Recent Music Heroes: Entity

Kuvatud on postitused sildiga Entity. Kuva kõik postitused

9/15/2024

Kaschade -- Performance (2017)

Entity

Experimental jazz
Avant-electronica
Post-industrial
Avant-garde
Improvised music
Free jazz
Electronic music
Dark ambient
Experimentalism
Experimental electronica
Improvised noise
Post-bop
Harsh noise

Võta siis kinni, et aru saada, kas seda 13-loolist taiest on rohkem mõjutanud elektrifitseerunud Miles või Throbbing Gristle. See on samas mõttetu küsimus, ent millele saab vastata mõttekalt -- ilmselt mõlemad. Pakun ka, et teist mõjutas niikuinii esimene -- Suure Trompetisti 70ndate loomingus oli väga veidrat eksperimentaalsust ning kummastavaid helindeid. Jutu mõte on, et Kaschade muusika seisab nii hästi säetuna teelahkmel, et teelahkmest on saanud artisti pesa (kust ta paradoksaalselt välja ei kibele -- ei olegi nii paradoksaalne kui mõelda, et pesa on autarkiline). Artisti hektilist kontrasti tekitavate elementidega helipilti fikseerides tulevad meelde trikitajad Hamburg'ist -- legendaarse Faust'i ootamatud käänakud piltlikult öeldes enda selja taha. Lisaks tumedale ja krabisevale elektroonikale, tektoonilisele mustainele, monokroomsetele varjunditele ning puhkpilli irriteerimisele jätavad jämedaid kriipivaid jooni helipilti ka võimsa ülesõiduga kidrad ja lõpuloos mürra vajuvad helipained. Belgia plaadifirma Entity on selle mälus kõlamajääva albumi väljutamise taga. Serblase Aleksandar B. Stojanović'i kaasaegsetest kaasteelistest soovitan kindlasti kuulata Dadala't, Martin Rach'i ja kaasmaalast Lezet'it.

3/05/2018

SatanoiD – Astronomical Disease (2017)

Entity

Archive.org

Breakcore
Alternative
Electronic music
Drill and bass
Jungle
Digital hardcore

Comment: let's continue with a similar content with regard to Spuma Pu's self-titled issue. This time we have to come to the north coast of the Baltic Sea, to Finland. Satanoid's 7-notch outing is an intense, frantic platform for incisive synthesised progressions, piercing drones, atmospheric middle layers and laser guided rhythms. Is it a depiction of the vestibule of hell? However, I do not believe in hell, and devil instead of it you can believe in God (which is not restricted by ridiculous depictions of the so-called religions anyhow) and the mischievous nature of human being. And Earth is going to be hell thanks to us. You cannot change it better for yourself even if you are having such frivolities as an iPhone, and Gucci & Mucci bottles. It is a way of self-deception. Like Mark E. Smith once chanted /eat why'self fitter/up the stairs mister/. Indeed, there are no stairs on its own way. There are up the stupid TV shows only. It might be this 7-track one depicts a perverted relationship between God and a human being. It might be it is a depiction of a battle between different civilizations in Outer Space. The absurdity of annihilation. I could say the intensity is atop if you are listening to it in a less conscious level. The issue is a part of the discography of Entity.

6/12/2015

Tainnos – Versoa (2014)

Entity

Bandcamp

Archive.org

/Ambient, Space music, Minimalism, Soundscape/

Comment: Henkka Kyllönen aka Tainnos` handful of tracks is a refined listening time because of providing sublime shifting within the space music compartment which is embellished with birdsong chirps, phantasmagorical flickers and hisses, majestic transitions from one phase to another. The result is craftily designed, however, offering up emotive impact on the listener. At times these peaks reach maximum heights being obviously outside the Earth and human consciousness. In correlation with the sonic side the cover print is mesmerizing as well. Beautiful and beatific in any cases.

9/05/2014

6SISS – In Pallid Nights (2014)

Entity

Ambient techno
Experimental electronica
Ambient dub
Post-industrial
Glitchtronica
Breakbeat
Ambient noise
Crossover
Experimental techno
Dubstep

Comment: 6SISS is the nom de plume of Peter Adriaenssens, a Belgian artist whose 6-track issue is the follow-up to his Untitled release under Ledebronx in 2014. More profoundly, it is an example of wondrous sonic alchemy where topmost lush ambient-drenched layers are tightly blended with dub-induced, slightly `lazy` rhythmic patterns and reverb-heavy semi-paces beneath. However, Adriaenssens is not an orthodox musician who would like to confine himself into the borders of a definitive genre. He is a nature who prefers to go across different sonic territories – from immersive noise-soaked compositions and horrifying industrial visions to gritty techno and breakbeat-tinged background realms, from quasi-minimalism to glitch-y electronic experiments. In a word, this 6-notch issue can be considered a part of cerebral dance music full of challenging patterns and varicoloured webs whose relatives are Joel Tammik, and Tim Hecker. Keep tab on the artist.