Blogiarhiiv

12/30/2015

Japanese Large – Superpositioned (2015)




  • Synth-pop
  • Indietronica
  • Alternative pop
  • Hypnagogic pop
  • Poptronica
  • Mood music
  • Electro-indie
  • Glo-fi
  • Chill out
  • Psychedelic pop
  • Dance pop

Comment: Japanese Large is a Phoenix, US-based project which is headed by Jon Partelow, the group`s initial singer who chooses mates to get collaborated for. Superpositioned is produced in liaison with Matt Rickard. There are up seven compositions with a total length of almost 50 minutes. Musically it seems to be influenced by M83 because of drifting instrumentally across tumultuous synthesizer moulded seas and on the other side putting itself into a corner of soothing, down-tempo and smooth synth pop/chill out alike compartments. Furthermore, the latter element is frequently adorned with emotive vignettes and motif progressions being ever characteristic to some examples of the French electronic pop (for instance, Air). On the other side, by enjoying those tiny, wondrous hypnagogic progressions in some tracks (for instance, Bbl Thumps) the result comes quite close to an early period Ducktails being then closely related to such terms as “glo-fi”, “hypnagogic pop”, “dreamwave”. Thirdly, partelow and Rickard`s work does have much similarity with Tame Impala`s brand new album Currents though Superositioned is more exuberant and accomplished and actually was issued earlier. It could be said the concept is rounded and well-circled because the premises already foreseeable after listening to some tracks only and the outputs used to provide cohesive connection between one another. On the whole, it is a superb work.     

12/29/2015

Jan Grünfeld - Sower

[Teaser of the day] Christian McKee - Hear You Out


  • Alternative pop
  • Synthwave
  • Soul 
  • Hypnagogic pop
  • DIY
  • Singer-songwriter
  • Electronic pop
  • Lo-fi
  • Bedroom pop

Label: No-Source
Year: 2011

Bone Conductors – Twitches (2008)




  • Singer-songwriter
  • Indie folk
  • Chamber pop
  • Indietronica
  • Drone pop
  • Epic
  • New Weird America
  • Toytronica
  • Baroque pop
  • Post-pop
  • Folk indie
  • Alternative pop
  • Americana

Comment: by reading the description about Nick Yulman at archive.org one could admit the resident from Brooklyn, NY, USA is a busy, versatile and requested musician. He has been involved in many projects with purpose to cover different events with soundscapes. Surely, by listening to this 11-track issue one there have been mapped out different hotspots in indie/alternative/art pop/music. Musically it does mean electronic instruments are tightly mixed up with acoustic ones though the whole rings in an airy and subtle way giving no heck to any of these vignettes and fragments represented over there. More profoundly, you can see paths coming out of art houses and bedrooms to climb up to small independent studios and venues where primitive toy-alike instruments are given the same aesthetical extent in comparison to more accomplished guitar rock driven and Americana laden progressions. Even more could be pulled out of it – at times Yulman`s music chimes in a truly farcical way where funny music hall/vaudeville/burlesque elements are seamlessly added to the mix. In truth, Twitches is heavily loaded with stylistic turns and innovative explorations, however, resulting craftily in an emotive way. Although the music lovers could discern certain similarities with other musicians (for instance, Dan Deacon, Stereolab, Sufjan Stevens, Beirut, Grizzly Bear, Mount Eerie, Dirty Projectors) it is an idiosyncratic outing because having no spot on certain elements for longer time. These snippets are just transient instruments to conjure up his extravagant world. The issue involves some songs which should have reached the top of Billboard (Bermuda, I Don`t Design). The album should be considered as one of the classic albums regarding the New Weird America scene. All the relevant aspects are represented over there - it is musically poignant, emotionally overwhelming, conceptually innovative. Top notch.

12/28/2015

[Teaser of the day] Flavio Severino - Profumi


  • Modern classical
  • Chamber music
  • Piano music
  • Epic
  • Art music
  • Post-classical

Release: Mancanze
Year: 2015

[Teaser of the day] Mikk Rebane - Contested



  • IDM
  • Experimental electronica
  • Techno pop
  • Synthwave

Artist: Mikk Rebane
Release: Particles
Year. 2015

Jan Grünfeld - Music For Plants (2015)



  • Experimental rock
  • Post-folk
  • Indie folk
  • Musique concrète
  • Kosmische Musik
  • Post-rock
  • Modern classical
  • Folk indie
  • Electronic music
  • Art folk

Comment: Jan Grünfeld likes to basking by just playing guitar and using a few elements to accentuate the instrument`s chords. Mostly those few elements are just algorithms to be implemented for more and less tight air surrounding his guitar endeavours. More profoundly, there are up a loads of echoes and reverbs in the middle and on the fringe throughout seven compositions of improvised guitar playing, however, additionally adorned with hisses from concrete music (the birds are singing and people are chatting) and the tolling of faint glockenspiel here and there. The only exception is The Nightshade where the composer takes on electronic devices to create more sequencer induced paces and synthesizer led Kosmische Musik impulses. The final track Feel Alife used to move on through slow motion lenses with the assistance of bold yet lonely piano chords and concrete music layers and an extended guitar riff thereby eventually resulting in the thoroughgoingly dream-soaked appearance. Fairly impressive. Indeed, the result is a bewildering piece of instrumental music where experimental approach in chords is finely balanced against beauty in touch. It is a joint release under la bèl, and Headphonica imprints. 

