/Acousmatic music, Experimental
electronica, Organic electronica, Abstract, Experimentalism, Microtonal,
Avant-electronica, Sound art, Electro-acoustic/
Blogiarhiiv
10/02/2015
Méryll Ampe - Passing Over (2012)
[Teaser of the day] Dream Magic - L`illusioniste
- Avant-rock
- Drone rock
- Dream pop
- Leftfield
- Neo-psychedelia
- Experimental rock
- Psych-rock
- Space rock
Artist: Dream Magic
Release: Wouldn`t You?
Label: Bandcamp/Sleep At Sunrise
Year: 2015
M. Kleis - Quest for Fire/Visit to Minotaur (2003)
/Synth rock, Fusion, Mood music, Experimental, Progressive rock, RIO, Electronic, Art rock/
10/01/2015
[Teaser of the day] Drew Costigan - Pulsar
- Kosmische Musik
- Alternative pop
- Ambient pop
- Electronic music
- Electro pop
Artist: Drew Costigan
Release: Sound Mind
Label: Faturenet
Year: 2011
Minoy/Zannoy - Deaf Mix for Jake Hobo (1986/2004)
/Freeformfreakout, Spoken word, Noise, Sampledelic,
Psycho-acoustic, Electronic, Sound art, Experimentalism, Avant-garde, Plunderphonics,
Non-music, Acousmatic music/
Comment: these 44 minutes are another instance of huge legacy which is left by Keith Bowsza (1951-2010) aka Minòy. The US-based artist who released his music mostly in the 80s, however, finished off producing music in 1992. Later on, he was being known under the name Haint by taking on the black and white photo paintings. Deaf Mix for Jake Hobo is a collaboration album with another US-based noise/experimental/sound art musician Zan Hoffman. As the title might suggest the duo deals with hearing and perception problems. Moreover, these 44 minutes used to disorientate the listener because of involving a shitloads of abrupt turns and changes in sonic fabric and colours. It includes many samples pulled out from unknown sources. However, these loans are intertwined in a way to yield new, uncannily frightening contexts and mind-shifting impulses. In a word, it is an example of sample-based art, however, reflecting upon neuropathic problems which excruciated Keith Bowsza throughout his lifetime. At times Bowsza and Hoffman use slowed-down and pitched-up algorithms to spice up their occasionally lethargic soundscape. The listener can discern those warm analogue tones and timbres being so characteristic to the 80s. Of course, I recommend to dig up other Minòy and Zan Hoffman`s issues either which were being an important part of the 80s cassette culture movement. The album was initially released under the Elevation of Anxiety sub-label in 1986. At the moment it is a part of Zan Hofman`s zh27.
9/30/2015
[Teaser of the day] Mart Avi - V&B
- Avant-pop
- Art pop
- Post-pop
- Electronic
- Sophisti-pop
- Mood music
- Leftfield pop
Artist: Mart Avi
Release: Humanista
Label: Bandcamp/Self-released
Year: 2015
Alternative links:
Rumored High Speed Rail Hub - 03.12.25 (2003)
/Experimental electronica, Avant-garde,
Ambient noise, IDM, Krautrock, Kosmische Musik, Glitch techno, Experimental
techno, Experimentalism/
Comment:
this project with the strange name seems to be ahead of its time. It is
formally an indicator of the point at least, because the title of the album is 03.12.25. In fact, this 11-piece
composition has been issued in 2003 to provide meandering spaced-out landscapes
backed up by crunchy IDM-alike and glittery glitched out techno propulsions and
bass-heavy rumbling here and there. By considering the project`s intention to
be ahead of its time it is not incorrect at all. More concretely, there are up
many high-pitched synth sounds which used to chime in an overtly futuristic way
(for instance, Throw Up). Those brooding
synth lines on the top are to startle us by creating phantasmagorical imageries
and hyper-realistic associations in the listener`s mind. Is it an electronic
counterpart of progressive rock music? Furthermore, it is more close to 70s German
progressive music called Krautrock/Kosmische Musik (especially relating to such
artists as to Tangerine Dream, Ash Ra Tempel, and Klaus Schulze). For instance,
Dumpstered which sounds almost like
an example of space rock created by a stoned Terry Riley in the meantime. Might
it be that it comes out from the same branch of reflecting upon Angus Maclise`s
artistic endeavours in Nepal after the departure from the Velvet Underground?
