Blogiarhiiv

6/02/2015

NDR002-BABYLON BY USB (2014)




/8-bit, Tracker music, Dub, Reggae, Chiptune, Mood music, Chip-hop, Alternative dance, Raggamuffin, Crossover/

Comment: At first I would thank Natty Droid Netlabel for that unique crossover music act where rough chiptune induced rhythms meet catchy chanting in the vein of reggae music, dub, reggaeton and ragamuffin. I am very sure anyone who is ready to take on this 35-track (within  folders) menarche would find out his/her favourite track. The compilation is collaborated by many artists under the aforementioned imprint. It almost sounds like a punk album by its attitude and actually deviating quite a little from the soundscape of such prominent (post)-punk groups like The Clash, The Slits and Public Image Limited who liked to explore the interface between punk rock and dub music. Truly enchanting music by any means. Get it.

5/31/2015

[Teaser of the day] Juwain - Bow And Arrow


  • Dub
  • Trip-hop
  • Dark Wave
  • Musique concrète
  • Alternative
  • Electro-rock

[Teaser of the day] Sean Derrick Cooper Marquardt - Crossing Color


  • Ambient
  • Avant-garde 
  • Acousmatics
  • Improvised music
  • Musique concrète
  • Experimentalism
  • Electro-acoustic

[Teaser of the day] Dalmatian - Cherry Street



  • Indie folk
  • Folk indie
  • Alt-folk
  • Americana

Death Grips – Fashion Week (2015)




/Hip-hop, Breaks, Art music, Industrial electro, Cyber-hop, Synth electro, Cyberpunk, Leftfield, Breakcore, Alternative dance, Mood music/

Comment: this is Death Grip`s quite surprising, instrumental album of consisting of 14 compositions at a length of 47-48 minutes issued at the start of January in 2015. At the beginning of listening to it this did not impose on me because of lacking MC Ride`s frantic recitation and dizzy howling over labyrinthine and spastic cadences. However, later being conformed at their new format I discovered new intriguing shadows and incisive rhythms structures in the Sacramento-based combo´s music. Interestingly, their stylistic approach and emotional touch is changed due to a lack of vocals in the concept. Although the pads take mostly on murky sounds and highly iterative rhythm progressions, the result is somewhat more freed of unagitated noises and even providing some light-hearted melodic motives and even soothing synth progressions moving upward into the clouds (more remarkably at hockey organ sample based Runway N (at a length of 2.42), and Runway D – where synth electro progressions are interwoven with glacial IDM-tinged techno rhythms). Furthermore, there are some tracks which could be considered examples of cyberpunk/metal/grind music and experimenting with more artsy sounds here and there. On the other side, by production side, all the sounds laid down here are properly accentuated and filled up. Eventually it can say this soundtrack styled issue is fairly accomplished having inner dynamics and power to grow gradually on the listener. It is one of the most galvanising issues in 2015 so far. You, guys, are simply amazing. I shall have to leave from listening to this monster, however, it is a really disturbing fact for me. Aarrghhhh!!!             

OCP – Atmos (2006)




/Ambient dub. Abstract, Glitchtronica, Ambient techno, Glitch ambient/

Comment: by listening to this 5-track issue it can be admitted good music is timeless. Indeed, almost nine years has passed by the establishment of the release by Portuguese musician João Ricardo. His assumptions on dub, glitch electronica and ambient were to produce astonishing results. Mostly it is the slow amber based on glistening dub oscillations and subtle glitched-out shards filled up with emotional dust and easily spread sea mink. Maybe the finishing track Atmos Five used to differentiate from the rest of the issue with regard to a more thumping techno induced beat structure; and also Atmos Two which also exploits more prominent cadences though revealing a more abstract approach to the concept. I can readily imagine it does make difference while listening to it by falling asleep – it chimes like an anthem of the modern Sandman who plays hypnagogic beats instead of sprinkling sand in human being`s eyes. The album is a part of the discography of Serein.  

Go No Go For Launch – Re-Entry (2015)




/Lo-fi, DIY, Synth fusion, Tape music, Electro-rock, Sampledelic, Mood music, Synth rock/

Comment: Bandcamp is an essential platform for many record labels worldwide, including many tape labels either. One of such imprints is US-based Field Hymns whose discography has reached already 60 bars. For instance, Millions` Line In The Sky is one of the most pre-eminent albums in 2015, a fascinating example of the interface between ambient, drone, electronics and post-rock. Randall Taylor aka Go No Go For Launch`s short-running issue was initially produced in 2006 but being officially unreleased so far. More concretely, with the appearance of wonky rhythms, shrill guitar chords and cheap fusion-styled synthesizers and funny samples (one of such is a sample taken from the MacGyver theme) it results in a pleasantly entertaining, self-ironic outing.