Day Of The Triangle – Salvia Sundays (2015)




  • Kosmische Musik
  • New Age
  • Space music
  • Ambient drone
  • Soundscape
  • Psych-rock
  • Electronic music
  • Motorik
  • Ambient
  • Krautrock

Comment: the year of 2015 has been a fruitful year for the Estonian alternative music scene because of many astonishing issues has been released throughout the year. For instance, Mart Avi`s Humanista, Tont`s Rändurvaim, Mavra`s Mavra (though it is a re-issue), Kroma`s Prince of the City. In fact, many albums are waiting to be listened to. For instance, Djerro`s XXmagick, Taavi Tulev`s Rand, Janek Murd`s Kuidas ehitada kosmoselaeva?, Ratkiller`s Comfortably Declined, She Bit Her Lip`s Viiv, Mikk Rebane`s Fragment, and Particles, Florian Wahl`s Sugar Trip. The biggest discovery for me was Day of The Triangle`s two albums Chair Conspiracy, and Salvia Sundays both of them have been released in 2015. There is little known about the artist but he is living in Tartu and is (was?) the keyboard player of one quite fruitless progressive rock combo. Fortunately he decided to launch his creative abilities with the listeners for whom it is great pleasure to listen to a fairly impressive music created in a time span between the years of 2009 to 2013. First of all, it is something of Kosmische Musik where synthesizers are set out to hover in a hyper-realistic realm. More profoundly, one could discern glacial ice-alike glimpses moving across the path between two channels and amplifiers. Mind-boggling sound effects are pushed to the fringe of the soundscape. At times those layers are mixed up with sublime concrete sound ones being supported by more and less motorik driven rhythms below. One might even suffer some vertigo due to those moving poignant noises to create some exuberant vamps within the soundscape. Nowadays the term “New Age” is mostly used as something wearisome and old-fashioned which may sound even ridiculous in some cases. However, Day of The Triangle`s exploitation of these seeds within the sophisticated melting pot is being far away from it. It could be compared with a wondrous, otherworldly dream of which you could remember faintly after restless sleep where fiction met reality in a warped way. Furthermore, stylistically this batch of compositions is a little bit more than a notch within the compartment of electronic music. One is sure the listener could also hear some influences coming out of more guitar oriented but heavily motorik rhythm propelled krautrock (Neu!, Faust) and psych-rock bands. Although these indications are obviously in minority they are represented over there though. In a word, it is a must be outing waiting to interact with your impulses coming out of your cerebral convolutions.

12/26/2015

[Teaser of the day] Geronimo - Touch


  • Techno
  • Alternative dance
  • Electronica

Artist: Geronimo
Release: Touch
Label: Bump Foot
Year: 2006


enLounge – Locked When Lit (2004)




  • Deep house
  • Dub 
  • Nu jazz
  • Crossover
  • Mood music
  • Chill out
  • Sampledelic
  • Breaks
  • Electro house

Comment: this jackass issue comes of out the year 2004 being released on Aquavelvas imprint. There are up a loads of sonorous elements juxtaposed against each other or piled up in an enchanting way. By listening to this 3-track outing and regarding the title of the artist one could discern lounge appealed sounds converted into a contemporary counterpart. More profoundly, dub inflections, electronic jazz touches, ethnic drums and deep house frequencies and hip-hop chants and disparate sonic odds and ends (whistles, meandering synth developments, ecstatically looping rhythms) are put to the forefront to conjure up spaced-out associations within the listener`s head. Gorgeous. On the whole, 17 minutes with it one couldn`t say no.

[Teaser of the day] The Falbonauts - Father Xmas (The Kinks)



  • Cover
  • Conceptual
  • Indie rock
  • Art rock
  • Psychedelic rock
  • Alternative rock

Artist: The Falbonauts
Label: Self-released/Bandcamp
Year: 2015

Maudlin of The Well – Part Of The Second (2009)




  • Chamber music
  • Progressive rock
  • Art rock
  • Psychedelic rock
  • Experimental rock
  • Avant-rock
  • Epic
  • Fusion

Comment: Maudlin of The Well is a combo from Boston, Massachusetts, USA whose fourth issue Part Of The Second is funded by donations of their fans. The quintet plays a sophisticated mishmash of rock, fusion, psychedelic and progressive rock inclined stuff ultimately resulting in the majestic feel. Temporarily it is not related to certain spans of time because of creating and playing music on the band members` own terms and understanding. In a word, stylistically it is a thoroughly artsy whole giving the listener no span to rest because of being intense in chord sequencing and instrumental interplays. It is a top notch by any means.