Indeed, Stark offers up some clues to
be proven. The overall pattern of the outing is thought-shifting and
mind-provoking along with vivid changes in rhythmic structures and harmony
fabrics. Moreover, the issue`s coverprint used to resonate with the whole`s sound. In a word, let`s enjoy this fabulous item.
[Teaser of the day] Woodworkings - Home
- Post-rock
- Modern classical
- Ambient
- Experimental
- Epic
- Avant-garde
Artist: Woodworkings
Label: Bandcamp/Self-released
Year: 2010
9/29/2015
Life Like Thunderstorms – Awkward Balance (2015)
/Avant-garde, Leftfield pop,
Experimentalism, Art pop, Crossover, Spoken word, Post-metal/
[Teaser of the day] Cldscp - Phone Call
- Freak folk
- Primitive music
- New Weird Argentina
- Weird folk
- DIY
- Electronic
- Free folk
- Lo-fi
- Anti-folk
- Experimental folk
Artist: Cldscp
Release: Menso Freakfolk
Label: LCL (LibreCommeLair)
Year: 2010
Alternative links:
Live Savings – Endings (2014)
/Power pop, Post-grunge, Alternative
rock, Angst rock, Screamo, Math rock/
9/28/2015
[Teaser of the day] Port Mone - Cold Water
- Avant-rock
- Post-punk
- No Wave
- Art rock
- Improvised music
- Experimental rock
- Industrial rock
Artist: Port Mone
Release: Forest (Compilation)
Label: Far from Moscow
Year: 2011
Abject Object – Romance LP/CD (2013)
/Punk rock, Art punk, Alternative rock/
Comment:
Abject Object is a Paris. France-based musical project whose 11-track issue has
been released in different formats under a bunch of record labels so far (Echo Canyon, Flower Of Carnage, Wee Wee, Corn Dog, Protagonist, Zone Onze, Gang Bang Tapes. moncul, Emergence) . Because of that it can be
admitted the combo`s music must have some kind of appeal. The combo`s music is
tagged as “hardcore” and “hardcore punk” though it is a little bit overstated
because the album chimes more softened than an average hardcore band used to
do. Of course, some levels of hardcore elements are represented there but they
are represented on the average. Moreover, at Waste Of Time the listener is pulled into artsy punk explorations
giving the group`s another dimension. At Cruel
the band reveals its disposition via those quite atmospheric guitars in the
ending section toward the 80`s alternative rock bands who were influenced by
the post-punk movement but searched for their own pathway a la The Chameleons, Echo & The Bunnymen, Korova Milk Bar etc. In a word, it is a solid punk rock album. Indeed, it is a
decent drift between rock patterns and punk-ish rebellious message and attitude.
