Blogiarhiiv

1/07/2012

Fuck Yuo I Am a Robot - Unleashed (2011)



/Electro, Club dance, Experimental electronica, Hardcore electro, Kraut-electro, Industrial electro/

Comment
: FYIAR is an Estonian electronic music/club dance duo who started off in the mid of 00`s. They have released 2 albums on their own Mutasone label. This is their sophomore issue, a follow-up to Compensator for the Accelerator (2007). Though these 11 tracks do have entered into the realm of vibe/groove units and bits, however, first of all their main characteristics are describable in terms of rigid yet complex, machine-alike electro cadences, harking even back to the tradition of krautrock and industrial music. More concretely, it sounds like a bastard of the elements of Dopplereffekt, Techno Animal, and Autechre. Indeed, it is thought for your soul and for your body and for your mind.

1/06/2012

Music For Your Plants – Enchanted Sister

AFFEN - Like Life Easily Ended (2011)


BFW Recordings
Lastfm

9.2

/Alternative pop/rock, Soft rock, Pomp rock/


Comment
: AFFEN does mean Anatomy For Fabulous Emergency Noise and is a quintet from Bandung, Indonesia, an Asian country so well-known due to its outstanding indie scene. Their 4-minute single can only be described in positive way. Indeed, they deserve their name partly - Next to embraced Coldplay aesthetics (mellow, dreamy singing manner, shadowed guitar chords) there you can enjoy massive, even punching guitar washes in the part of refrain. In a nutshell, this single can be compared with an intense sort of firework where you can experience different kinds of shapes and patterns, making people somehow happy and jubilant.

bryyn - Les Alpettes (2011)



/Alternative pop/rock, Alt-folk, Electronic pop, Dream pop, Singer-songwriter/

Comment
: here are up 41 minutes of convincing sort of pop music spreaded out over 13 tracks. Similarly to his previous issues Bryn Martin aka bryyn aka pinkle takes on electronic-drenched alt-folk approach, though, you can hear more mainstream-appealed turns and bows in his soundscape. At times it resembles such groups as The Killers, and Coldplay (About Anything), at times it used to be more buried into reveries (Let It Go). However, the favorites of mine are Suzanna, and Quiet. The latter is a suggestive example of electronic pop (those glacial glow-alike synth gears are truly outasight).

1/05/2012

Invisible Elephant - The Lights Go Out (2010)



/Post-rock, Singer-songwriter, Alt-folk, Shoegaze, Crossover, Dream folk/


Comment: Invisible Elephant is a singer-songwriter from UK, who used to record home exploiting guitars, electronics, samples, concrete sounds, vocals, and percussion. The Lights Go Out was his debut album providing an example of how shoegaze, dream pop, singer-songwriter-ism/folk, post-rock meet one another in a decent way. This issue of 7 notches has managed to got quite restraint in its dreaminess throughout the course, however, enabling to enter into a kind of no-man`s land filled in with majestic noise foray sometimess. The most exclusive moment is decidedly related to Wind-Up Bird which offers the ethnic-tinged singing in chorus.

Diaenoxe & Uberlulu - Satanique et hérétique divers

Sea Office - Freon (2011)



/Psycho-acoustic, Acousmatics, Improvised music, Freak folk, Sound collage, Lobit, Weird, Experimentalism/

Comment
: there are up five barely distinguishable outlets by Sea Office (also known as Lockbox) a 17-year-old native from Denver mixing up concrete sounds, accidental spoken word snippets, dirty kind of ambient, and a shitloads of sampled minutiae. Above the intertwined stuff you can hear either piano chords or guitar twangs overdriving it. In a nutshell, it is a spontaneous and clouded psychotic output which, furthermore, can be considered as a gap between improvised music and plain arrangements (of course, in the experimental sense of this word). If to compare it with someone I recommend to listen to Uberlulu (indeed, their only album under 20kbps), or some stuff in the list of the cult Bob Chaos Records.

Carmelo Amenta - L'erba Cattiva (2010)


8.7

/Progressive rock, Art rock, Glam pop, Alternative pop/rock, Pomp pop, Crossover/

Comment: Carmelo Amenta is a quintet from Italy taking on an idiosyncratic, spectacular patchwork of sensitive art rock, high-flying glam pop, progressive rock-tinged gliding, and some unexpected jazz and tango standards in-between. It may seem a little bit weird but it is soothing and propulsive simultaneously, at times it is longing, at times highly cheerful. This 10-piece track is released on an Italian cult label, Barbie Noja (this is a home for Barbagallo, Les Dix-Huit Secondes, The Last Merendina and many other quaint projects mostly coming out of Sicily). By the way, all the songs are sung in Italian.

1/04/2012

Convex Mancave - Atomic Blonde In E (2011)


Tavern Eightieth
Bandcamp
Lastfm

9.1

/Guitar ambient, Post-rock, Space rock, Epic, Ambient noise, Minimalism, Avant-garde, Experimentalism/

Comment: this album (actually just one track turning off at the length of 21 minutes) provides at the first sight brutal kind of noise-infiltrated, dirty ambient or, on the other hand, a spatial yet bristled post-rock outlet (as you wish it to be categorized for). Behind those deliberately hiss-laden layers you can hear microscopic yet impressive changes in harmonies, almost invisible shades of melodies (indeed, at a time your imagination starts to work). In a word, the release is about permanent pulsations, ghastly phases and their modulations. Convex Mancave is the collaboration act of Matthew Collings, Chris Tenz, and Greyhound Out Of Mainline.

Dreamphish - Midnight Comes Around