12/22/2015

[Teaser of the day] Nult - Guda Bahia



  • Post-rock
  • Experimental rock
  • Art rock
  • Musique concrète
  • Epic
  • Alternative rock

Artist: Nult
Release: Asil Liseli
Label: La Gramola
Year: 2013

The Macadamia Brothers – Christmas (2012)




  • Indie folk
  • Alt-folk
  • Conceptual
  • Singer-songwriter
  • DIY
  • Folk indie
  • Canadiana
Comment: The Macadamia Brothers is Victoria-residing, Canadian musician Scott Milligan whose music firstly I discovered through Rack and Ruin Records (Tomatoey Plates EP, 2008). Indeed, Christmas is coming and this pack of four tracks is relevant to listen to. You're All I Want For Christmas is such an epic and dreamy cover which must be listened to many times in a row. The issue had been released three years ago while all these songs had been issued followed one by another subsequently yearly. All in all, it is fascinating to enjoy Xmas ditties running in a contemporary mode. Merry Christmas.


12/20/2015

[Teaser of the day] Alyiann - Gravity Escalation


  • Chillstep
  • Electronica
  • Breakcore
  • Indietronica
  • Downtempo
  • Mood music

Artist: Alyiann
Year: 2011

Tont – Rändurvaim (2015)




  • New Age
  • Organic electronica
  • Dark ambient
  • Sound art
  • Experimentalism
  • Space music
  • Electronic music
  • Live session
  • Avant-garde
  • Art music
  • Musique concrète

Comment: it cannot be wrong by assuming that The Estonian sonic maverick Tont (“Ghost”, “Spectre” translated in English) brand new ones are events by itself. They are always different, always the same. The topsoil of his issues are different kind of drums which used to loop through reverb and delay heavy effects juxtaposed against found sounds being previously recorded in nature worldwide. The motto of his brand new album Rändurvaim (which could be translated the soul of a pilgrim, i.e the person who likes to travel) is the soul of a pilgrim exists in any of us. It seems that the pendulum in Tont`s life is switched to move diametrically to the opposite side in favour of nature. Fortunately Estonia is a patch of land where the human being could practice such a life. Ideologically and musically it seems to be bounded even more with nature than the artist`s previous outings. Given that the lyrics are all about a stark gratification of natural world and more and less indirectly about escapism from within the civilization which used to absorb and squelch the human being. It might be it is accidental that this bewitching issue had partly been  recorded in Lapland the sultural area being famous due to shamans living over there. By regarding the coverprint of the issue on can figure out correlation with one row on the sleeve by stating there is an ice-coated lake under your foot, there is green colour dancing in heaven. Musically he has reached more spotted abstract, dark ambient and electronic compartments having in turn abandoned doom rock and dub music elements. Moreover, one could hear soothing sounds as if coming out of the engine of a space rocket having stabile gear while flying across Outer Space. However, New Age-y attitude and flutes in the artist`s music are still up there. Emotively it is uncompromisingly consistent from the start to the end. It could be said Tont`s issue is a functional instrument to conjure up one`s dreams. By considering the aforementioned rows the outing could relevantly be described by using adjectives thought to describe the leaf margins of different species of trees, for instance. More profoundly, it is at times lobate, at times crenate, at times serrate, at times ciliate. On the whole, I can feel myself as a happy person who owns an exemplar of the limited tape edition (48) on Tallinn-based underground imprint Trash Can Dance (additonally embracing live versions of a couple of compositions). Additionally I recommend to listen to the artist`s previous issues and Allinn`s music wherein he is also involved in for a while.

[Teaser of the day] Orrorin Daydream - A Waiver


  • Ambient drone
  • Minimalism
  • Abstract
  • Soundscape
  • Avant-garde
  • Microsound
  • Experimentalism
  • Ambient noise
  • Sound art

Artist: Orrorin Daydream
Release: A Distant Veil
Label: Laverna
Year: 2015

Alternative links:
Bandcamp
Archive.org

Here Be Monsters – Thousands Are Still Asleep (1992)




  • Sound collage
  • Ambient
  • Avant-garde
  • Experimentalism
  • Noise
  • Psycho-acoustic
  • Non-music
  • Leftfield
  • Plunderphonics
  • Industrial music
  • Drone
  • Electronic music