9/27/2015
[Teaser of the day] Calvin Markus - Dilated Nothingness
- Art pop
- Soundtrack
- Conceptual
- Baroque pop
- Dark pop
- Chamber pop
- Alternative
Artist: Calvin Markus
Label: Vulpiano
Year: 2009
9/26/2015
Blind Man Walking - 36 Howden Road (2014)
/Improvised music, Ambient, Glitch,
Freeformfreakout, Cool jazz, Kosmische Musik, Art music, Free jazz, Avant-garde,
Experimentalism/
Comment:
it might sound like muzak at times though it is not it by the artist`s intention
though. Indeed, there are represented some smooth jazz progressions, however,
those whiffs are generally put in such a pop music estranged context giving no
possibility to understand it as an example of pop music. More concretely, there
are up tightly foggy, glitched-out noises like a black hole sucking in the most
sonic artefacts surrounding it. Concrete
Lamppost Sure Tastes Good is another, more pop-oriented and Kosmische Music
mixed composition with dreamy vibe and drowsy meandering. Made A Fag From Cabbage Leaves And A Newspaper sounds like a ghoul
telling a story outside while being accompanied by an early, more post-punk-ish
sound of Cocteau Twins chiming somewhere at a remote distance. It is a weird
collage indeed. The Green River Joins Two
Identical Worlds is an inventive turn through a cool jazz /post-bebop pad. However,
the whole might be a sort of muzak though it is an uncanny sort of muzak in
this case. Thereby it can be said it is provocative and challenging for those
who do not like music while listening to AOR as a sonic tapestry because of
feeling her/himself not being alone. In a word, let`s trying to hover with it.
[Teaser of the day] Noordwiijk - The Silence of the Sirens
- Art music
- Avant-garde
- Darkwave
- Chamber music
- Electro-acoustic
- Minimalism
- Experimentalism
- Ambient
- Leftfield
- Post-rock
Artist: Noordwiijk
Release: Sailor Boy
Label: Jeunesse Cosmique
Year: 2015
Aortha & Goron – Dvoe (2015)
/Ambient, Spoken word, Minimalism, Sound
art, Experimentalism, Avant-garde/
9/25/2015
[Teaser of the day] Multi-Panel - Zomer
- Folktronica
- Indie folk
- Art folk
- Drone folk
- Duyster
- Chamber folk
- Folk indie
- Baroque folk
Artist: Multi-Panel
Release: Train Times For Sway
Label: No-Source
Year: 2010
Alternative links:
9/24/2015
The Parish of Little Clifton – Septemberish 7 (2011)
/Dream pop, Chillwave, Electronic pop,
Poptronica, Alternative pop, Indietronica/
Comment: this 2-thread issue comes out of
Agassiz, Canada from then-19-year-old producer whose tracks It`s Ok, Roseanne; Echo Island are technical and organic at the same time. Indeed, the
listener can perceive those production traces impressed in the compositions, on
the other side the compositions provide enough relaxing, dreamed-out (Echo Island) and thoroughgoingly earnest,
even funny moments to pump up your mood with positive neurotransmitters (It`s Ok, Roseanne). It is just a case to provide some turns, some loops and some moody threads to start off the party and get everyone to calm down. I discovered the
artist got inspiration from nature, more concretely, by enjoying the beauty of
a couple of lakes nearby his place of residence. The issue is a part of the
discography of the Bad Panda imprint.
9/23/2015
{Teaser of the day] Inverness - Room In Twilight
- Indie rock
- Alternative pop
- Dream pop
- Avant-pop
- Neo-psychedelia
- Shoegazetronica
- Post-pop
- Alternative dance
Artist: Inverness
Label: Psicotropicodelia/Jamendo
Year: 2010
Alternative links:
The Chopittos Arkestra – Zavanardi Rising (2012)
/Avant-garde, Space rock, Psych-rock, Dark
ambient, Freeformfreakout, Blues rock, Psychedelic, Hard rock, Bossa nova,
Experimentalism, Singer-songwriter, Electronic music/
9/22/2015
[Teaser of the day] Ghostkid Presents - Trainspotting with a Pretty Girl
Prutsers - Prutsers Vol.1 (2012)
/Primitivism, Organcore, Post-punk, Lo-fi,
DIY, Avant-garde, Experimentalism, Freeformfreakout, Non-music, Outsider music,
Dada music, Covers/
9/21/2015
[Teaser of the day] Godspeed You! Black Emperor - Peasantry or ‘Light! Inside of Light!’
