Blogiarhiiv

11/01/2017

[Teaser of the day] Ronco - Femea Fatal



  • Alternative rock
  • Psych-rock
  • Blues rock
  • Hard rock

Artist: Ronco
Release: EP
Year: 2015 

[Teaser of the day] Gray Souvenirs - I Barely See the Earth



  • Post-rock
  • Art rock
  • Epic
  • Alternative rock
  • Indie rock

Artist: Gray Souvenirs 
Release: The First Sight
Label: Salitre
Year: 2017

Norja – Vuonoja (2007)



  • Primitive music 
  • DIY 
  • Art music 
  • Electro house 
  • Electronic music 
  • Dada music 
  • Electro funk

Comment: this set of 21 tracks (or sketches) can be considered a grower. The grower in that sense you will discover many interesting nuances after a bunch of listening times. Undoubtedly it is a mischievous release because the Finnish artist is not interested in developing certain themes but is already ready to make frantic dodges as if zooming in and out incessantly. Because of that pattern it reminds of music being vamped up in the mind set of dada. The issue was outed by WM Recordings, and it reminds of another release from the imprint`s discography, Brunk`s Insert Coin To Continue (2009). In truth, with regard to the release years the proposition should be said vice versa. Of course, the whole is not without exceptions. For instance, at Vuono 18 one can hear enchanting electro house progressions with a midnight vibe. Vuono 17 is a beatific glimpse on the base of a dusty organ chords. Vuono 16 is a bewildering electro funk at its best. All music had been conjured up with Amiga 500 running OctaMED sound tracker program and was recorded to c-cassette in 1994-1995. In a word, you must listen to this eminent and fabulous release.

10/31/2017

[Teaser of the day] The Asteroid Belt - Corruption



  • Space rock
  • Improvised music
  • Experimental rock
  • Krautrock
  • Avant-rock
  • Psych-rock

Release: Do Whats Right
Label: Self-released/Bandcamp
Year: 2016

[Teaser of the day] Rawph - Os famosos e os duendes da morte



  • Spoken word
  • Alternative rock
  • Indie rock
  • Shoegaze

Artist: Rawph
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] FM Raster - Pattern 1



  • Electronic music
  • Experimental pop
  • Art pop
  • Alternative
  • Post-dubstep
  • Post-pop
  • Avant-pop

Artist: FM Raster
Year: 2015

10/30/2017

Chris Sabucco – Divided Falls (2017)


  • Singer-songwriter 
  • Pop

Comment: I did not expect such sort of music being released on the Netherlands-based imprint 2419 Record Label. My earlier experiences with the imprint were related to more experimental angles and structures but this one started off with a straightforward, flamboyant song which continues to go the same vein where doleful singing is backed up by the plucking of acoustic guitar, and slightly orchestrated vowels all of that a bit resembling Robert Smith. Like a very light, unplugged version of The Cure. Way too bombastic and transparent while providing no X-factor for a more sniffy listener. Nice ditties for the AOR station though.

[Teaser of the day] James Doesn`t Exist - Sulfuric Acid


  • Death metal
  • Brutal metal
  • Screamo
  • Extreme metal
  • Grindcore

Release: Leeches
Year: 2011

[Teaser of the day] Cubenx - Hollow (feat. Guilhem)



  • Electronic pop
  • House pop
  • Alternative pop
  • Poptronica

Artist: Cubenx/Guilhem
Release: Hollow (single)
Label: Bad Panda
Year: 2017

[Teaser of the day] La Mansarde Hermetique - Sonnige Zeiten

  • Electronic music
  • Kosmische Musik
  • Space music
  • Cosmic fusion
  • Alternative

Release: Haunted Attic
Year: 2017

[Teaser of the day] The Shalfonts - Boy Musk



  • Indie pop/rock
  • Alternative pop/rock
  • Jangle pop
  • C86

Artist: The Shalfonts
Year: 2017

[Teaser of the day] Lezet - Hiccup Analogy


  • Experimental electronica
  • Leftfield
  • Folktronica
  • Crossover
  • Avant-electronica
  • Electronic music
  • Dada music

Artist: Lezet
Release: Earpiece
Year: 2007

[Teaser of the day] Electricwest - Deficient



  • Ambient dub
  • Minimal techno
  • Experimental electronica
  • Dub techno
  • Electronic music
  • Minimal dub

Artist: Electricwest
Release: Inner Forms
Label: Self-released/Bandcamp 
Year: 2013

[Teaser of the day] Weldroid - Csillagok



  • IDM
  • Experimental electronica
  • Dreamwave
  • Space music
  • Electronic music

Artist: Weldroid
Release: Splines
Year: 2010/2017

10/29/2017

[Teaser of the day] Tom Fahy - Slow Autumn and the Fire


  • Modern classical
  • Mood music
  • DIY
  • Baroque pop
  • Alternative
  • Lo-fi
  • Chamber pop

