The Englishman Alan Driscoll embarked on in 1998, at the time when the 90`s Britpop movement started to getting to its closure. From the aforementioned year off to this day he has released approximately 10 albums, including one publication named as Britpop as well. Thereby regarding all those facts and the main characteristic of the recent issue, indeed, for all of those people who had grew up within the glamorous touch by Pulp, Suede, Auteurs and the others acts Purity Test should be meaningful enough. Moreover, by being demonstrated an Ultrasound`s vinyl record on the coverprint, how could it have a reference somehow otherwise?
Purity Test is a double album, or at least an album with shitloads of bonus songs (all in total 10+10). First of all, it is a case of whimsical lyrics with hints at escapism, womanizers, and even a kind of obsession. By the background it is full of great synth-based thrills and orchestral progressions, catchy soulful disco tunes, synthetic pop arrangements, diverse rhythm roundabouts and outstanding song performances with eccentric postures. Despite of all those diversities, however, all seems so evidently sounding under the Britpop regime yet. My favorite notches are some dark-hued, even a bit creeping introspections being not sporadically represented here. Rosanna Woolett, Junalyn Corre, Chloë Reeves and Simon Gray are up here to offer their important collaboration over to the release.
Listen to it here
9.5