- Psych-rock
- Post-rock
- Noise rock
- Art rock
- Experimental rock
- Live session
- Chamber rock
- Experimental rock
- Avant-rock
Artist: Godspeed You! Black Emperor
Label: Archive.org
Year: 2015
[Teaser of the day] Joplin Rice - Catapult
- Singer-songwriter
- Folk indie
- Americana
- Alt-folk
- Indie folk
Artist: Joplin Rice
Release: Hurricane Alaska
Label: Bandcamp/Self-released
Year: 2015
[Teaser of the day] Dreamphish - Never
- Synth-rock
- Post-rock
- Alternative
- Dark pop
- Indie rock
- Experimental indie
- Coldwave
- Art rock
Artist: Dreamphish
Release: Garlic Icecream
Label: Bandcamp/Self-released
Year: 1997/
Paris Angels – Eclipse (2015)
/Madchester, Indie dance, Acid rock, Electronic
pop, Indie rock, Baggy, Dance rock, Alternative dance, Psychedelic rock/
Comment:
during the first tenure (1990-1992) the Manchester septet Paris Angels produced
debut album Sundew which was filled
with the Zeitgeist loaded dance rhythms and psychedelic vibes giving bold hints
at then flourishing rock and acid house mixed scene in Great Britain. Indeed,
Happy Mondays, Northside, Flowered Up, The Stone Roses, Inspiral Carpets, The
Shamen, The Charlatans, The Soup Dragons, The Mock Turtles, The Farm if to name
some of the most known artists. It was a solid, idiosyncratic music scene
having much more power than, for instance, the post punk revival movement
emerged in the beginning of the 00s. Paris Angels´ sophomore album Eclipse is finally out though it was
initially produced in 1991. And it really measures up. Unfortunately it was
kept not to be released at the beginning of the 90s because such quality would
have been noticed because the combo had already gotten attention due to the
single Perfume. Although all those
mandatory baggy/Madchester elements are represented over this 11-bar album the
issue involves more new electronic and synthesised sounds additionally. For
instance, Door To Summer is a fine
example of forging together sunshiny doo wop inspired flower pop and skiddy
rhythms with the cream of male and female mixed vocals in front of. This would
have been another great indie anthem for the group. Moreover, it would also have been ecstatic, high-bumped Sleeping With Radio On. Rise includes an enchanting chorus and orchestration on the top of
spastic guitar chords and mellow noises. Complete
Mind starts off with Kraftwerk-ian electronics to delve into dreamy
house-influenced electronic (dance) pop which would freely be a part of the
repertoire of such bands as Saint Etienne, Moloko, and Lamb, for instance. It
could be said the band slightly distanced itself from the baggy style to move
on toward a more electronic music scene which embarked on in the 00s actually. Only
Stairs To The Sun is a
straightforward, remotely lad/pub rock inspired torrent of the guitars. In a
nutshell, it is one of the best albums in 2015 so far. It is thoroughly inspiring
and nostalgic at the same time.
9/20/2015
Besoin Dead - Pair, tu n'es pas Impair (2015)
/Experimental rock, Indie rock, Psych-rock,
No Wave, Alternative rock, Art punk, Avant-punk/
Comment: I think anyone who considers
himself/herself a music friend should listen to the oeuvre of Besoin Dead.
Certainly he/she should see him in live. Although I have never attended the
Frenchman Pascal Benvenuti`s gigs I guess it is something of a madman`s show by
making decision after having watched some videos and pictures to his performances.
Benvenuti ordinarily sits in front of the drums and a guitar which is
differently prepared as it usually used to be and ready to be handled like a percussive
instrument. It is amazing how the aforementioned set is enough to produce
sustained, articulated noises in the vein of artsy punk/indie rock. Although
Benvenuti`s approach with regard to his outer and inner side might remind of
Sonic Youth and some other No Wave related combos the artist`s touch is
idiosyncratic in the right manner to watch them apart from each other.