Comment: this issue consists of one long-running almost 31 minute composition. However, the whole is a medley of different artists` works and disparately stylized compartments. More profoundly, there are up such artists as Minòy, PBK, Adam Bohman, Agog, Crow, De Fabriek, Factor X, Kazuhiro Ohtsuuka, Merz, Mystery Hearsay, Seiei, Jack, Sismoid, Tuf and Van Der Veens. Musically it used to trudge from rattling rhythmical bumps and hisses at different frequencies and word samples to dreamy microscopic noises and sublime electro-acoustic panning. Now and then one might perceive it like an open immense room with many alleyways which is unlocked for all pedestrians coming around and having different musical tastes. On the other side, such a sort of art might switch him/her to be a subject of stampeding perceptions. The mishmash includes a pile of bewildering sonic effects and hazy progressions. For instance, therein is represented singing of oriental heritage though being switched upside down. By the way, the issue embarks on and finishes off with the snippet. Of course, it is very sympathetic the half-hour is replete with lush analogue fabric and threads thereof giving a more softened touch to the sound even though many sounds are designed in an ominous and abrasive mode. In general, there are up two possibilities considering the title – either it is thought to wake up or soothe the listener into profound yet somewhat deranged sleep. Here Be Monster is the project of Zan Hoffman and the issue had initially been released in 1992 (under his own ZH27 imprint). On the whole, beyond the fact of having historical value (the aforementioned artists were a substantial part of the underground cassette movement in the 80s) on its own the whole is a sequence of mind-boggling snippets where chaos is just an instrument to move toward a more universal integrity. Additionally to (re)discover and support old yet underrated artists I recommend to listen to such platforms and imprints as Bob Chaos, Museum Of Microcassette Art, CS Industrial 1982-2010, Cassette Art Classics, Haltapes and read such blog as Die or D.I.Y?. 

12/19/2015

[Teaser of the day] KIFOTH - Mrtvý vyslanec



  • EBM
  • Industrial
  • Electronic music
  • Leftfield
  • New Wave
  • Synthcore
  • Dark electro
  • Power electronics

Artist: KIFOTH
Year: 2015

Flatsound – Losing The Interest and Trust I Had In You (2010)




  • Singer-songwriter
  • Indie folk
  • Americana
  • DIY
  • Slowcore
  • Lo-fi
  • Dream folk
  • Folk indie
  • Noise pop
  • New Weird America

Comment: chronologically it must be one of the first issues by San Diego, US-based artist Mitch Welling being released five years ago. At the time of issuing it he was nineteen years oldas he hints at one composition. Later on, he is being a prolific artist because of issuing ten outings thereafter. Lyrically he considers permanently love theme by searching for signs of everlasting, intact love being ready to get sacrificed for it. However, he could not find it because of painful memories and huge gaps between personalities. Musically it is supported by intimate guitar flows and ebbs saturated with hisses, some concrete sounds and sonic effects and noisy feedback outbursts. Frequently Welling`s compositions are appealingly dreamy and yearning having found the proper thread within the DIY/lo-fi/bedroom pop aesthetic. On the other side, one could percieve similarities with the likes of Yo La Tengo, Galaxie 500, American Music Club, Red House Painters. Ultimately it could be said it is a fairly attractive issue reflecting upon huge potentiality and traditions coming from within the American song-writing legacy. Indeed, nobody could do better than the Americans do. By the way, three months ago he has issued Four Songs For Losing You, his latest one.  

12/18/2015

[Teaser of the day] Frallar - Circulo Polar


  • Techno
  • Electronica
  • Alternative dance

Artist: Frallar
Release: Círculo Polar
Year: 2011 


XP43 With Slo-Blo – La Fèminin Sacrè (2015)




  • Post-industrial
  • Noise
  • Avant-garde
  • Acousmatic music
  • Drone
  • Experimentalism
  • Illbient
  • Experimental electronica
  • Non-music
  • Musique concrète
  • Psycho-acoustic

Comment: firstly, I like an unconventional nature of the album regarding the outer shape. It is composed of 56 notches replete with disparate impulses and irrational progressions and unchained progressions. The cover print depicts the Barbie doll which is being one of the most exploited artefacts worldwide in a truly skewed way. The artist hijacked the idea of the doll to mock the Western consuming community through over-sexualisation of woman`s body. By conceptual side the artist used to follow a classical noise music idea. The initial idea of noise music was to showcase absurdity and mental disturbance within politically invoked martial games through painfully aroused sounds and weirdly sequenced compositions thereby being thought-provoking and challenging. By musical side it is comprehensive by extending from silence induced snippets and tottering ambient and opaque drone sounds to re-contextualized speech snippets and heavily deranged electronic progressions. However, the loose concept is a positive sign in any cases. The issue is a part of the discography of Tape Safe. 

12/17/2015

[Teaser of the day] Cosmic Analogue Ensemble - Unlimited Frequencies


  • Reggae
  • Dub
  • Mood music
  • Experimental pop
  • Afrofuturism

Release: Fish Fingers
Label: Upitup
Year: 2013  

Loose Link And Option Command + Friends – Karramantha (2011




  • Chopped and screwed
  • Hip-hop
  • Rhythmic noise
  • Cloud rap
  • Avant-hop
  • Noise
  • Ambient
  • Experimentalism
  • Remixes
  • Experimental electronica
  • Leftfield
  • Vaporwave

Comment: by listening to this huge 19-track issue (the total length reaches 90 minutes) it arouses different moods and attitudes inside one`s soul. Its rhythmic structures are thoroughly angular and imbued with noisy bits thereby at times chiming like an example of pop music for robot and human being crossed creatures on Earth in the future. On the other side, those rhythms are quite obsessive ones on its own on account of wobbling vibes based on microscopic short-running samples and iterative sonic effects. Frequently the music chimes like a stoned example of being channelized through slow-motion lenses and broken maze-alike wire systems. If to listen to such track as Karramantha (Clockwork Keyboard Remix 2) it could be considered an inverted and skewed hip-hop piece by exploiting nowadays technical support to deform the structure of the issue. Although the artist`s remix makers do exploit deconstruction as a negative approach on its own (because of not creating something new by itself) it results truly impressively though. The music industry will be dead sometime and Bandcamp will have been dominating in the future and such sort of music will be one of the cornerstones of the fabulous platform of combining both commercial tendencies and free music world. In a word, it is an ingenious outing because of brazing poppy and cutting-edge elements into the organic whole eventually. It was an avant-garde one 4 years ago and it is still on. It had been issued under gorgeous imprint Sirona-Records headed by Arnaud Barbe aka Pollux.  

