Thursday, March 21, 2019

[Teaser of the day] Sean Proper - The World Will Let Me Down

  • American Primitivism
  • Art music
  • Gothic Americana
  • Americana
  • Experimentalism
  • Avant-garde

Artist: Sean Proper
Release: Design Engine
Year: 2013

[Teaser of the day] Stanislav Bobrytskyy - Digesting Duck

  • Improvised music
  • Avant-garde
  • Conceptual
  • Post-classical
  • Experimentalism
  • Art music
  • Piano music

Release:  WHNZ​:64​:MFBL
Year: 2013

[Teaser of the day] Electric Hambone - Painted Heron

  • Rockabilly
  • Psych-rock
  • Alternative rock
  • Indie rock

Artist: Electric Hambone
Release: Downturn Boogie
Label: Kill Mommy
Year: 2011

[Teaser of the day] Bryyn - 1

  • Indie pop/rock
  • Alternative pop/rock
  • Fuzz pop
  • Dream pop
  • Singer-songwriter

Artist: Bryyn
Label: Jamendo
Year: 2009

Wednesday, March 20, 2019

[Teaser of the day] Deicida 69 - k2

  • Avant-rock
  • Experimental rock
  • No Wave
  • Art punk
  • Post-punk

Artist: Deicida 69
Release: Fetish in Sight
Year: 2014

[Teaser of the day] Planivaar - Feeding Birds

  • Primitive music
  • DIY
  • Lo-fi
  • Drone pop
  • Organcore
  • Alternative

Artist: Planivaar
Year: 2006

Tuesday, March 19, 2019

[Teaser of the day] Go Ask Alice - ssssun!

  • Art pop/rock
  • Experimental pop
  • Electronic
  • Neokrautrock
  • Avant-pop
  • Indietronica

Artist: Go Ask Alice
Label: La bèl
Year: 2019

[Teaser of the day] Lightning Echoes - Far Is Not Far

  • Indie pop/rock
  • Alternative pop/rock
  • Art pop/rock
  • Ambient pop

Label: Self-released/Bandcamp
Year: 2018

Compadre Locura – APTO PARA COCINAR (2018)

  • Experimentalism 
  • Avant-garde 
  • Electronic music 
  • Ambient 
  • Post-industrial 
  • Ambient noise 
  • Experimental electronica 
  • Illbient

Comment: this batch of three long-running compositions is a way for intriguing and intricate sonic combinations, innovative experiments, and decent accomplishments we need in the afternoon of incoming end of the human kind as the aggressive cancer on Earth. Indeed, one can see a very clear parallel with the deadly disease because if an organism gets killed the disease also will succumb. If behind it is a reasonable being then it can be called stupidity. No less no more. In another sense, one can imagine, even if the gross cancerous disease gets eradicated there remain yet some bad cells spread out in an organism which later may get activated and the adverse process takes off again. There can be drawn analogous parallels to the existence and history of the race of homo sapiens. How to survive, how to disseminate, how to annihilate real and possible rivals. Through its exaggerated and voluptuous nature it is even more inferior and destructive than the usual behaviour of an average being from the other species. Creating the art and dealing with analytical philosophy is the only indulgence for the biped malady. The best way to get out from it is just to abandon all this civilised crap by escaping to the wildlife until one's very end. This can be the only purgative, redemptive asylum for a human being. These sometimes wobbly and sometimes more aggressive industrial-tinged rhythms and piercing yet atmospheric noises and alongside running corrupted sonic effects and on the other side sleazy and exhaustive ambient glimpses reflect upon the aforementioned perversity in an artsy way. These 39 minutes of a fine sort are a part of the discography of the Chilean imprint Cieliro Diystro.

De Carli/Dias/Zanatta – Defrag (2018)

  • Improvised music 
  • Avant-garde 
  • Experimentalism 
  • Drone 
  • Electro-acoustic 
  • Free jazz 
  • Field recording 
  • Musique concréte

Comment: this bunch of 15 tracks (most of them are just very short snippets) begins with an intense glistening droning (the truly blissful start to an outstanding release as we can get convinced eventually!) which later will be variegated with electro-acoustic improvisations, downright electronic effects, field recording mixed wide plateaus, uncanny dodges towards obscure jazz inclinations and vowel-based experiments beyond distinctive categorization – in a word, there is no borders to be established. By its nature it is an example of simply experimental music wherein the musicians employ all the aforementioned elements in a playful, witty, and incisive way. By its frequently primitive way at will it is coated with broken sounds and crackling currents as if partaking in an oldie simulacrum providing no dates, providing no spatial parametric orientations. It does mean, of course, the outing is filled in with wholesome humour, it is a something truly one's consciousness broadening and inspiring case being an issue coming out from the discography of Mansarda Records.
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