Furthermore, Besoin Dead`s sound is deeply permeated with anxiety and
aggressiveness to depict his loneliness and despairing senses (the best example
is Papa Bunker). There are up some
sonic exceptions either – for instance, Le
répondeur du Blond which consists of the voice of a man sitting on the
phone and short-running signals coming in every five seconds thereby being the
strange counterpoint to it. Pascal
Depression rings like the light-weighted sort of doom rock. Many tracks start off like a sort of contemporary tribal music with bare
rhythmic imitations saturated with echoes and reverberations. Get stoned!
Toothless - EICV7" No. 108 (2015)
/Experimental pop, Indietronica,
Leftfield pop, Post-pop, Art pop, Post-rock/
Comment:
this 3-track issue consists of dreamy female vocal deliveries, crunchy
glitched-out bugs in the middle of mid-range rhythms, and pitched-up and down
sonic segments, and psychedelically swirling sonic effects and slightly mystical
synth meandering over the scope, however, constituting the organic whole altogether.
First of all, if to compare Toothless with someone then the project`s music
used to have some similarities with such sophisticated, avant-pop artists as
Stereolab, Flunk, Pram, and Broadcast (especially its aesthetic reminds of the last
named project). Hopefully such sort of music will be awarded in the mainstream
charts sometime in the future. On the other side, maybe it is paradox that something
which could be tagged as “ideal pop” will never reach this honour because it
used to be ahead of its time and current people`s tastes. Let`s see – until
then you can enjoy this bunch of excellent compositions.
9/18/2015
[Teaser of the day] Sunshower Orphans - Public Pool Daze
- Shoegazetronica
- Alternative pop
- Indie pop
- Alternative dance
- Dream pop
Artist: Sunshower Orphans
Release: Avenue Abyss
Label: Bandcamp/Self-released
Year: 2011
Woods - July 15, 2009 Bowery Ballroom (2009)
/Psych-rock, Space rock, Alternative
rock, Live session, Experimental rock, Indie rock/
Comment: Woods
is the Brooklyn, New York, US-based trio of Jeremy Earl, Jarvis Taveniere, and
Aaron Neveu. The trio`s half-hour gig at Bowery Ballroom was performed after
four years and four issues from the starting point. The gig was followed by
the issue of the album Songs of Shame
only some months earlier on Jeremy Earl-led imprint Woodsist being shelter for
many well-known experimentally oriented indie rock groups from recent generation
(Vivian Girls, Crystal Stilts, Sic Alps, Pocahaunted, Wavves, Kurt Vile etc).
The performance is an eminent proof as the slightly decent tradition oriented rock
embodiment will grow remarkably due to extension through some intense key
changes, guitar overdrives, sonic effects-delays and organ vamps. Although the
combo is considered a part of the New Weird America movement these 32
minutes, however, set about to add some shimmery seeds to the rock and roll music tradition by
playing music with immense energy and impetus originating mostly from the blues
music legacy. In a word, grab it for yourself, your brother and sister and
your cat and dog.
9/17/2015
Fuck Explorer – Fuck Explorer (2010)
/Indie rock, Alternative pop, Lo-fi,
DIY, Dream pop, Shitgaze, Fuzz pop/
Comment:
Fuck Explorer is a duo consisting of Craig ad Henry from USA. They play
guitars, drums, sing and play Theremin. Indeed, it is the same proto-electronic
device which was invented approximately 90 years ago (in 1928) in the Communist
Russia by Leon Theremin which is doing ghostly, high-pitched electronic sound.
However, many famous rock and pop groups have exerted it in their oeuvre (Led
Zeppelin, Rolling Stones, Portishead, Beach Boys, Jean Michel Jarre etc). The
duo`s short-running, eponymous EP involves many different facets. First of all,
it consists of over-amplified guitar noise rock with strong resonance and
dissonance atop. On the other side, it chimes silently, almost like a
hyper-realist dream pop group a la Ducktails in some tracks (Vishnu Purana, White Minx You Know). The duo demonstrates its affinity toward
spaced-out pop either, especially at the finishing composition La Bamba. Those towering guitar riffs
and extended soundscape developed around it with pulsating monotonous
electronics on the right channel do make difference. Ultimately it can be said
the EP is appealing in its roughness and satisfactory in its diverse approach.
