Blogiarhiiv

6/30/2019

M.A.K.T. Sono – Tinnitus Flowers (2019)




  • Abstract 
  • Experimentalism 
  • Avant-garde 
  • Electronic music 
  • Non-music 
  • Psycho-acoustic 
  • Improvised noise 
  • Post-industrial 
  • Micronoise

Comment: M.A.K.T Sono is a duo from France, the embodiment of Magali Albespy, and Kecap Tuyul who provide a long-running issue called Tinnitus Flowers. One can hear every kind of electronic (music) experiments and manipulations subjugated to different pitches and speeds and phase changes. It may be not correct to speak of it as the music given that the sound represented over there is overtly sparse and abstract. It seems to be more about sonic signals one can yield while extracting a sound at a sampler pad and then manipulating it within the scope of peripheral frequencies (which is just a fallout of the previous sound). However, as usual, radically built-up issues used to provide some interludes which create an intriguing counterpoint to prevalent debris. In the first part there are up some buffoonish melody progressions, however, which soon get warped and assimilated into the predominant madness of exploring the physical entities of the sound. Later on, there are also represented some droning whiffs resembling of some woodwind instruments and sonic blinking whose sound and handling otherwise could be quite extreme (but not in the case of a signal-spiked outing). I can remember for listening to an anthology of noise and electronic music by Sub Rosa which included such legendary composers as Konrad Boehmer, Ryoji Ikeda, Iannis Xenakis, Edgard Varése, Henri Pousseur and I guess in further future any of these three tracks would be considered as a part in a glorious history of experimental electronic music and noise. The overwhelming issue is a part of the discography of Pan Y Rosas Discos.