Artist: Tom Fahy
Release: The Gradual Riddle
Label: Self-released/Archive.org
Year: 2011

[Teaser of the day] Bluebridge Quartet - Karp


  • Post-rock
  • Fusion
  • Jazz rock
  • Crossover
  • Avant-rock
  • Art rock
  • Experimental rock
  • Progressive rock

Label: Aerotone
Year: 2007

Akiba Jonze – Realm of Rain (2015)



  • Ambient pop 
  • New Age 
  • Folktronica 
  •  Musique concrète 
  • Electronic music 
  • Organic electronica 
  • Chilltronica

Comment: this couple of tracks is imbued with concrete sounds, guitar twangs, synthesised gongs and gentle yet compelling electronic beats with intention to conjure up a mystical world somewhere in the middle of tropical warmth, sultry raining as if letting surface a fairy tale alike ambience. It is way too beatific to be a subject of belief. It partly reminds me of such an artist as it is Tont from Estonia whose soundscapes are similarly otherworldly and wondrous. Jokingly, this is a way of how the New Age musicians make folk music. Realm of Rain was the third single by the artist being released on Mothermantra Records. The sort of ideal music indeed.

FET.NAT – Purple Empereur (2014)



  • Alternative rock 
  • Indie rock 
  • Improvised music 
  • Art rock
  • Crossover 
  • Post-punk 
  • Avant-rock 
  • No Wave

Comment: this set of three tracks (classified as B-sides) from Hull, Quebec, Canada is a provoking rock example with crashing guitars, screaming and weeping vocals in French and a minimised amount of electronic music. That's weird in its dadaist approach while being somehow lofty at the same time, that's also artsy and inspiring. It harks back to an experimental compartment of post-punk (in fact, post-punk as a style was being mostly experimental and seminal anyway) to such combos as Ludus (a favourite combo of Moz), and This Heat, but by contemporaneous combos it a little bit resembles ranting Fly Pan Am, another French Canadian combo. The issue is a part of the discography of E-Tron Rec., and Boiled Records.

Trillion Catz – Vulgar (2017)



  • Krautrock 
  • Electronic music 
  • Avant-rock 
  • Experimental rock 
  • Art rock 
  • Motorik 
  • Ambient rock 
  • Drone pop 
  • Alternative

Comment: it is not a wordy and magniloquent issue enough because of being inspired by krautrock, by Neu!, an early Kraftwerk and Faust, the combos who liked move on across a minimal, the so-called motorik pattern. Yet the recent motorik pace based on 14 tracks is a bit different and refreshing. Trillion Catz comes out from Berlin, Germany, a fruitful soil to develop new genres. On the other side, which role is to bear by the musician? To provide the matter, the sound for allowing the listeners to escape from the burden of exhausting sensations, to reach aletheia, to ascend his/her nature into a godlike person. To partake in a systematic, coherent universe. In reality, it does mean to crawl against the mainstream, against the hyper-sexualized and monetary world and the excessive flow of information or to get in touch with them as less as needed. A person's goal should be intended to be less vulgar and mediocre and brainwashed. Is Vulgar a good medium to withdraw him/her from it? The answer of mine is pure yes because it is clearly balanced between those slightly haphazard electronic impulses yet in turn synthesising something new for our aural world. Those miniaturised sounds and effects do set up something unusual and exciting. If to compare it to the aforementioned krautrock juggernauts it may be more (self)-aware of how to elegantly disturb a historical krautrock bound yet at the same time preserving the tight connection with it. That's logical because the first ones had created it while Trillion Catz is deconstructing it. This outstanding (one of the best in 2017) release which adds to krautrock as a style an additional value and meaning is a part of the Japanese imprint Bump Foot.

Alex Mason & The Minor Emotion – Soul Breaker (2017)



  • Modern classical 
  • Contemporary classical 
  • Neoclassical 
  • Post-classical 
  • Epic 
  • Art music 
  • Chamber music

Comment: this 9-notch issue comes out from Russia, it is a collaborative issue between Alex Mason, and The Minor Emotion. Its formula is simple – lone, minor piano tapped chords being accompanied by soaring synthesised orchestrated progressions which at times are being bent into murky, neoclassical sadness. Emotionally it is hard to measure the impact of the whole upon the listener. Undoubtedly it is epic but on the other side it might be a bit anemic to feed one's the most profound, transcendental ideas. If you need more vivid colours to be inserted into your every day's life then you have to listen to it while watching outside from the window or just walking in the middle of autumnal beauty and decay. Indeed, maybe concrete sounds and sonic effects could add a more organic touch to the whole. The result is a bit flat out in its sheared and predictable dynamics and two dimensional shift. The outing is a part of the discography of Enoughrecords.