[Teaser of the day] Tang Kai - Pictures
- Trip-hop
- Alternative pop
- Electronic pop
- Art pop
- Glitch-hop
Artist: Tang Kai
Release: Evangelion
Label: Camomille
Year: 2006
9/16/2015
Summer Of Haze – Hazy Memories EP (2011)
/Synthwave, Dreamwave, Sea punk, Newbreed, Witch house, Drag house, Vaporwave, Leftfield pop/
Comment: this handful of pieces would have been
a great pop issue if the world were a more affective and smarter place. Indeed,
all the elements represented over there are masterfully balanced within it –
from spooky yet dreamy synthesised hovers with additional of voice-based codas and
hyper-realistic ambient and found sound mixed sonic plateaus to unexpectedly
entering sinister noise torrents and even post-punk-esque bass thumping (Slept Together). By listening to it for
many times in a row the listener can actually perceive the impact of an early
Ariel Pink on further development of innovative pop music – by the New Weird
movement and neo-psychedelic approach to dream-soaked indie pop/chillwave and witch/drag
house and vaporwave music. Ariel Pink demonstrated that the kind of geek music
could sound in a very ctachy (poppy?) way in fact. Although the Tambov, Russia-based artist
provides idiosyncratic detours and threads the pre-eminent value of the issue
surfaces with regard to its organic feel and effortlessness. Indeed, the easiness
is densely mixed up with murkiness that someone might think of that as something
of house music for Satan worshippers
9/15/2015
[Teaser of the day] Kroma - Conflict-Betrayed
- Kosmische Musik
- Krautrock
- Cosmic synth
- Electronic music
- Space fusion
Artist: Kroma
Release: Prince of the City
Label: Trash Can Dance
Year: 2015
The Shining Men – The Great Brain EP (2011)
/Avant-techno, Experimental techno, Minimal techno/
9/14/2015
If The People Were Paper – Rotten Sugar (2008)
/Lo-fi, DIY, Anti-folk,
Electro-acoustic, Psych-folk, Space folk, Freeformfreakout, Singer-songwriter,
Ambient, New Weird America, Experimentalism/
Comment: I
don`t know how should this handful of pieces be tagged for? Is it
electro-acoustic music with plenty of folk music influences or vice versa? Or
is it an ambient music album with remarkable inclination toward primitivism? Or
is it a spoken word album with hints at spaced-out folk/rock music? Maybe even
something else? However, the result is impressive in its madness loaded with
desperate chants and freaky shrieks. At times the way is paved by the dada
tradition fuelled brown noise produced bits. Indeed, it is the kind of
songwriting coming out of a remote corner. For instance, Mountains is a solid folk song with some indirect grunge influences
in the blend. The soundscape is rough due to primitive noises and echoes
thereby giving it verve to change into an idiosyncratic punch. It can be said
the album is almost being undiscovered so far (you can trace for only few
listening times at Lastfm for instance). Furthermore, I was not able to figure
out who is the person behind the project. There is no information about it. However, let`s find out the issue in the
discography of Rack And Ruin Records.