12/15/2015

[Teaser of the day] Daliah - Tanqueray



  • Vaporwave
  • Experimental electronica
  • Leftfield
  • Seapunk
  • Ambient
  • Avant-garde

Artist: Daliah
Release: Girlish Boys
Year: 2015

Viktor Van River – Damaged (2015)




  • Mood music
  • Nu jazz
  • Acid jazz
  • Electronica
  • Breaks
  • Trip-hop
  • Sampledelic
  • Cinematic

Comment: it is a fabulous contemporary jazz-based roundabout. More profoundly, jazz music meets electronic beats and soulful singing or at least samples of speech snippets over the place. Indeed, if to trying to differentiate it from acid and nu jazz compositions then one could perceive more sample-based aesthetic and slowly, even lazily meandering rhythms on the nexus. These cadences are also sprinkled with lo-fi aesthetic and subtle concrete music samples. Indeed, the latter is an important thing because of being the counterpoint to crafty, mind-blowing harmony progressions. Pardon is the favourite of mine with slightly ominous synth progressions and threateningly stomping rhythms below it. The issue is a part of the discography of the Bulgaria-based imprint Dusted Wax Kingdom. The artist comes out of Almaty, Kazakhstan. Regarding the country I guess Sasha Baron Cohen should listen to it. I am afraid of he is obviously way too dull because of being immersed in his predispositions to be able to understand something like that or it might disturb his embarrasing picture of the world. His attitude in his motion pictures and the tolerance of it by Western people is a case of hypocrisy on its own.

[Teaser of the day] Furniker - Construction Site


  • Acousmatic music
  • Psycho-acoustic
  • Ambient noise
  • Sound-art
  • Musique concrète
  • Post-industrial
  • Avant-garde
  • Experimentalism

Artist: Furniker
Release: Furniker
Year: 2015

Alternative links:

Wassup Foolie – Gummy (2015)




  • College rock
  • Post-grunge
  • Alternative rock

Comment: recently I got a letter by Andrew Gipson Richardson who wrote me in for a submission. More profoundly, I got the 7-track issue called Gummy. In fact, it was not the first time for me to write about music where he was involved in. 4 years ago I reviewed his another project Yall`s 2-track issue GUM (2011) where AGR and Travis Franklin walked on the wild side of rock and roll. Indeed, they did not give a fuck at all (or they did it, though – depending on a point of view adopted). It was the absolutely mind-blowing experience with either haphazardly or mathematically represented drumming patterns and stunning singing and frantic guitar playing to fill the space. Indeed, all of that did have hints at rootsy bluesy power of rock music which is one of the most primary edges regarding the style. Wassup Foolie is the duo of AGR and the drummer Taylor Kohl whose Gummy is the follow-up to the album Nose/Eyebleed EP (2011) being promoted through Noisetrade. By the way, Travis Franklin mixed these 7 compositions made up of grunge music influenced elements, some math rock fabrics and feeling of college rock. It can be said the duo likes to conjure up melodies and tortured singing within the aforementioned styles. In fact, I was honoured to experience two different versions of the album. The tentative version involved more garage-y hues thereby giving more DIY approach to the album. The last version is more polished and restrained though involving some superficial sonic effects here and there. On the whole, it is a decent work though I prefer to be in the midst of the craze of Yall`s music. It does have a truly affective aspect within the music.

12/14/2015

[Teaser of the day] Sub Noir - Crowd



  • Techno
  • IDM
  • Ambient pop
  • Experimental electronica
  • Downtempo

Artist: Sub Noir
Release: Reflex
Year: 2010

Juçara Marçal & Cadu Tenório - Anganga (2015)




  • Improvised music
  • Freeformfreakout
  • Avant-garde
  • Experimentalism
  • Noise
  • Psychedelic
  • No Wave
  • Non-music
  • Leftfield
  • Psycho-acoustic
  • Improvised noise
  • Ambient

Comment: first of all, it is a mind-boggling issue because of disparate elements have been merged in one whole. Juçara Marçal`s ever-changing challenging vocal delivery recalls such artists as Laurie Anderson, Meredith Monk, Diamanada Galas, Maja Ratkje, Jarboe, i.e being the female vocal artist whose aesthetical spot is put on wobbling between singing and mostly high-pitched vowel experiments. From the background she is supported by untamed sonic experiments by Cadu Tenòrio who exploits tapes, prepared violins, synths and manipulated sounds to call forth interesting resonances between those aforementioned compartments. Musically harsh noise torrents, bugs of brown noise and elliptical rhythms used to encounter buried, silence soaked vowel based moments and spaced-out synth induced layers on top. Juçara Marçal sings and chants in Portuguese. The issue is a joint issue to such Brazil based labels as Sinewave, and QTV Records (both of them involve many solid examples in their discography). In a nutshell, the outing is enchanting because of being built upon intriguing sonic compositions, inner burning and accomplished concept. Completed successfully. 