10/26/2017

[Teaser of the day] Fall Baby - Storm



  • Indie pop
  • Glo-fi
  • Dream pop
  • Chillwave
  • Alternative pop

Artist: Fall Baby
Label: Beko DSL
Year: 2017

[Teaser of the day] Purling Hiss - Almost Washed My Hair



  • Psych-rock
  • Power pop
  • Live recording
  • Alternative rock
  • Indie rock

Artist: Purling Hiss
Label: NYCTaper
Year: 2016

[Teaser of the day] GosT - Unum Infernum



  • Electro-metal
  • Dark synth
  • Neoclassical
  • Synthwave
  • Synth-metal
  • Black metal

Artist: GosT
Release: Non Paradisi
Label: Blood Music
Year: 2016

Betelmire – 606 MPH (2005/2010)



  • Indie pop 
  • Alternative pop 
  • DIY 
  • Lo-fi 
  • Folk indie 
  • Drone pop 
  • New Weird America 
  • Organcore 
  • Singer-songwriter 
  • Indie folk 
  • Bedroom pop 
  • Indietronica

Comment: I would like to call this set of 8 tracks an instance of old school indie. More profoundly, I mean the music coming out from the 80s, the 90s, and the 00s by the US-based indie mavericks such as Galaxie 500, Yo La Tengo, and Low (with regard to their more restrained moments). On the other side, the issue was released in the middle of the 00s which was the heyday of the Weird New America movement. I really liked and still like such indie chicks who produce lo-fi tinged droning organ/harmonium-based indie being accentuated with blissful melodies and wondrous harmonies. The sort of music where simple elements meet complicated ones yet the flow of it is flawlessly organic and dynamic having been recorded on a 4-track cassette machine. It makes you relaxed and withdraws you from shitty topics around you for a while. It is the meditation. For instance, listen to the ending track Preston Parker which saves one`s soul due to vibrant droning and enchanting female singing. The same can be said about the rest of the 18-minute release. The issue is a part of the discography of Rain Above Records. Without any hesitation it will be added to the compartment – Outstanding music.  

10/25/2017

[Teaser of the day] Yoshida Com - Scene 3


  • Synth-pop
  • Electronic music
  • Lo-fi
  • Shibuya-kei
  • Electro pop
  • Alternative
  • Mood music
  • DIY

Artist: Yoshida Com
Release: Onna no Kanojo
Year: 1988/2014

[Teaser of the day] Tunnelbirds - You



  • Garage rock
  • Indie rock
  • Psych-rock
  • Blues rock
  • Alternative rock

Artist: Tunnelbirds
Release: Tunnelbirds
Label: Self-released/Bandcamp
Year: 2012

[Teaser of the day] The Machine - Death


  • Alternative rock
  • Art rock
  • Screamo
  • Industrial rock
  • Experimental rock

Artist: The Machine
Release: Black & White
Label: Kermesse
Year: 2016

10/24/2017

Pineal Neuron Trauma – The Story Of… (2017)



  • Post-industrial 
  • Avant-garde 
  • Dark wave 
  • Electronic music 
  • Drone 
  • Experimentalism 
  • Dark ambient 
  • Electro-acoustic 
  • Psycho-acoustic 
  • Leftfield 
  • Illbient 
  • Neoclassical 
  • Noise 
  • Experimental electronica

Comment: it is one of the most voluminous if not the most voluminous release having ever been appeared at RMH. It clocks in at a 197 minute (based on the set of 24 tracks) which exceeds more than 3 hours of pure music. The reason is actually simple – it encompasses all the sounds having been produced by the artist. The status of the combo is unknown due to health problems, and collaborative disagreements between the members. The only constant member behind the project has been Tim Van der Schraelen from Antwerp, Belgium, and the members also have been Mattia P. (Italy), Theofil Tsiolakakis (Thessaloniki, Greece), and Joseph (Athens, Greece). In truth, a couple of tracks are added as the oeuvre by Drowned In The Sewers (a collaborative act between Tim, and Theofil). Contingently I tagged the music as post-industrial (among many other tags) because it is a contemporary example of industrial music though by its attitude, approach and characteristics of sound it may even more remind of early old school industrial and noise music acts like Zoviet France, for instance. Second, it also comes very close to neoclassical and dark wave artists because in some tracks the soundscapes are loaded with ominous and depressive seeds and even sickening milieus reflecting upon the shortness and decay of the human being`s life. Indeed, that has always been a moral statement of such sort of music. Given the extent of time, and the nature of music the listener can be very sure to be flooded by intriguing sounds and obscure and morbid moods of different kind. Experiments with disparate timbres and varied rhythms. And you should be warned again – it is very far away from an innocent fun. It more a kind of music providing you a stark accompaniment while walking through a catacomb or a graveyard. Such sort of sound (I mean noise music) is universal in a way because it used to incorporate so many sounds within it (lo-fi, spoken word, sample-based music/plunderphonics, electronic music, drone, improvised music, ambient, electro-acoustic) and while needing no any further categorization and explanation. It is more about the method rather than about certain sounds. The style is being an all-devouring phenomenon. The prodigious issue both by its physical, psychic and intellectual extent is a part of the discography of Etched Traumas, the imprint headed by the same Joseph being mentioned above.   

