- Experimental electronica
- Power electronics
- Avant-garde
- Noise
- Drone
- Abstract
- Experimentalism
- Improvised noise
- Non-music
- Psycho-acoustic
Kuvatud on postitused sildiga Clinical Archives. Kuva kõik postitused
Kuvatud on postitused sildiga Clinical Archives. Kuva kõik postitused
6/10/2019
BANDWiDTH – Walking Ghost Phase (2011)
3/18/2017
Buben - Glimmer (2007)
- Post-industrial
- Avant-garde
- Experimentalism
- Illbient
- Electronic music
- Ambient drone
- Noise music
- Leftfield
- Drone
- Abstract
- Experimental electronica
3/05/2017
Now – Pileofskyhighmiles (2013)
- Indietronica
- Alternative
- Avant-pop
- Space pop
- Electronic
- Post-rock
- Drone pop
- Organcore
- Experimental pop
- Art pop
- Minimal Wave
- Leftfield pop
- Avant-rock
- DIY
- Experimental rock
3/03/2017
Pigeons & The Insane Porridgemakers – Le Voyage (2009)
- Psychedelic rock
- Noise rock
- Avant-rock
- Free jazz
- Experimental rock
- Dada music
- Freeformfreakout
10/09/2015
Ancient Lasers – You In The Future (2013)
/Pomp rock, Electro-indie, Art pop, Alternative
pop, Indie rock, Emo/
Comment:
the Moscow-based imprint Clinical Archives is being known for releasing
experimental, improvisational, mostly noisy electronic stuff in the first
place. However, its discography extending above 500 issues to date embraces
albums which could be considered to be a part of folk and indie music. For
instance, I can remember for such artists as Dmyra, This Co., and Post Human
Era. The 14-track album You In The Future could be added to the same
compartment. It is built upon the intention to create emotionally overwhelming,
bombastic pop rock album. On the other side, California, US-based musicians
Daniel Anderson (aka Idiot Pilot) and Daniel Finfer (also known as a part of
Post Human Era) exploit many electronic devices and electronic solutions to
“deviate” from an average emo rock/pomp rock formula and exert their own
concept. For instance, you can hear many programmed rhythms and digitally
fuelled bugs in the combo`s sonic feedback and powerful outbursts. Lyrically
the combo is to be about love, relational problems, and as if searching for boost
to foster their self-belief. The favourite song of mine is The Way It Has To Be which could freely have been a teaser within
some of Air`s albums (more apparently, at Talkie
Walkie). In a word, the issue is a solid exertion.
8/30/2015
Post Human Era – Help, I Invented The Internet (2012)
/Electro-indie, Alternative pop, Poptronica,
Epic, Art pop, Indie pop, Remix, Americana/
Comment:
Daniel and Michael Finfer aka Post Human Era`s 7-track/12-track issue embarks on catchy
yet sublime, even epic melody and harmony progressions at Supplies which will continue in next compositions in a similar way.
More profoundly, it is the electro-indie/pop issue with bold Americana
influences ultimately surfacing the talent of the Finfers. Great singing and
arrangements behind it are set to establish the overwhelming punch. Maybe you
will find out some similarities with such Americana and experimental pop/rock
moulded artists as Magnetic Fields, Flaming Lips, Mercury Rev, and His Name Is
Alive, however, the members of Post Human Era used to bring forth their own
idiosyncratic concept and vision. The album will be finished off by a remix
version of Glowbug about Building The
Machine. The issue is a part of the legendary Moscow-based cult label
Clinical Archives (I am still waiting for new issues under the imprint). I recommend listen to other issues by the combo and its related acts as Ancient Lasers, and Glowbug.
2/05/2015
Landing Swabs – Fucking Melt EP (2007)
/Noise, Experimentalism, Improvised
noise, Psychoacoustic, Avant-garde, Improvised music, Non-music/
Comment: Landing Swabs`
2-track issue insinuates a feeling as if you are listening to inner processes
of an industrial proceeding in the factory building. The result is a tumultuous
blend of noisy grits and demented noise torrents. All of that results in brown
noise waves and violent sonic brushes appearing in the middle and periphery of
layers. On the other side, the release can be tagged as improvised music because
these elements follow somewhat chaotic and unpredictable path. Furthermore,
there can be heard some impulses by such noise rock/experimental music combos
as Black Dice, Battles, Hella, Black Pus, Lightning Bolt. The album is issued
on legendary Moscow label Clinical Archives.
