- Post-rock
- Epic
- Art rock
- Ambient rock
- Yacht rock
- Progressive rock
- Funk rock
- Crossover
- Indie rock
- Alternative rock
Kuvatud on postitused sildiga Sinewave. Kuva kõik postitused
Kuvatud on postitused sildiga Sinewave. Kuva kõik postitused
1/17/2019
Kalouv – Sky Swimmer (2011)
4/09/2018
Circvlo – Beleza (2017)
- Math rock
- Alternative rock
- Indie rock
- Crossover
- Post-rock
- Post-metal
- Art rock
- Art metal
- Mood music
- Dance rock
4/06/2017
Macaco Bong – Macaco Bong (2016)
- Post-rock
- Alternative rock
- Dance rock
- Funk
- Math rock
- Psych-rock
- Stoner rock
3/24/2017
Infraaudio - Prana (2016)
- Alternative rock
- Screamo
- Epic
- Emo
3/08/2017
This Lonely Crowd – This Lonely Crowd (2017)
- Alternative rock
- Post-metal
- Shoegaze
- Indie rock
- Dream pop
- Fuzz pop
- Trash metal
- Blues
- Technical metal
2/28/2017
Emicaeli – PoPs (2016)
- No Wave
- Alternative rock
- Indie rock
- Experimental rock
- Avant-rock
- Math rock
- Avant-prog
- Hardcore
- Art rock
- Ambient rock
- Post-metal
10/14/2016
Team.Radio – Summertime (2011)
- Dream pop
- Alternative pop/rock
- Indie pop/rock
- Shoegaze
- Post-rock
- Psychedelic rock
- Avant-rock
- Experimental rock
4/29/2016
Mais Valia – Mais Valia (2015)
- Stoner rock
- Hard rock
- Post-rock
- Math rock
- Post-metal
4/08/2016
Giant Gutter From Outer Space - Set Adrift (2016)
- Math metal
- progressive metal
- Technical metal
- Stoner rock
- Crossover
- Experimental metal
Comment: the Curitiba, Brazil-based duo Giant Gutter
From Outer Space has been very active during 2016. Some days ago they released
their third issue Stumm under
Sinewave. Before it they issued Black
Bile (Promo), and before that Set
Adrift under Sinewave. This
handful of tracks contains many elements pulled out from different metal and
rock subdivisions. Instrumentally the punch is driven by heavy noodling of the
drums and bass guitar, though it is not the noodling in the classical sense of
rock and metal music. More profoundly, it does mean relentless key changes to
be appeared throughout the course, a shitloads of dodges and plunges between
stoner rock/metal, math rock, technical/progressive metal. I am quite provoked
about the question – might it be the sort of improvised music or all these
elements are previously rehearsed to be played punctually? The energy coming
out from these combinations is another case of appeal. More concretely, it is
not the energy of pop inflected music, it is quite murky, silent and glowering.
Thumbs up!
1/21/2016
Testemolde – Hidroxila (2015)
- Stoner rock
- Trash metal
- Alternative rock
- Crossover
- Post-metal
- Shoegaze
Comment: by
listening to the first piece (JDSL) of
this 3-track issue one could hear something of rough rock and roll played with a
properly metal music approach. On the other side, Geezer adds some chosen shoegaze/space rock elements dispensed properly with
more key changes to the mix thereby chiming slightly more psychedelic and
thereby providing the stoner rock pathway to trudge. The final notch Testemolde is based on a rough metal riff
supported by massive drum slams and galvanized guitar synergy. The accomplished
point of the issue is that it succeeds to hold the line between alternative rock
and metal music and to erase it now and then when it is necessary of avoiding of
being played and getting perceived one-dimensionally. Well done. The notch is a
part of the Brazilian alt-rock/shoegaze/dream pop/post-metal imprint Sinewave.
12/14/2015
Juçara Marçal & Cadu Tenório - Anganga (2015)
- Improvised music
- Freeformfreakout
- Avant-garde
- Experimentalism
- Noise
- Psychedelic
- No Wave
- Non-music
- Leftfield
- Psycho-acoustic
- Improvised noise
- Ambient
Comment: first
of all, it is a mind-boggling issue because of disparate elements have been
merged in one whole. Juçara Marçal`s ever-changing challenging vocal delivery
recalls such artists as Laurie Anderson, Meredith Monk, Diamanada Galas, Maja
Ratkje, Jarboe, i.e being the female vocal artist whose aesthetical spot is put
on wobbling between singing and mostly high-pitched vowel experiments. From the
background she is supported by untamed sonic experiments by Cadu Tenòrio who
exploits tapes, prepared violins, synths and manipulated sounds to call forth interesting
resonances between those aforementioned compartments. Musically harsh noise
torrents, bugs of brown noise and elliptical rhythms used to encounter buried,
silence soaked vowel based moments and spaced-out synth induced layers on top. Juçara
Marçal sings and chants in Portuguese. The issue is a joint issue to such
Brazil based labels as Sinewave, and QTV Records (both of them involve many solid examples in their discography). In a nutshell, the outing is
enchanting because of being built upon intriguing sonic compositions, inner
burning and accomplished concept. Completed successfully.