Teaser of the day] L. Valerie - Venus Dreams



  • Electronic pop
  • Alternative
  • Bubblegum pop
  • Art pop
  • Primitive pop
  • DIY
  • Miniature pop

Artist: L. Valerie
Release: Frika
Year: 2017

[Teaser of the day] CIRCVLO - Tiki Taka



  • Jazz rock
  • Psychedelic rock
  • Fusion
  • Dance rock
  • Yacht rock
  • Lounge pop
  • Crossover
  • Indie dance
  • Alternative rock
  • Indie rock

Artist: CIRCVLO 
Release: Beleza
Label: Sinewave
Year: 2017

[Teaser of the day] Bite - Espectro visible



  • Ambient
  • Modern classical
  • Minimalism
  • Art music
  • Post-classical
  • Electronic music
  • Avant-garde
  • Experimentalism

Artist: Bite
Release: Calle Palma
Label: Basic_Sounds
Year: 2016

10/23/2017

Bongley Dead – 4 (2015)



  • Alternative rock 
  • Indie rock 
  • Post-grunge 
  • Hardcore

Comment: recently Italian quartet Bongley Dead released a brand new one, Undici, on their own terms being uploaded and letting available for free download at Soundcloud, and Mediafire. Before that they had issued 4, the predecessor of Demo n.3 (2014). In comparison to its predecessor 4 abandons trudging across a path being based on heavy and moshy alternative rock guitars (though Demo n.3 includes exceptions either – even hints at dance punk/rock were represented over there). The guitars are more extended and outstretched, light-hearted and jangling in their timbre and style of play. Yet one should not forget and misunderstand it is not an example of jangle pop because the combo is being influenced and rooted by hardcore and (post-)grunge music. For instance, Blueworms is a pure example of post-grunge style with a commercially accessible tone. Nice pop song indeed. Similarly to the previous outing a Sonic Youth influence (especially at Silent Queen) is also present over there yet it is more buried as it was presented in some songs at Demo n.3. A poppy Sonic Youth version. At She Comes Too Late the ending part is accentuated with epic shoegaze tinged noises. It can be admitted their style seems to be more uniform and unvarying with regard to the previous one. By the way, they are being very kind by adding 41 cover prints (sic!) within the folder. I did have to choose only one from this bunch. Because of having listened to the great album a next step of mine is to listen to Undici.

[Teaser of the day] Quinn Walker - Decline


  • Electronic music
  • Ambient drone
  • Experimental electronica
  • Drone
  • Ambient
  • Glitchtronica

Artist: Quinn Walker
Year: 2011

[Teaser of the day] Rizke - Aluminium


  • Minimal techno
  • Industrial techno
  • Alternative
  • Electronic music

Artist: Rizke
Release: E2
Year: 2017

[Teaser of the day] Non Camera - Sky Lantern


  • Indie pop/rock
  • Art pop
  • Alternative pop/rock
  • Synth-rock
  • Pomp pop
  • Chamber pop

Artist: Non Camera
Year: 2014

Abisales – ABSLS (2017)



  • Art rock 
  • Jazz rock 
  • Fusion 
  • Progressive rock 
  • Yacht rock

Comment: this swarm of 3 tracks is played by a quartet called Abisales who comes out of Còrdoba, Argentina. One chord is followed by another, gentle guitars are backed up by spacey synthesiser chords, the soundscape used to ascend and descend in a picturesque way.. Although it is tagged as psychedelic rock, space rock, and rock and roll at Bandcamp their music and intention remind more of progressive rock, and fusion. Their approach is based on the first mentioned tag, and the combo`s timbre is very fusion/jazz rock-alike. And yacht rock, of course, the style is quite nearby because for me the whole is an example of artsy mood music imbued with ambition, lofty feeling and craftiness. Predominantly a Pink Floyd influence is present over there. Great thanks to Fran, Nahuel, Pelado, Pablo, and Cristian. And of course, similarly to me you shall have to listen to the combo`s previous four issues either (in fact, XDCS (2013) was reviewed at RMH three years ago and mentioned as one of the best albums in 2013).   

10/22/2017

[Teaser of the day] Chenard And The Sand - One-Armed


  • Sampledelic
  • Plunderphonics
  • Breaks
  • Psychedelic
  • Sound collage
  • Crossover
  • World fusion
  • Alternative dance

Release: C-Side 
Year: 2006

[Teaser of the day] Joxfield ProjeX - Abandoned Asteroid - Space Journey


  • Krautrock
  • Space music
  • Kosmische Musik
  • Avant-rock
  • Live recording
  • Experimental rock
  • Improvised music
  • Art rock
  • Electronic
  • Psych-rock

ReleaseVoxLuxRabax
Year: 2011

[Teaser of the day] fydhws - Surf Drone



  • Avant-rock
  • Experimental rock
  • Space rock
  • Minimalism
  • Drone rock
  • Psych-rock
  • Art rock