9/27/2014
Simone Schirru / Federico Eterno - Around Three Minutes Long Short-movie Songs (2013)
/Free jazz, Cool jazz, Modal
jazz, Film noir, Improvised noise, Experimentalism, Improvised music/
Comment: this collaboration
by two musicians of Italian heritage is all about an exquisite experience of
sloshing through jazz-y swamps. Indeed, the 30-minute session issued under the
wing of Moscow-based experimental records Clinical Archives used to show up
Shirru and Eterno`s continuous skilfulness to drift between scant
instrumentation and jaunty improvisation-filled snippets, still life-esque cool
jazz and more tumultuous modal jazz and free
jazz propulsion forces (especially demonstrated in a series of Videomenata). Furthermore, even curious
approach to (improvised) noise music is presented there now and then. Of
course, as the title suggest the listener cannot underestimate the importance
of recent concept – more concretely, it is film noir-esque and sneaky rather
than joyous and superficially diverting by its nature.
8/31/2014
Himmelkommando – Cerebromatika (2006)
- Abstract
- Experimentalism
- Avant-garde
- Drone
- Non-music
- Glitchtronica
- Post-industrial
- Noise
- Avant-electronica
- Sampledelic
- Illbient
- Dark ambient
Comment: these 7 tracks
spread out over 35 minutes are positioned to be very far from the centres of
pop music. More profoundly, it embraces straightforward, brutal and improvised
noise dashes or more restrained but even more bleaks and malignant
(post)industrial and experimental electronic/glitchtronic compositions. At times Himmelkommando´s music
chimes like a blend of disparate sonic elements where one layer is managed to
be more rhythmic, laidback or even beatific and another used to be clearly abrasive or
ominous (for instance, Teletaxia, Alterego, Fantoplication, Water_Hemlock).
At this point of view the album can be considered a classical example of noise
music where obsessive but successfully accentuated interaction between silence
and noise embrace the central point on it. In a word, it is an austere but
compensatory experience.
8/19/2014
Ujjaya – Master Of Crossroads (2011)
- Ambient
- Ambient drone
- Post-industrial
- Soundscape
- Abstract
- Epic
- Experimentalism
- Avant-garde
- Ambient techno
- World music
- Crossover
- Ethnotronica
- Avant-garde
- Experimentalism
- Tribal ambient
Comment: this 6-track issue
is a mighty, highly fluttering ambient issue produced by Madagascar-rooted French musician Randriambololona Hery. More concretely, Ujjaya`s very
broad yet subtle ambient and drone-blended soundscapes are mixed up with ethnic
segments – Orient-singing and vowel echoes, didgeridoo-induced hypnosis and
ethnic drum and gamelan-based incantations, and on the other side providing some
mild techno vibes, bubbling electronic fabrics, spoken word snippets and adding
some concrete music elements to the mix. Sometimes his music sounds more
amusingly, sometimes more in an abstract way, the milieu is at times brighter,
at times starkly desolate. It can be said, the artist has gathered the best
elements from the aforementioned genres to create his own idiosyncratic result. By the way, the album was played for a ballet made by Vanessa Villain, called Subliminal, telling how the man exploit the Earth and how in return nature take her revenge. Mandatory.
6/12/2014
Perry Ferya Band - Mantra (2014)
- Big beat
- Darkwave
- Neoclassical
- Improvised music
- Alternative dance
- Musique concrète
- Experimentalism
- Avant-garde
- Art music
- Kosmische Musik
Outstanding tracks:
Olympus Mons
Space
Live on Mars
10/29/2013
Kontora Kooka - Jazz Virus (2012)
- Art punk
- Avant-rock
- Jazz punk
- Experimental rock
- Post-punk
- Free jazz
- Surrealistic pop
- Dance rock
- No wave
- Crossover
Discrepancy (Несовпадение)
When jestyurnaki goes down from mountains (Когда жестырнаки спускаются с гор)
6/11/2013
This Co. - More (2013)
9.1
/Synth rock, Space rock, Post-punk, Electro-rock, Dance rock, Indie dance, Alternative rock/
Comment: indeed, the title of this Santiago, Chile-based quartet brings impressively forth the nature of their music though a little bit bent but exact way. It comprises the elements of slamming post-punk drums and bold bass chords, exuberantly evolving electro/synth rock dashes and even epically booming feedback noise walls (Shout! is the best issue over there). In true, dance-appealed vibes are there everywhere. All in all, their music is minx and saucy yet convincing. By the way, they are considered to be a fascinating live group. And by listening to their sophomore album you can get hint at it. There can be drawn parallels upon the likes of Zodiac, Motorama, Tallinn Daggers, The Cure, Joy Division.
