Have you ever listened to a least one of the fiveteen albums by Bryn Schurman (also know as TheForgotten)? I meant just an one time at least? In fact, Remainders is not an album on its own terms though, being compiled of different tracks having had no locus on the previous albums. In fact, Schurman would be called as the king of metallic drone music, whose monotonic soundscapes and minimal sonic conceptions are paradoxically fulfilled with a lot of warmth and powerfully conclusive feelings. It seems like a logical follow-up to the tradition of minimal composers for nowadays. Or you can imagine it as if La Monte Young or Angus Maclise would have sat behind a computer board and building up some new frontiers within borrowed borealic aesthetics of Tim Hecker. Yet might there be any adjectives to describe the whole in a better way? "Caustic reverie", it would be an obvious answer, though. A lot of impacts are associated with it - the nothern lights shimmers, elemental dust-coloured iceness, epic sub-classical approach, creeping microtonal dirges and subtle hiss-inclinedness. No doubt, it could be thought or illustrated out in other ways also, speaking out the very pictures-evoking soundscapes, or even a new kind of metaphysics (no contradictions between the sounds being contrasted up against the history of human thought and word). It also does sound as a pessimistic approach not being ready yet and probably never to believe in the positivism of technical progressions which is felt into a bumpy nightmare being paralyzed by remote breathes and oncoming steps of malignant robots ready to march on to have a part of destroying the human being as a species for tomorrow. The music of this kind with ambient drone feeling bound up with a pessimistic emotive declination I am used to tag it as "dystopbient".
Listen to it here
9.5