Artist: fydhws
Year: 2014

[Teaser of the day] edPorth - Unraveled Knot



  • Minimal techno
  • Experimental techno
  • Alternative dance
  • Electronic music

Artist: edPorth
Release: Static
Label: 51 Beats
Year: 2013

[Teaser of the day] Romantic States - Take My Hand and Run

  • Indie rock
  • Alternative rock
  • Power pop

Label: Self-released/Bandcamp
Year: 2016

[Teaser of the day] Mike Cassells - It's In Here, Somewhere



  • Free jazz
  • Improvised music
  • Avant-garde
  • Experimentalism

Artist: Mike Cassells
Label: Catchy Name
Year: 2017

Noteherder & McCloud – The Tail (2008)



  • Free jazz 
  • Improvised music 
  • Avant-garde 
  • Experimentalism 
  • Modal jazz 
  • Live session 
  • Electronic music 
  • Leftfield

Comment: I am very glad to back again at WM Recordings, the imprint which has introduced me to many interesting artists like brunk, Chenard Walcker, Roy "Chicky" Arad, Keshco, Phil Reavis, Jared C. Balogh, The Hathaway Family Plot and many others. Beyond that the roster embraces such luminaries as the godfather of the home recording R Stevie Moore, and Russian dadaist sound collage and surf pop mixed madness Messer Chups. Undoubtedly The Tail is a highly complicated and mind-provoking one composed of three different live gigs by the two experienced musicians wherein you can enjoy many parallel running compartments based on the playing of a soprano saxophone, and on the other side it is undermined by poignant synthesiser-based bubbling and effects making an impact on a fastidious listener. And I am probably the demanding reviewer. And if you want to get a solid review of how to play the soprano saxophone in an intriguing way then this issue is for you. Synthesiser is a remarkably more broad instrument or it can even be considered a platform, however, this issue provides a little yet intriguing bit of it. It certainly touches on sonic qualities which remind me of electronic krautrock artists as Konrad Schnitzler, and Asmus Tietchens. Use The Desk Lamp is the favourite of mine because it is absolutely fascinating in its overwhelming tempo and energy. For me, it is jazz punk. In a word, the result is great.

ps – Volatile (2017)



  • Experimental electronica 
  • Glitchtronica 
  • Avant-garde 
  • Experimentalism 
  • Ambient noise 
  • Drone 
  • Ambient drone 
  • Electronic music 
  • Spoken word 
  • Sampledelic 
  • Post-industrial 
  • Leftfield 
  • Psychoacoustic

Comment: this issue of 11 tracks is psychotic, strongly filled out with desperate vocal samples and violent filled dialogues from different motion pictures being backed up by sinister yet blissful soundscapes being in turn filled in with glitchy "errors", and frequently interrupted static providing you a starkly disturbed sonic picture while paradoxically maintaining its picturesque image. By casting the light upon the titles it is mostly about blood and cuts and stillness. As if getting an audible, almost physically tangible bridge from within an unnerving psycho-neurological ward. If to compare it to the artist's release which was recently reviewed at RMH, Finding My Own Way Back Home, the recent one is not about the hiss imbued walls and supportive prodigious power dictating the whole, it used to lurk after you searching for your cerebral traces to overtake it and then modifying it into psyched-up ones. And then the past is going to come ahead of your present to govern the future of yours. Overwhelming by any means. Similarly to Finding My Own Way Back Home it is a part of the discography of enoughrecords.

Ellah a. Thaun – Happy 30 Honey (2017)



  • Indie 
  • Drone pop 
  • Experimental pop 
  • Alternative pop 
  • Avant-pop 
  • Post-punk 
  • Krautrock 
  • Electronic 
  • Alternative dance 
  • Psychedelic 
  • Art pop 
  • Epic

Comment: Ellah. a Thaun is a contemporary indie artist from France whose method is to embrace many elements into her idiosyncratic mix. Obviously it is not the ultimate purpose of her. It is the way how her music must be made up. This handful of tracks surprises again with its frantic touch though by the sound and loudness all is controlled by Nathanaelle Hauguel. For example, the opening piece Part 1 progresses into a sort of indie techno based on an elliptical catchy loop. It is the favourite of mine though the rest of the whole is also very good. She has always been strongly influenced by post-punk music and the influence comes out in the second part. Rough post-punk germs are crossed with the dreamy higher chords of shoegaze thereof resulting in a bewildering while majestic avant-pop composition. Part 3 showcases Hauguel`s exposure towards the motorik, towards krautrock though the drumming is vamped up by digitally modified thin kick drums as if all of that were extracted either from a contemporary soul or electro pop release. Part 4 is the outing's slacker track being stylistically grunge which lazily continues at Part 5 as well though being strongly intertwined with droning organs and wah wah effects. As if an early Stereolab meets Spaceman 3 yet the comparison is my mirage because that results in something very originally spiritual ultimately. In a nutshell, undoubtedly one of the best issues in 2017, and probably the best indie album in 2017 so far. Amazing gal indeed.