5/11/2013
Kontora Kooka - Check (2013)
9.7
/Art punk, Post-punk, No Wave, Avant-rock, Dada music, Experimentalism, Avant-punk/
Comment: Kontora Kooka`s 6-piece issue is a thoroughly experimental punk/No Wave album involving lots of dadaistic slivers, brooding ambiances, outrè song arrangements, obscure lyrics being obviously influenced by such groups as Akvarium, and Einstürzende Neubauten (especially Vladimir Elizarov`s singing manner and accents resemble Blixa Bargeld within it). The duo`s music is exorcized and profound made up of lofty noises, dizzy electronic impulses and outbursts, hypnotic measured drumming and viable acoustic strings behind it. One of the highlights in 2013 so far.
4/01/2013
Vassily K. - ego & e-round (2013)
8.8
/Electro-acoustic, Experimentalism, Improvised music, Avant-garde, Psychedelic/
Comment: despite the exploitation of a wide array of instruments on this 10-track issue the main intention is closely related to electro-acoustic proceedings which at times do give a signal about more folk-tinged, psychedelic terrains, and accentuated improvised music. The most wondrous moments are related to syllable-centric and vowel experiments and incisive electronic undercurrents providing lofty counterparts to rough sonic girders, at round 9, and round 8, respectively.
1/27/2013
Red Cosmos - There And Back (2012/2013)
- Avant-pop
- Experimental indie
- Americana
- Art pop
- Dream pop
- Chamber pop
- Post-pop
- Leftfield
- Dark pop
- Singer-songwriter
- Indietronica
- Weird pop
- Experimental pop
- Alternative
- Baroque pop
1/23/2013
Miche - Along Yurikamome (2012)
- Ambient
- Glitchtronica
- Modern classical
- Organic electronica
- Soundscapes
- Experimental electronica
12/21/2012
Perry Ferya Band - Live on Venus (2012)
9.4
/Krautrock, Space rock, Psychedelic rock, Avant-rock, Improvised music, Psych-rock, Experimental rock, Live session/
Comment: of course, it is not the first time by a seminal avant-garde records, Clinical Archives, to issue dizzy krautrock-ish and hazy space rock propulsions under its imprint. You can remember for such amazing acts as Children Of Ishizuke Tree, Joxfield ProjeX, Melting Clouds, Yoko Absorbing, Magical Unicellular Music, Skala Collective (a marginal project of SC`s musicians). This 39-minute set is a session at a stage involving different sections and plays of variegated intensities full of glacial synths, sultry guitars, reshuffled drums thereby conjuring up psychedelic dust strips and stripes. Stunning.
10/31/2012
Weinberger - Inconvenience (2012)
9.4
/Drone, Electro-acoustic, Non-music, Avant-industrial, Psycho-acoustic, Experimentalism, Spoken word, Noise/
Comment: Johannes Leo Weinberger says that his album is a collection of electroacoustic noise poems, which are musical translations of mental processes. Indeed, it is an exhausting insight into the human mind, however, wherein the listener can detect lots of irrational tendencies and appearances. If you have grown up by listening to the likes of an early Cabaret Voltaire, Clock DVA, Throbbing Gristle, and Einstürzende Neubauten then you have experienced similarly anguished feelings before it again and again. This 10-piece issue has been managed in a way to be utterly frantic, deranged, weird, and a little bit frightening. It is a bunch of gray-coloured soundscapes which are pronounced with spoken word arrangements, incisive whistles and intense drones, and more or less amplified backdrops here and there. Inspite of being a multi-faceted one the whole succeeds in to be a well-defined realm with clear-cut vectors and impulses. However, some bellicose states of mind coming out from within it warn us that the future may not be ours.
9/21/2012
Viktar Siamashka - h.M (2012)
8.8
/Improvised music, Experimentalism, Avant-garde, Electro-acoustic/
Comment: Viktar Siamashka`s 6-piece album is recorded somewhere in the abandoned industrial buildings in Minsk, Belarus. By the conceptual side it seems to be a quite intriguing outlet due to mixing up acoustic woodwind instruments (flutes, clarinets) with bleak echoes and dystopian feelings coming out from within those rooms with massive walls. Substantially according to such a technical approach of music it is generally restricted with the compositional linearity where the questing chords are swiftly followed up by each other backed up by organic noises coming out of the streets. Now and the the border lines and intention between the mentioned parts get blurred resulting in melting into each other at ease. All in all, it is an exciting issue mandatory for all those melomans who avidly do sympathize with the ideas of improvised music.
Tellimine:
Postitused (Atom)