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Kuvatud on postitused sildiga Planear. Kuva kõik postitused
Kuvatud on postitused sildiga Planear. Kuva kõik postitused

9/17/2012

Sailor Jupiter - Sailor Jupiter (2005)



8.8

/Jungle, Techno, Trance, House, Club dance/

Comment: this batch of 9 tracks consists of an array of club-oriented beats veering away from rude jungle rhythms and less rough techno steps to brooding trance and progressive house mixed sequences.

4/15/2012

Minehead - Transpose EP (2007)


Planear

8.8

/IDM, Experimental electronica/


Comment: these handful of tracks meet at a crossroad of glowering electronica and clockwork IDM progressions. Its masterplan used to be represented in a way that it flourishes from slots being previously subjected to more restrained frames and borders.

3/04/2012

Nekrasov & Iversen - SPLIT SERIES #2 (2006)



/Sound-art, Electro-acoustic, Avant-electronica, Noise, Abstract electronica, Microtonal, Experimental electronica/

Comment
: it is a mesmerizing experimental/avant/abstract electronica/sound art split by Moscas Nekrasov, and Jan-M Iversen. The narratives of both musicians consist of the seeds of ragged electronic and micronoise blended plateaus, senseless yet compelling signal throbs, and changing rhythm sequences, all of that is wrapped up by electro-acoustic ambiances. Altogether, the whole is an intricate and intriguing configuration issued on a cult Argentinian label called Planear in 2006. In a word, a classic one which needs to be polished from dust by listeners.

1/14/2012

Younnat - Duct (2007)



/Poptronica, Easy Listening, Electronic pop, Retrodelica, Organic electronica, Lounge pop, Alternative, Chill out, Electro-indie/


Comment: if you are intended to search for poignant kind of loung/easy listening then Oleg Serdyuk aka Younnat`s music is one of the most reliable candidates for it. Duct was Serdyuk`s debut release (before he was known as the keyboard player in the line-up of Lюk (or Lyuk) from Kharkiv, Ukraine) issued both on Bump Foot, and Planear Records. More profoundly, you can enjoy enormously catchy surfing on retrodelic harmonies and frequent rotation of motives which at times resemble another slavic group, Messer Für Frau Müller, though, Younnat used to be unprovided with black humor. Anyway, the concluding track Djedai Arkadyi seems to exploit Los Kjarkas`s Llorando se fue (which was popularized by a cover of Kaoma, called Lambada).