10/20/2017

[Teaser of the day] Daniel James Dolby - A Warning


  • Dark ambient
  • Film noir
  • Illbient
  • Electronic music
  • Post-industrial
  • Leftfield

Release: Grimojo
Year: 2016

[Teaser of the day] Poros - Ter


  • Post-punk
  • Experimental rock
  • Gothic rock
  • Alternative rock
  • Post-rock
  • Crossover
  • Indie rock

Artist: Poros
Release: Ter
Label: MiMi
Year: 2017

[Teaser of the day] Torley - The Garden


  • Piano music
  • Contemporary classical
  • Modern classical

Artist: Torley
Release: Solo Piano 7
Year: 2008

NNY – offear.ep (2004)



  • Electronic music 
  • Experimental electronica 
  • Alternative 
  • Drone 
  • Minimal techno 
  • Glitchtronica 
  • Micronoise

Comment: this set of 5 compositions created by Portuguese artist Jerome Faria aka NNY is certainly the kind of electronic music but it is problematic to pigeonhole it in a certain way. Maybe it is just about a physical vibe, to get your change in mood through moving of the sounds from one channel to another. And vice versa. A traffic of gentle and noisy sounds to pass by each other. I couldn't find out any narrative of it. When you have stopped listening to it you could remember just a little bit about the whole. Maybe there were up some shrieks, some noises and glitches, some spans of silence, some kind of talking. You cannot remember nothing but the issue is intriguing and you have to listen to it again to figure it eventually out. It is uneasy to think it off. So your presence is essential for that outing. Without your experience it does not exist in fact. It is a mental terrain which is going to blossom at the presence of the listener. The release is a part of the discography of enoughrecords.

10/19/2017

[Teaser of the day] Sekotis - Ravens


  • Art rock
  • Indie rock
  • Math rock
  • Post-rock
  • Avant-rock
  • Alternative rock
  • Experimental rock

Artist: Sekotis
Label: Bump Foot/Bandcamp
Year: 2016

[Teaser of the day] Scissor Lock - I Guess



  • Post-psychedelic electronica
  • Avant-pop
  • Experimental pop
  • Electronic
  • Leftfield
  • Art pop
  • Drone pop

Artist: Scissor Lock
Release: Churn
Label: Self-released/Bandcamp
Year: 2013

[Teaser of the day] Lackluster - Starcell U.K


  • IDM
  • Alternative
  • Mood music
  • Electronic music

Artist: Lackluster
Release: Distance
Year: 2004

[Teaser of the day] Blasphemation - Stomped Into a Sludge


  • Death metal
  • Crust punk
  • Brutal metal
  • Goregrind
  • Crossover

Artist: Blasphemation
Label: Torn Flesh
Year: 2017

[Teaser of the day] Wacky Southern Current - Kogan Tribute Piece



  • Indie rock
  • Alternative rock
  • Art rock

Release: Today`s Embrace
Label: Self-released/Bandcamp
Year: 2014

[Teaser of the day] Bronze Eye - Hopfrog



  • Experimental hip-hop
  • Rap
  • Electronic music
  • Glitch-hop
  • Urban music
  • Avant-hop

Artist: Broze Eye
Release: Past Imperfect
Label: Bayshore
Year: 2014

10/18/2017

[Teaser of the day] Fabio Keiner - Charun


  • Avant-garde
  • Minimalism
  • Drone
  • Experimentalism
  • Microtonal
  • Electronic music

Artist: Fabio Keiner
Release: Shidim
Year: 2017

[Teaser of the day] Cisne Sônico - Schwermut



  • Experimental rock
  • Avant-rock
  • Neofolk
  • Space rock
  • Neoclassical
  • Dark folk

ArtistCisne Sônico
Release: Melancolia  
Label: Bandcamp/Archive.org
Year: 2016

[Teaser of the day] Broken Music Box - Achievement

Birdsong
  • Lo-fi
  • DIY
  • Bedroom pop
  • Improvised music
  • Drone pop
  • Avant-pop
  • Experimental pop

Artist: Her Highness
Label: Birdsong
Year: 2004

ps – Finding My Own Way Back Home (2017)



  • Avant-garde 
  • Experimentalism 
  • Minimalism 
  • Leftfield 
  • Noise 
  • Ambient noise 
  • Microtonal 
  • Drone 
  • Ambient drone 
  • Abstract 
  • Illbient 
  • Dark ambient 
  • Epic

