- Abstract
- Illbient
- Art music
- Post-classical
- Avant-garde
- Minimalism
- Experimentalism
- Post-industrial
6/15/2015
[Teaser of the day] Hanetration - Tthwiel
ある一日。 – 文月だいご (2015)
/Toytronica, Baroque pop, Organic electronica, Chamber pop,
Indietronica, Post-pop, Art folk, Folktronica, Post-folk, Crossover, Cowbell
indie/
Comment: although I have listened to this
handful of tracks for many times I do not know how the artist`s name and the
title of the album should be pronounced being signified for the MS Mincho font.
However, it might even be useful of having no hints at it because of getting
free hands to interpret it on more emotional level. By classification it is a
menarche of styles which core is loaded emotionally for your sad days (divorce
from your lover, enjoying late autumn days). Indeed, it veers away from infantile
indie electronic progressions and arpeggio-shaped guitar shaping to
full-fledged orchestrated manoeuvres and picturesque cowbell indie tinkling.
Sonically it is an interesting listening because much debris used to flit
around to get entered into the mix of stringed instruments and electronic
shuffles. Furtermore, the artist exploits concrete sounds to progress into it or getting out of it. In any cases, doing it in an organic way. Although there is passed by many decades from the onset of
indietronic/folktronic music to be appeared the genre still does have enough
potential and credibility to compete with nascent genres and survive many of
them (for instance, chillwave, witch house). Similar artists might be
candidates for the future mainstream charts sometime (for instance, in 2055). One
of the most pre-eminent issues in 2015 is here to get immersed in. Utmost
coalescence.
6/14/2015
[Teaser of the day] DavidKBD - El Cuervo Asustado Se Escapa
- Heavy metal
- Chiptune
- 8-bit
- Electro-metal
- Tracker music
- Crossover
- Acid metal
- Synth fusion
[Teaser of the day] BLAKKR NIO - Harvest King`s Revenge
- Stoner metal
- Drone doom metal
- Post-metal
- Experimental metal
- Avant-metal
FatCat + Õunaviks present: TMW 2015 (2015)
/Indie folk, Dream folk, New
Weird, Folk indie, World music, Post-classical, Experimental electronica, Art music, Folktronica,
Lo-fi/
Comment: the title of this
35-minute long issue hints at different subjects. Before anything else, it is
related to such a musical event as Tallinn Music Week which main goal is to promote
Estonian independent artists to invited foreign music promoters and other music
business related people. However, the event consists of different compartments
and sections where is a place for the artists outside Estonia either (mainly
for the artists of Lihuania, and Latvia). FatCat is a well-known record label
from UK and Õunaviks is an imprint for home recording artists in Estonia. This
sampler will constitute a cohesive whole of folk tinged compositions. Some
tracks are infused with more electronic fabrics, some are more traditional or
world music oriented. Cirkl`s piece Malmö
is a doo wop fuelled electronic masterpiece, Mirjam Tally`s composition Intro - Main Theme From Ülo Pikkov's Film
Body Memory binds together post-classical compositional rationales with
folksy whiffs. The most pre-eminent artist on it is Vashti Bunyan whose Across The Water is a wondrous trip
through the eras and across the mystical plateaus. Additionally, there are represented
such artists as Kago, C Duncan, Maarja Nuut, Mari Kalkun, and Spice Mouse.
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