- Electronic dance music
- Post-disco
- Alternative dance
- Breakbeat
- Big beat
- Electronic pop
- Tech-house
- Nu jazz
- Electro pop
- Psychedelic pop
- Acid jazz
- House pop
- Acid house
Comment: the Netherlands-based WM Recordings has been one of the dwelling places for many
mind-boggling artists. Marco Kalnenek`s headed imprint`s placard “where music
is different” is absolutely relevant accommodating such artists as Roy “Chicky”
Arad (the Israeli Eurovision song contest`s competitor in 2000), Jared C.
Balogh, The Hathaway Family Plot, Chenard Walcker, Spheriot, Brunk, Keshco, and
Phil Reavis among many other artists. Indeed, Marco Kalnenek had been involved
in doings of another outstanding imprint, called Comfort Stand Recordings being
a home place for such underground luminaries as Big City Orchestra, Dan deacon,
and R Stevie Moore so one could say he cannot distinguish between solid and
inferior bum. Gorowski`s miscellany of 15 composition embraces compositions
being produced in a span of 10 year activity. Musically one could distinguish
between different accents – from indie dance/acid house oriented frequencies to
more electro and big beat oriented dance propulsions which now and then used to
clash in one and the same track. Furthermore, tracks like Rush By Meadow, and Styley
used to run on nu jazz-y vibes thereby implying a remarkably more intimate association
within the piece. Hipster`s Call is a
sublime indication of electronic dance music and post-disco which should have poisoned
contemporary charts. Skipping To Hazana
is soaked with elegantly negligent psychedelic ripples. Rhubarb is a more club dance oriented track because of drifting somewhere
between house, techno, and breakbeat oscillations. Stargate Pumpkin is another mesmerizing composition which does have
huge pop potential due to the shift between acoustic and electronic pop being
overloaded by frantic energy. On the whole, one could perceive different phases
in decent developing and moving on aesthetically.