Comment: this batch of 10 compositions can be considered as one monolithic track because it consists of very minimally changed phases as if My Bloody Valentine were standing somewhere under a tremendous waterfall. Yet it is the album having nothing to do with shoegaze. Because My Bloody Valentine under an imposing waterfall can not be a shoegaze case at all. Glenn Branca to be set up under a waterfall? More profoundly, you are directed to a hiss loaded droning universe of energy where you can make decisions on sonic intensity, energetic consumption and burning and mere, almost invisible dodges only. However, it is enough to make difference. Furthermore, even if you thought of it as something excessively primitive at a first glance you soon got realized of it as quite sinister and totally overwhelming. At some point you are not reflecting upon it, it reflects upon you. That's the case. Behind visible sonic carpets one can perceive even more invisible ones which used to resonate with one another and thereof produce new templates again and again. There are connected the physical and mental power of music as a phenomenon. Real, existing sounds are created in the way to induce chimeras and phantasms. Vectors, inner impulses and inertia are seamlessly intertwined into ghastly landscapes. Call it hisswave on its own way. And although it seems to be ominous it is beautiful and wondrous either. This stunning release is a part of the discography of the enoughrecords, the legendary Portuguese imprint.

10/17/2017

[Teaser of the day] Eva on the Western Castle Island - Surfing Like a Guru



  • Indie pop/rock
  • Alternative pop/rock
  • Bubblegum pop
  • Blonde hair indie

Release: The Wong Way 
Label: EardrumsPop
Year: 2013

[Teaser of the day] Nasienie - Walking Around

Webbed Hand


  • Drone
  • Ambient drone
  • Dreamwave
  • Glitchtronica
  • Microtonal
  • Experimentalism
  • Minimalism
  • Avant-garde

Artist: Nasienie
Label: Webbed Hand
Year: 2010

Radj – 8 Tracks (EP) (2017)



  • Lo-fi 
  • DIY 
  • Nu jazz 
  • Sampledelic
  • Hip-hop 
  • Breaks 
  • Downtempo
  • Trip-hop 
  • Electronic music

Comment: Radj is an artist from Canada whose - surprise, surprise - 8-notch outing is a tight mix of shambling rhythms, suggestive samples from motion pictures (many of them are in Russian), and cinematic synthesised sounds. The outing is a quite short-running one and used to be uniform from the very beginning to the end point thereby chiming like a total track eventually. Why it is so? Emotionally it is restrained, it deliberately avoids progressing into something boisterous and unleashed. One can encounter some flourishes here and there but all of that seems to be hindered or at least withdrawn anyway. It is strongly controlled in its simple and even primitive format (I mean it in a positive sense anyway). So you can perceive tension with regard to the represented elements and huge potential waiting to be realized to the ultimate extent. The outing is a subsequent release by Dusted Wax Kingdom, a netlabel from Varna, Bulgaria. The heaven is today apocalyptically eclipsed due to the remote consequences of the hurricane Ophelia and as a result it is enjoyable with this set of sound.

[Teaser of the day] Jan Strach - Wierzby (Willows)



  • DIY
  • Lo-fi
  • Space pop
  • Art pop
  • Indie pop/rock
  • Alternative pop/rock
  • Dream pop

Artist: Jan Strach
Year: 2016

[Teaser of the day] Smash Up Fun!! - Bo Fly Mambo

  • Latin music
  • Lounge pop
  • Plunderphonics
  • Avant-garde
  • Mambo
  • Dada music
  • Sound collage
  • Leftfield
  • Exotica pop
  • Anti-pop
  • Sampledelic

Release: Fly, Not Fly
Label: Ubuibi/Big City Orchestra
Year: 2015

10/16/2017

[Teaser of the day] Death Tricheco - Contemporary Art



  • Avant-garde
  • Plunderphonics
  • Sound collage
  • Industrial
  • DIY
  • Freeformfreakout
  • Minimal synth
  • Experimentalism
  • Experimental electronica
  • Sampledelic
  • Electronic music

Release: Party Music
Year: 2017

[Teaser of the day] No(Spin) - Queen of Blades


  • Breakcore
  • Drum and bass
  • Electronic music
  • Alternative dance

Artist: No(Spin)
ReleaseFrom The Vaults
Year: 2017

Wings Of An Angel – Enter Your Horror Story (2017)



  • Modern classical 
  • Contemporary classical 
  • Piano music 
  • Art music 
  • Drone 
  • Ambient drone 
  • Space music 
  • Electronic music 
  • Chamber music

Comment: the man behind Wings Of An Angel is a phenomenon. Maybe he is not man at all, no I am not inclined to say instead of a man there is an angel, maybe it is a hidden collective behind it. Why I supposed to think in that way? Because he has released more than 140 releases in recent years. It must be a prodigious exertion to reach it. Only very few chosen are able to do it. If to think of it this can be compared with the doings of the Almighty one. All what he said and did all would get realised immediately. All what Wings Of An Angel has thought all would have surfaced after a while. The recent one consists of a couple of tracks which are quite disparate by their format, composition and tonality. Danger Is An Imminent Reaction used to base on a spherical droning. I was running in a colourful, autumnal forest while I was listening to it for the first time. It is a track which suggests as if you are the only person in the world. There is no place for other persons. You have no need for other people at all because your own existence is tightly related to the surrounding nature which is your mother, father, lover, whatever. In other words, it is the rebuff of civilisation which is the source of decay and depression. The track clocks in at a 16 minute. The following track It's Too Hard To Teach A Daft Sun-Assaulter How To Make Raspberries Grow In The Dirt is as long as a 67 minute being based on piano chord shuffles and surrounded by an airy ambience. Its emotion and mood are more veiled and ambiguous and because of that it is problematic to relate to it on emotionally. However, I suppose I am barking under a false tree and instead of searching for overwhelming emotions (due to the opening composition) you have to set out to follow rigidly the format and the pattern of the composition. That's it. In a nutshell, listen to it for to stand under the shadow of the wings of an angel.