9/12/2015
[Teaser of the day] Revolution Void - Weekend Amnesia
- Breaks
- Hip-hop
- Alternative dance
- Trip-hop
- Nu jazz
- Downbeat
- Urban music
Artist: Revolution Void
Release: Increase The Dosage
Label: Jamendo
Year: 2006
David Woodgett – Over The Ash Tree (2015)
/Psych-rock, Alternative rock, Indie
rock, Blues rock, Space rock/
9/11/2015
[Teaser of the day] Duelectrum - Cabeça nas Nuvens
- Shoegaze
- Ambient rock
- Space rock
- Epic
- Doom rock
- Psych-rock
- Indie rock
- Alternative rock
Artist: Duelectrum
Release: EverythingIs1Yr.compilation
Label: EveryhingIsChemical
Year: 2009
Psychic Frequencies – Projecting Disorder (2014)
/Experimental electronica, Glitch ambient,
Post-industrial, Electro-acoustic, Musique concrète, Avant-garde, Drone,
Experimentalism, Ambient dub, Experimental techno/
Comment:
it is obviously one of the best most thought-provoking techno and dub albums I
have ever heard. In fact, if we think of techno or dub music I used to think of
quite sterile and hermetic beats which are extracted from certain synthesised
pads and embellished with synthesised overdrives. Indeed, Projecting Disorder is something of the so-called techno and dub
music. Psychic Frequencies aka the collaboration act between Alistair Stray and
David Clarkson used to draw on electro-acoustic ambience and raw sonic fabrics
wherein the listener could perceive lots of open air around it. Of course,
those are only some elements provided over the mix. For instance, Projecting Fractures is a terrain to
take on rough improvisation due to flute sounds by Southeast Asia and
thoroughgoing electronic experiments which in turn used to hint at the
aesthetics of industrial music. Those many ambient music snippets represented
throughout the course are loaded with many ghosts and other supernatural creatures.
Actually it is not surprising with regard to the artists` immensely foregoing
musical involvement (Alistair Stray has been involved in such acts as Raya
Collective, Irritants, Radical Elsewhere, Noosign, and Inference; David
Clarkson has been involved in such acts as Central Processing Unit, Illuminati,
Triclops, and Whitecube). In a word, the result is mind-blowingly interesting.
9/10/2015
[Teaser of the day] IIII/IIII - disk04
- Disco house
- Alternative dance
- Dance music
- Electronic pop
- Post-disco
Artist: IIII/IIII
Release: Explorer
Label: Kreislauf
Year: 2015
9/09/2015
Boiar – MiMinhos (2009)
/Minimal dub, Avant-garde, Crossover, Ambient
dub, Techno, Experimental electronica, Noise, Electro-acoustic/
Comment: Boiar`s 6-track issue is an
interesting album of diverse tendencies and intentions. At times the listener
can enjoy airtight dub oscillations (Carinho
com Vinho and Delicadeza a sua Alteza are the most clear-cut instances), sometimes more electro-acoustic
explorations do appear. Many tracks are spiced up by overdriven acute
electronic snaps. What is more, Primor no
Amor is a rank crossover composition which starts off with poignant
electro-acoustic developments to progress into a topsy-turvy mix of electronic
noises and techno rhythms. Regalo de
Estalo is another smorgasbord which embraces experiments with pitched-up and
pitched-down electronic bits, hirsute white noise and glitched-out electronics
and even some lustful synth pop gears and classical music glimpses. The issue involves a loads of shadowy sonic elements which might be discovered only after many listening times. Other
tracks are also up to prove the artist`s bias to create fast-changing
compositions with thought-provoking debris. In a nutshell, although the release
contains musical elements of various kind these elements do stick together and
demonstrate the artist`s ability for viable sonic synthesis.
[Teaser of the day] Myrakaru - Kimalnu
- Experimental electronica
- Ulmetronica
- Ambient dub
- Minimal techno
- Glitch techno
- Dub techno
- Minimal dub
- Glitchtronica
Artist: Myrakaru
Release: Tammetõru
Label: Sutemos
Year: 2008
Abstressionist – Abstression I (2009)
/Singer-songwriter, Experimental rock,
DIY, Improvised music/
9/08/2015
[Teaser of the day] Faerùn - Ndasi
- Art pop
- Dark wave
- Leftfield
- Ambient pop
Artist: Faerùn
Release:The Night
Label: Test Tube
Year: 2013
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