No doubt, Leeds-based Michael Waters is an idiosyncratic singer-songwriter, who has issued 4 releases during last 2 years under the likes of Tavern Eightieth, BeatIsMurder, and Bandcamp. For an argue, concerning on his abundant experiences and possibly much collected know-how in various experimental ensembles (Perfect Writing; Shi Toys; Syuzhet; The Amber Sleep; Cedar Trees), it should not make a big heck of his (sub)conscious expressions and stylistic palette. Indeed, it is eccentrically diverse on each of his issues, stretching out to form kinds of striking wholes consisting of wide-rangely used plaintive and sometimes dirge-alike vocal manners encompassed by noise and hiss-infused guitar strummings, which is enriched with glockenspiel snippets, electronics and stereo effects. Finding out his nichè in drifting between the ways of silence and noise, calmness and unrest, dream-alikeness and horribleness Waters` music is compared to such defiant pop acts as Xiu Xiu, Frog Eyes, Belong, Sufjan Stevens, and Martin Grech. By my side I would add the metal-slapping adoreness of Einstuerzende Neubauten, and dream folk-esque invertedness of Pipher, and Barbagallo.
The whole array of the abovementioned elements are proudly represented on Capsules too, though, some new elements are up here for Waters` weird conception to be completed. For instance, through electro-cadenced undercurrents and metallic abrasiveness are brought forth some new grinning facies. No doubt, Model Warship is one of the most powerful representatives in the New Weird Europe movement nowadays.
Listen to it here
9.4