[Teaser of the day] Carbonates On Mars - Forest Canopy



  • Ambient
  • Ambient drone
  • Minimalism
  • Space music
  • Avant-garde
  • Experimentalism
  • Soundscape

Artist: Carbonates On Mars
Label: Aural Films 
Year: 2017


[Teaser of the day] Wings of An Angel - Only Love Can Heal The Wounds Of Time



  • Post-classical
  • Art music
  • Experimentalism
  • Contemporary classical
  • Modern classical
  • Electronic music
  • Avant-garde

Label: Self-released/Bandcamp
Year: 2017

10/15/2017

[Teaser of the day] Uton - Diamond Hearts


  • Avant-garde
  • Abstract
  • New Weird Finland
  • Avant-folk
  • Psychedelic
  • Improvised music
  • Drone folk
  • Experimentalism
  • Leftfield
  • Experimental folk
  • Forest folk
  • Noise

Artist: Uton
Release: Holy Burn
Year: 2008

[Teaser of the day] Full Load Of King - Medusa


  • Indie rock
  • Alternative rock
  • Blues rock
  • Psychedelic rock
  • Hard rock

Release: Normal 
Year: 2005

[Teaser of the day] Snuff American Style - War Of Attrition



  • No Wave
  • Avant-garde
  • Avant-rock
  • Experimentalism
  • Leftfield
  • Electronic
  • Experimental rock
  • Alternative

Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] Marylin Roxie - Raumschiff der Krautrock


  • Krautrock
  • Electronic music
  • Psychedelic
  • Kosmische Musik
  • Alternative

Artist: Marylin Roxie
Release: Zug der Krautrock 
Label: Vulpiano
Year: 2009

[Teaser of the day] Toxic Chicken - dakterras at Gifgrond



  • Electronic pop
  • Alternative
  • Synth-pop
  • Poptronica

Artist: Toxic Chicken
Label: Dog Park
Year: 2017

[Teaser of the day] Mortua Nix - Drained



  • Lo-fi
  • Avant-garde
  • DIY
  • Neofolk
  • Neoclassical

Artist: Mortua Nix 
Release: Martyrs
Label: Self-released/Bandcamp
Year: 2016

The Bordellos – The Bordellos Underground Tape Vol 7 (2017)



  • Indie rock 
  • Lo-fi 
  • DIY 
  • Alternative rock 
  • Outsider pop 
  • Indie folk

Comment: since the end of the 00s I have had two great lo-fi and DIY acts from the very underground of the United Kingdom, more profoundly, The Hirundu, and Clinker. Since 2014 or 2015 I can consider The Bordellos as a third act in the list. Why I like the mentioned acts? It might be because of their cynicism in lyrics and in their music which in turn harks back to my personal experiences while listening to an early MES and The Fall, especially Perverted By Language (1983). Of course, I like the music of the recent ones because these influences cannot be heard as a copy paste version but one can hear unexpected dodges and tradition ruined appearances in music. The Bordellos is not a unit who somehow likes to be aesthetically repressed. They have been doing what they like to do. They have released a bunch of EPs and some albums so far. This 4-notch one is based on quiet and even buried incantations based on primitive chords and visions. Let's call it lo-fi jangle pop, primitive Americana, outsider folk music, tea cup sadcore. I have nothing left to do as they sing. Like The Fall has always loved rockabilly as an American influence The Bordellos has added Americana as an American influence to the latest releases. I have no regret while spending time with it though I would prefer the combo's previous ones because at times it is way too buried. But I understood their musical path to move on from one point to the next one. That's the logic, that's the dynamics.

Megahast3r – Low Level Security (2017)



  • Acid techno 
  • Tekno 
  • Electronic music 
  • Acid house 
  • Rave music 
  • Alternative dance 
  • Minimal techno

Comment: this bunch of 4 compositions is a bipolar outing with regard to involving restrained yet somehow neurotically loaded electronic progressions and an elegant minimal techno and then trading it for shamelessly stomping electronic dance beats getting obviously inspiration from warehouse parties from the end 80s and the beginning 90s. It is sparse and straightforward yet providing a huge impact on a listener. Indeed, it is truly rave-up. Paradoxically it does have an emotional impact upon me because the emotions are burned off over there a priori. That's the way I like it. The issue is a part of the discography of Soisloscerdos Records.