EPV NAVIES – VOLTAGE CIRCLE (2014)

Elementperspective

Bandcamp

Free Music Archive

/Glitchtronica, Experimental pop, Glitch techno, IDM, Experimental electronica, Indietronica, Art pop, Ambient, Ambient techno, Abstract, Glitch ambient, Glitch dub, Modern classical, Post-industrial, Electro-acoustic, Clicks`n`bleeps, Organic electronica, Dream folk, Crossover, Soundscapes, musique concrete, Ambient drone, Avant-electronica, Noise, Art pop/

Comment: by watching this list of a huge amount of tags wrote down above it implies a vary-coloured nature of this 16-track issue. Indeed, the main spots are `electronic` – ranging from refreshing alternative pop expressions and stereophonic fireworks to remarkably harsher, even abstract synthesised glimpses, with more or less bellying, protuberant rhythms; `ambient` - with or without drones, at times knee-deep and spacey, at times more morose, glitch-draped and noise-soaked; `classical` - at the time it does mean mutant classical music where the axial term is buried under other, electronic-induced elements. The only exception is a Finnish singer-songwriter, Violeta Päivänkakkara, though, make that this time her track (Sya; the compilation also includes the video version of it) chimes significantly more electronically than she commonly used to do. Additionally, there are represented such artists as sanmi, AUCHRE, Gallery Six, Rawpass, Senna, Makoto Masui, Nankotsuteacher, N-qia, --memor2, Yoshitaka Hikawa, SHOMOMOSE, Y:E:T, and gift. All in all, it is an excellent introduction to the Japanese label elementperspective. Great.               

Eluna - Trädgårdsmästarinnans Tillförlitliga Tillflykt (2014)

Zeon Light

/Indietronica, Chamber pop, Alternative pop, Electronic pop, Cowbell indie, Modern classical, Organic electronica, Post-rock, Mood music/

Comment: Zeon Light is a decent tape music label from Sweden whose vast discography (65 articles in total) embraces lots of outstanding releases. However, Eluna`s 4-track issue is an organic blend of fine indie electronic reveries, restrained post-rock styled panoramas and echoey piano chords fuelled chamber pop/classical music insights extended by concrete music fragments here and there. Every element on it is produced in a way to be out of razzmatazz every detail on it is thoroughly bound and fixed into the entirety. Those gradual progressions constitute a sublime feel getting into the listener`s soul thereof. It goes along effortlessly, without applying any power to reach its goal (reminding of Laozi`s main postulate). Furthermore, by watching the cover of the album it will insinuate pleasant rustic perceptions inside. By kindred souls there can be drawn parallels upon the likes of Oskar Hallbert (Sweden), and So I`m An Islander (Denmark), for instance. In a nutshell, it can be said the result is fascinating and wondrous at any point of its course.            

[Teaser of the day] The Wordsmiths - Nowhere To Be Found

Internet Underground Music Archive

• Indie dance
• Madchester
• Alternative pop
• Baggy
• Acid rock
• Indie rock
• Dance rock
• Alternative dance
• Psychedelic rock

[Teaser of the day] shoueno - Miyama Blonde

• Shibuya-kei
• Alternative pop
• Electro-indie
• Indie pop
• J-pop
• Indietronica

The Dirty Guv'nahs - Morning Light

Ginnels - Mountbatten Class (2011)

Long Lost

/Power pop, Electronic, Jangle pop, Alternative rock, Psychedelic rock, Shitgaze, Indie pop/

Comment: given that The Smiths and My Bloody Valentine are being the juggernauts within the modern/alternative pop/indie rock scene it can say the Irishmen can trash and are able to rock our socks off. Ginnels, a Dublin-based project is a nice exemplar of it – it oozes out much refreshing power and hortative energy to give the listener a galvanized feel. More profoundly, the collective used to shift in a modern rock landscape moving from power pop esque muscle presentation and exuberant indie walkabouts with uplifting harmonic solutions to more electronic drenched noisy templates (Kuwait) and gritty low-key shoegaze (or just shitgaze) beams (Cold Legs) and even some Celtic ethnic music chips (Same Same, Cold Legs). There are up 8 tracks, though, all of them are relatively short-running (the total time of 18.11). In a nutshell, the result is straightforward yet convincing. Top notch.                   

Echo Chamber Rope Tick – Oktober Sound Lab (2013)

Chinstrap

Free Music Archive

/Psych-rock, Avant-rock, Drone rock, Psychedelia, Dream folk, Post-punk, Raga music, Experimental rock, Experimental electronica, Krautfolk, Space folk, Experimentalism, Krautrock, Psych-folk, Electro-acoustic, Indie rock, Trance rock, Art rock, Improvised music/

Comment: Andy Nation, Seamo Teare, and Simon Mathewson come from Southwest England to present a smorgasbord of 12 tracks extending over 70 minutes in total. More concretely, they have extracted some thought-provoking elements from different and mostly peripheral musical genres to result in a mellow outlet. The listener can perceive 60s acid folk inspired spaced-out trips, transcendent raga motives, dada-alike vocal pastiches, knee-deep psychedelic music conjured aesthetic freedom, 70s krautrock induced repetitiveness and high-pitched electronic effects, and 80s post-punk-esque insolence and arrogance in full flight. By method, however, the trio`s music can be considered rather jazz music because their soundscape used to be in permanent motion and affording an innumerable amount of disparate changes throughout. By kindred souls there can be drawn parallels upon the likes of The Fall, Kemialliset Ystävät, Gong, New Mystikal Troubadours, The Japanese Girl, early Kraftwerk (especially the albums Kraftwerk 1, and Kraftwerk 2), Ashtray Navigations, Children Of The Drone, for instance. By the way, the issue was released under Chinstrap, which is curated by a famous plunderphonics/sound collage musician, Ergo Phizmiz. All in all, although the result is truly off-kilter, it sustains the level throughout the course.