12/12/2015

[Teaser of the day] Mais Valia - Metropolis



  • Stoner rock
  • Hard rock
  • Art rock
  • Experimental rock
  • Math rock
  • Progressive rock
  • Alternative rock
  • Post-rock

Artist: Mais Valia 
Release: Mais Valia
Label: Sinewave
Year: 2015

Alternative links:

Lee Noble – Un Look (2015)




  • Drone pop
  • Leftfield pop
  • Organcore
  • Glo-fi
  • Indie
  • Art pop
  • Soundscape
  • Hypnagogic pop
  • Ambient 
  • Epic
  • Avant-pop
  • Organic electronica
  • Minimalism
  • Experimentalism


Comment: The Californian musician Lee Noble`s 11-track issue is an introspective view either through sublimely droning organ-induced compositions or delicately strumming strings and orchestrated synthesised layers. By using the former method Lee Noble explores sounds in an abstract, fairly experimental way. In this case, his music chimes like an example of hyper-realistic daydreaming saturated with little angels and beneficial sprites wobbling and dancing very slowly nearby you because of being either isolated by slow-motion filter or shifted by caressing of a faint sea breeze. For instance, listen to Marble Shroud which gives one goose bumps due to minimally droning organ lines and little yet clearly remarkable phase changes within the one. On the other side, while he is singing then compositions remind of Radiohead and Noble`s vocal comes close to Thom Yorke (for instance, Out Of Out, Pink Laser, Light Death, A Few Better Than Some). At times he exploits majestically floating yet restrained samples and poignant vinyl induced hiss and crackling noise to adorn tracks with a more organic approach (Light Death). It might be the music Lee Noble has produced during the last 6-7 years it will have tagged as baroque pop/chamber pop in the future. In fact, as a reviewer I feel myself quite confused because it is hard to decide is it experimental music or rather being a part of experimental pop music, is it ambient or rather having a place within ambient pop compartment. It might be the issue is a thoroughgoing post-album thereby having crossed all those hypothetical borders laid in front of him. By kindred souls I recommend to listen to Ducktails, Real Estate, M.Geddes Gengras, x.y.r, Cankun, Balam Acab, M. Sage, LAY BAC etc. However, first of all one should discover his previous outings because many of them are essential gems of modern music. Im a word, Un Look is a beatific glimpse indeed. 

[Teaser of the day] M. Kleis - While Slayer Sleeps the Corpses Bleed

  • Electronic
  • Progressive
  • Cybergrind
  • Lo-fi
  • Industrial electro
  • Black metal
  • Leftfield
  • Crossover

Artist: M. Kleis/Ratkiller/EDASI
Label: Self-released/Bandcamp
Year: 2003

12/11/2015

Kroma - Prince of the City (2015)




  • Kosmische Musik
  • Space music
  • Cosmic fusion
  • Chilltronica
  • Electronic music
  • Synthwave
  • Soundtrack

Comment: Antti Turp aka Kroma`s music is tipped on the strength of his previous issues of the likes of Otsi mind Merkuurilt (2013, Trash Can Dance) and Siin kus lõpeb Maa (2014, self-released/Bandcamp). Prince of the City continues obsessively to search for detailed, elaborated soundscape though the result eventually will be quite relaxing and soothing. Indeed, the aspects of creating ambiance are craftily poised with accomplished chord genesis. Mid-tempo rhythms are merged with glacial-alike sonic glimpses as if an alien shuttle waiting for a suitable moment to get started from an Arctic ice glacier into the Outer Space. Indeed, the thought of it is epic and sublime and Turp`s music supports properly this idea. On the other side, I guess the title hints rather to the urban environment though I can only imagine the album to be a soundscape for the sleeping city being lightened by halves. Musically it seems to be steeped in Kosmische Musik tradition, New Age music, motion picture soundtracks and slightly fusion and progressive music tinged formulas. By the way, a couple of compositions are produced by another Estonian electronic music mastermind called Galaktlan.


[Teaser of the day] Acid Buda - Beautiful Psicodelia


  • Art pop
  • Electronic music
  • Avant-pop
  • Techno pop
  • Experimental 
  • Leftfield

Artist: Acid Buda
Release: Star EP
Label: Nu-Logic
Year: 2015

Digitalverein – Internal Course (2003)




  • Dub house
  • Club dance
  • Deep house

Comment: at the time the hours come closer and closer to the end of a day it is time to listen to deep house drenched vibes and rhythms replete with velvety shades and wobbling dub frequencies and something very magical yet indescribable within and around it. Those slightly shifted layers being juxtaposed against each other and over each other used to create psychedelic vibes within the compositions. Furthermore, it is not a mechanical work at all because of including many beatific harmonies and propulsive gears to eventually conjure up warm emotions inside the listener`s soul (Face The Horizon). Digitalverein is the project of Jörg Schuster and Internal Course is the follow-up to Zu Hause also being released under Thinner. In a word, this issue must be considered a classic deep house item. 