12/10/2015
This Lonely Crowd – Meraki (2015)
- Post-metal
- Alternative rock
- Shoegaze
- Post-rock
- Epic
- Speed metal
- Doom rock
- Trash metal
- Power pop
Comment: The Curitiba, Brazil residing combo This
Lonely Crowd is back with their brand new one Meraki. If to compare it to their previous albums the quintet
continues to develop more metal oriented compositions rather than continuing
with shoegaze-tinged ones which were being characteristic to their first albums
(And Endless Moment Everyday All the
Time, Ephemeris). Of course,
those elements are represented over there though the impulses to be propelled further
come from doom rock, speed metal and trash metal corners. At times one could perceive destructive blackened
energy over the place ready to demolish the structure (Sophrosyne). Indeed, heaven meets hell and light meets darkness. In
a word, the collective exploits craftily their previous proficiency to create
epic clouds and glistening soundscapes to support and arouse the listener`s
fantasies. It is truly interesting to wait This Lonely Crowd`s next issue
because having no hint at their next direction. One could already perceive the
fulfilled content within the concept of the collective. There is obviously no space for old tricks anymore. Maybe I am wrong, though. At this time it works
out fairly effectively because of having reached maximal quality from their
aesthetical extent.
11/09/2015
Sobre A Máquina – Anomia (2011)
/Post-metal, Progressive metal, Experimentalism,
RIO, Avant-garde, Improvised music, Avant-prog/
Comment: the
concept “Anomie” is a sociological
term invented by the well-known French sociologist and thinker Èmile Durkheim
in his work Suicide (1897). The term
does refer to the breakdown of social ties between a person and the community.
More profoundly, it is a state of derangement and unrest when moral norms are
placed in doubt. Sobre A Maquina´s 2-piece issue is a follow-up to such issues
as Decompor, and Areia which were the outings of
problematic kind to be classified into very certain pigeonhole. Indeed, The Brazil trio`s music is
something which rebels permanently against the stylistic borders though the
ones are important because of conveying premises for further crossing. In a
word, you need borders to cross them and thereby get somewhere else. Mostly the
outing sounds like something of metal music being subjugated to the algorithms
of krautrock and avant-prog/RIO aesthetic. It involves a shitloads of
unexpected changes in style and instrumentation, in mood and in structure. At
times it is calmed down at times it is thoroughly demented and stoned ready to
annihilate its very core. It is not background music, it crashes into the listener. In a nutshell, the Rio De Janeiro based combo`s plan
was ambitious, however, they were apt to fulfil it.
9/11/2014
J.-P. CARON – ST (2014)
- Drone
- Dark ambient
- Ambient noise
- Epic
- Ambient drone
- Dystopbient
- Avant-garde
- Minimalism
- Microtonal
- Experimentalism
Comment: J.-P. Caron`s recent
composition may chime like a graveyard or junk yard antidote to La Monte
Young`s music. Just kidding. However, there are represented a couple of tracks
first of them extend a little longer than one hour and another is approximately
about 14 minutes. Despite their imbalance in format the nature is similar –
taut, bleak drones run ceaselessly over endless landscapes full of ghostly
shades and penumbras. Inspite of the minimal or even microtonal concept the
emotion flourishes throughout and will be full-fledged at the end. Of course,
such kind of minimally produced music is tractable by illusions thereby the
listener cannot be very sure where is laid down the border between reality and
fiction. The blurred vision is actually its strength and source of
vitality.
6/27/2014
Huey - Ace (2014)
- Post-metal
- Math rock
- Psychedelic
- Epic
- Stoner metal
- Experimental metal
- Art metal
Outstanding tracks:
Baby Monstro
Por Detrás De Los OjosPedregulho
Valsa De Dois Toques
Nice Weather For The Carnaval
Samuel Burns
5/23/2014
This Lonely Crowd - Möbius & The Healing Process (2014)
- Shoegaze
- Alternative rock
- Math rock
- Power pop
- Post-metal
- Trash rock
- Epic
- Space rock
Outstanding tracks:
Gentle
Locked-inn
Aphorisms
Sleepers Among Petals
Forlorn Hope
Disguises
Some Infinite Longing
5/15/2014
Cadu Tenòrio - Cassettes (2014)
- Experimental electronica
- Improvised music
- Ambient
- Microtonal
- Dark ambient
- Micronoise
- Sound art
- Avant-garde
- Experimentalism
- Sound collage
- Post-industrial
- Electro-acoustic
- Psycho-acoustic
Outstanding tracks:
Prematuro
Redoma
3/20/2014
Herod Layne - Umbra (2013)
- Post-rock
- Post-metal
- Alternative rock
- Drone metal
- Experimental rock
- Spoken word
- Crossover
- Epic
Outstanding tracks:
Penumbra
Limbo
Lumia
Antumbra
2/18/2014
1/05/2014
Astrolàbio - Coma (2013)
- Space rock
- Fusion
- Art rock
- Mood music
- Experimental rock
Outstanding tracks:
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