- Epic
- Avant-pop
- Art pop
- Glitch pop
Comment: this album is a
sequent example of seminal soil in Italy to create music with
grandeur and style. As we know very well Italians are the godfathers
of noise and electro (house/disco) music, but also having contributed
immensely to industrial and progressive and music and soundtracks.
Alessio Bressan`s 7-notch release used to touch the tradition of the
latter with regard to exploiting (deep) house music to mix it
seamlessly to indie and post-rock-tinged music which in turn does
have occasional dodges towards dream pop, shoegaze, baroque pop (for
example, at Away). Twowt is a way between droning and
microscopic orchestrated arrangements which eventually results in
something overwhelmingly epic and majestic. However, the final part
of it seems to depict something more bucolic and rustic. As a
contrast, it makes fairly sense. At times one can find out parallels
with artists being released on Morr Music, at times with the likes of
Seefeel, Autocreation and Locust, at times with the likes of Atlas
Sound and Tangerine Dream yet Bressan has his own proper handwriting.
All the aforementioned elements of experimentation are very
poignantly counterpointed by sublime harmonies and lofty
progressions. That`s all what we need actually for, isn`t. For me, it
is a formula for ideal pop music. This staggering ghost is a part of
the discography of 51 Beats.