12/10/2015

[Teaser of the day] Samurau - Dangerous Squares



  • Improvised music
  • Jazz
  • Fusion
  • Mood music

Artist: Samurau
Label: La bèl
Year: 2015

This Lonely Crowd – Meraki (2015)




  • Post-metal
  • Alternative rock
  • Shoegaze
  • Post-rock
  • Epic
  • Speed metal
  • Doom rock
  • Trash metal
  • Power pop

Comment: The Curitiba, Brazil residing combo This Lonely Crowd is back with their brand new one Meraki. If to compare it to their previous albums the quintet continues to develop more metal oriented compositions rather than continuing with shoegaze-tinged ones which were being characteristic to their first albums (And Endless Moment Everyday All the Time, Ephemeris). Of course, those elements are represented over there though the impulses to be propelled further come from doom rock, speed metal and trash metal corners. At times one could perceive destructive blackened energy over the place ready to demolish the structure (Sophrosyne). Indeed, heaven meets hell and light meets darkness. In a word, the collective exploits craftily their previous proficiency to create epic clouds and glistening soundscapes to support and arouse the listener`s fantasies. It is truly interesting to wait This Lonely Crowd`s next issue because having no hint at their next direction. One could already perceive the fulfilled content within the concept of the collective. There is obviously no space for old tricks anymore. Maybe I am wrong, though. At this time it works out fairly effectively because of having reached maximal quality from their aesthetical extent.


12/09/2015

[Teaser of the day] Philaretordre - Etincelle


  • Psych-rock
  • Electro-rock
  • Duyster
  • Post-rock
  • Art rock
  • Experimental rock

Artist: Philaretordre
Release: Philaretordre
Label: Perkunowa
Year: 2010


Alternative links:

St Cheatersburg - How To Lose Your Value on The Heterosexual Market (2015)




  • Post-punk
  • Art punk
  • No Wave
  • Alternative rock
  • Kraut-punk
  • Indie rock
  • Psych-rock

Comment: I first saw Chungin in playing action at the event Metamorfiin in the spring of 2005 while I was performing (as Autharktos) there as well. Indeed, then he was being the fairly charismatic drummer of dub-inflected combo Maikameikers. At the same time with this band he was being a member of another combo called  Chungin & The Strap-On Faggots. St Cheatersburg is his latest project where he used to sing and play guitar. Since the mid-2014 the combo has issued 3 EPs so far. How To Lose Your Value on The Heterosexual Market is a solid effort because of playing rock and roll very effectively. More profoundly, there is viable tension between the first glimpse into the EP and real entity on its own which will be unveiled after many listening times. It could be considered an example of extended punk rock. However, it might say nothing about what there is represented in real sense? For instance, I guess not anyone could imagine for himself/herself the tracks of punk rock being stretched out to 11 minutes. Chungin`s vocal and guitars conjure up different moods and shades – from elegantly resigned ones to more glowering and blurry. The former ones remind of Sonic Youth and Moore/Ranaldo`s pre-apocalyptic shouts and desperation. On the other side, Chungin and company like to exploit many iterative motives and patterns thereby having its place somewhere between psych-pop and krautrock. The combo is assisted by Steve Vanoni whose noisy saxophone ploughs through all the layers at times. Because of that the combo does have the link to the No Wave tradition. Despite these labels above the listener can enjoy something refreshing and catIn a nutshell, it is an exemplar to be added to my list of the best issues in 2015. 


12/08/2015

[Teaser of the day] Hello Soviet - Robotomy


  • Electro pop
  • Techno pop
  • Experimental pop 
  • Alternative

Artist: Hello Soviet
Release: Hello Soviet EP
Label: Quantum Bit
Year: 2010



Super Multifaros - Jan Telefon (2007)




  • Chiptune
  • Primitive electronica
  • Bitpop
  • Tracker music
  • Chipbreak
  • 8-bit
  • Electronic pop

Comment:  Super Multifaros is a Swedish artist whose composition of a handful of tracks has been produced in the way of pushing tongue in cheek. Who invented the telephone actually? Was it either Graham Bell or someone else? In fact, the artist prefers to laugh about this fake problem by using joyful speech samples for consideration. Furthermore, one could find himself/herself to move across the soundscapes of primitive pixel-shaped rhythms which are adorned with rough synthetic layers and robotic odds and ends here and there. The whole is propelled by catchy melodies. In a word, it is a simple but nice listening session. The issue is a part of the discography of Candy Mind.


