The St Louis-native Phaseone is a producer having in an excellent way remixed Animal Collective, Radiohead, Banjo Or Freakout, Fool`s Gold among others. Previously I smacked my mood up listening to his second issue White Collar Crime, basically created of the abovementioned artists` tracks/remixes. Thanks But No Thanks is his debut album (of 13 tracks) demonstrating his idiosyncratic approach to music compiled mainly of hip-hop cadences, scintillating soul/r`n`b vocal examples, trip-hop/downtempo-alike cinematic approach, digital funk-drenched shreds, delicious microscopic electro-touched synth buzzes, sometimes embellished with murky or stomping bass sounds, having even a bit of a lo-fi/DIY-esque odour at times. The second half of the album, however, is accomplished out in a more astral-like and futuristic way. Moreover, in the wake of his indie-propensity and regarding the musical situation at the beginning of the 21th century this album has much more stylistic potential than it is possible to catch with the first listenings, yet. For instance, sometimes it is getting close upon a level strongly reminiscent of the touch of chillwave music. Indeed, Phaseone`s music does have an experimental soul/funk/hip-hop backbone, the kind of de/reconstructing strongly the core of urban music at the moment. More concretely, his approach can be compared with the likes of Flying Lotus, The Gaslamp Killer, Outasight, Teebs, Yuk and others. An astonishing accomplishment, indeed.
Listen to it here
9.7