12/07/2015

[Teaser of the day] The Hathaway Family Plot - She Goes Away



  • Avant-pop
  • Experimental pop
  • Alternative pop
  • Leftfield pop

Release: Worry
Year: 2013

Alternative links:


Simon Waldram – Inside Out EP (2015)




  • Noise pop
  • Psych-rock
  • Art rock
  • Alternative pop
  • Garage rock
  • Experimental rock

Comment: Simon Waldram is a musician from Notthinghamshire, UK who has issued at least a dozen of outings since the mid-00`s. His 5-track issue embarks on with a fabulous psyched-out blast of conveying overwhelming energy and galvanized burning inside its numerous circles and layers. It may resemble slightly the aesthetic of Jesus And The Mary Chain. Fortunately nothing will change in the next track Revolution Summer which is an intriguing mongrel of jangle pop induced easiness and arrogance of feedback loaded noise pop. Later on, acoustic guitars, and arrangements on cellos and saxophones will be added to the blend, however, the artist upholds partly the aforementioned sharpened sonic compartment to make up viable contrast within the mix. However, acoustic guitar led compositions are more restrained and contemplative and even eerie in an artsy way. Indeed, some space is conjured up around lone string chords with slight yet poignant effects. For instance, Colliding Circles rides on such an effective gimmick. At these time Simon Waldram`s approach reminds slightly of Michael Gira. Eventually it could be admitted Simon Waldram is not an ordinary singer-songwriter whose album under the Gothenburg-based imprint 23 Seconds makes fairly difference. Indeed, simple approach could be ingenious. However, to find it out it is quite hard work to do. 

12/06/2015

Keshco - Tyre Dirt

[Teaser of the day] BronZe - Plastik Dream


  • Hip-hop
  • Experimental
  • Breaks
  • Urban music
  • Avant-hop
  • Industrial-hop

Artist: BronZe
Release: Ohm Lounge EP
Label: Groovecaffe
Year: 2006

Auxcide – Laniakea (2015)




  • Electronic pop
  • 8-bit
  • Chiptune
  • Electro-pop
  • Bitpop
  • Tracker music

Comment: Carlisle, Pennsylvania, US-based Auxcide`s 5-track issue Laniakea chimes like an imaginative AOR disc for the robot conquered radio station on Earth. It is drenched with broad way melodies and primitively pulsating harmonies being pushed forward by roughly moving quadrilateral beats. In general, the whole is replete with highly galvanized energy and impulses of poppy pathos. Let`s have some spot upon some compositions. This Could Be is loaded with a more tectonic thudding and very expressively surfaced acid synth progressions thereby giving the piece a slightly different angle in comparison to the other tracks. Furthermore, the artist likes to play with contrasty aspects. At Andromeda the listener can enjoy an easy melody being juxtaposed against heavy beats. If I would have been a radio host I would like to play it on air in the afternoon. In a nutshell, beacuse of the artist`s pop ambition the release does not result totally in an obsessive dive into pixel-shaped pop music. 

12/04/2015

[Teaser of the day] Humberto Luis Schenone - Este Era Mi Barrio (Destiempos)


  • Chamber music
  • Post-classical music
  • Avant-garde
  • Tango
  • Crossover

Year: 2010

The Fucked Up Beat - (hope! Our Drones Sent From Heaven) (2015)




  • Sound collage
  • Plunderphonics
  • Breaks
  • Hauntology
  • Leftfield pop
  • Sampledelic
  • World music
  • Avant-garde

Comment: the year of 2015 was started by a couple of amazing albums (Europa, Europa II) and will be finished off by Brett Zehner and Eddie Palmer aka the internet-based project The Fucked Up Beat. Their brand new one could be described always the same, always different. More concretely, those slowed down and mid-tempo (lopsided Latin) rhythms, old music and speech samples and spaced-out synthesised frequencies are up there to create something of an eerie ambiance to haunt the listener. However, the duo`s music is saturated with tanpura drones and Middle East/Arabic singing. By considering the title of the album and the entity of the outing it could be interpreted as a contrast between the planet Earth changed into the prison because of being overcrowded and on the other side there is some hope up there to send some signals to the Outer Space to rescue our beautiful planet from irreversibly becoming ruined because of our species` insanely irresponsible acts. In fact, this message with the assistance of beatific music is sent to our brains to consume in a lesser extent and find out new possibilities to live more sustainable lives. The recent economic world order seems to be askew because its output is built upon crackbrained consuming though the resources around us will diminish and the nature used to suffer severely. By checking out the situation in recent world you get enough proof for it. In fact, Fucked Up Beat`s music is also a fine example of recycling process. In absolute sense, it is a gorgeous example.


[Teaser of the day] Monarch Mtn - The Dark Room



  • Americana
  • Folk indie
  • Epic
  • Singer-songwriter
  • Indie folk
  • Dream folk
  • Alt-folk

Artist: Monarch Mtn
Release: Salvation
Label: Bandcamp/Self-released
Year: 2015

[Teaser of the day] Miriam Kaukosalo - Culver City


  • Acid rock
  • No Wave
  • Space pop
  • Psych-pop
  • Leftfield pop
  • Lo-fi
  • DIY

Release: It`s The Tooth
Year: 2011