Blogiarhiiv

3/19/2019

Compadre Locura – APTO PARA COCINAR (2018)




  • Experimentalism 
  • Avant-garde 
  • Electronic music 
  • Ambient 
  • Post-industrial 
  • Ambient noise 
  • Experimental electronica 
  • Illbient

Comment: this batch of three long-running compositions is a way for intriguing and intricate sonic combinations, innovative experiments, and decent accomplishments we need in the afternoon of incoming end of the human kind as the aggressive cancer on Earth. Indeed, one can see a very clear parallel with the deadly disease because if an organism gets killed the disease also will succumb. If behind it is a reasonable being then it can be called stupidity. No less no more. In another sense, one can imagine, even if the gross cancerous disease gets eradicated there remain yet some bad cells spread out in an organism which later may get activated and the adverse process takes off again. There can be drawn analogous parallels to the existence and history of the race of homo sapiens. How to survive, how to disseminate, how to annihilate real and possible rivals. Through its exaggerated and voluptuous nature it is even more inferior and destructive than the usual behaviour of an average being from the other species. Creating the art and dealing with analytical philosophy is the only indulgence for the biped malady. The best way to get out from it is just to abandon all this civilised crap by escaping to the wildlife until one's very end. This can be the only purgative, redemptive asylum for a human being. These sometimes wobbly and sometimes more aggressive industrial-tinged rhythms and piercing yet atmospheric noises and alongside running corrupted sonic effects and on the other side sleazy and exhaustive ambient glimpses reflect upon the aforementioned perversity in an artsy way. These 39 minutes of a fine sort are a part of the discography of the Chilean imprint Cieliro Diystro.

De Carli/Dias/Zanatta – Defrag (2018)




  • Improvised music 
  • Avant-garde 
  • Experimentalism 
  • Drone 
  • Electro-acoustic 
  • Free jazz 
  • Field recording 
  • Musique concréte

Comment: this bunch of 15 tracks (most of them are just very short snippets) begins with an intense glistening droning (the truly blissful start to an outstanding release as we can get convinced eventually!) which later will be variegated with electro-acoustic improvisations, downright electronic effects, field recording mixed wide plateaus, uncanny dodges towards obscure jazz inclinations and vowel-based experiments beyond distinctive categorization – in a word, there is no borders to be established. By its nature it is an example of simply experimental music wherein the musicians employ all the aforementioned elements in a playful, witty, and incisive way. By its frequently primitive way at will it is coated with broken sounds and crackling currents as if partaking in an oldie simulacrum providing no dates, providing no spatial parametric orientations. It does mean, of course, the outing is filled in with wholesome humour, it is a something truly one's consciousness broadening and inspiring case being an issue coming out from the discography of Mansarda Records.

3/18/2019

[Teaser of the day] Gamardah Fungus - Last Train To Save Us


  • Experimental rock
  • Avant-rock
  • Improvised music
  • Post-rock
  • Musique concrète
  • Ambient rock

Release: Nuclear Winter
Label: Nocharizma
Year: 2012

[Teaser of the day] Skye`s Diamond - Constricted



  • Ambient rock
  • Experimental rock
  • Ambient
  • Avant-rock

Label: Hidden Vibes
Year: 2013

3/17/2019

[Teaser of the day] Hox Vox - Elusive



  • Electronic pop
  • Synth-pop
  • Crossover
  • Avant-prog
  • RIO
  • Art pop

Artist: Hox Vox
Release: Impalpable
Year: 2016

[Teaser of the day] Ratkiller - Hail to Black Warriors



  • DIY
  • Experimental pop
  • Lo-fi
  • Synth-pop
  • Avant-pop

Artist: Ratkiller
Label: Self-released/Bandcamp
Year: 2012

Ak'chamel, The Giver Of Illness – Fucking With Spirits (2013)




  • Avant-garde 
  • Experimentalism 
  • Freeformfreakout 
  • Abstract 
  • Drone 
  • Post-industrial 
  • Improvised music

Comment: this set of 7 tracks continues to unveil the madness of the artist whose first outing was Old Norse Mara (2013) being issued some months before. The title is appropriate, of course, I feel myself like being a witness of a live bed show directly coming out from the Brocken/Blocksberg mountain. I first thought the issue to be pigeonholed as lo-fi and DIY among other ones yet obviously lo-fi says very little about it – it might be it is a simulacrum of it yet on the other side, there is no obvious need to create it – it is an original synthesis which might be something between a new coming of Captain Beefheart, and Sun City Girls. Or it might be a five times darker version of Animal Collective's Campfire Songs. More profoundly, blackened dirges are up there to slowly change into abstract sort of slowed-down drones, then again trance-inducing rhythms are set up to create hypnotic loops and serpentine labyrinths in one's soul. Intensities are up there to get variegated – it is the true algorithm of it. From lethargic witch dreaming to exalting bipolar appearances to come in a way you will find eventually yourself in a state of mind where time and space as the parameters of our physical world are completely eradicated. The mind-provoking outing is a bit in the discography of Centipede Farm.

Reckless Kickers – Conquer EP (2013)

  • Skate punk 
  • Pop punk 
  • Hardcore punk 
  • Skatecore

Comment: Reckless Kickers is not a North American band like Sum 41, The Offspring, Blink-182 and who have not sold millions of albums but instead of it coming from Indonesia yet playing an analogous punk style. More profoundly, high-energized melodic guitar riffs, fast drumming, invigorated and slightly happy singing is something which can be pigeonholed as melodic hardcore, pop punk, skatecore. By following the lyrics of one song regarding repulsive and desperate feelings related to urban life it might be more righteous to consider it eco-punk/agrarian punk. Just the failed joke of mine. In the first place, it is a sort of pop music rather than a bearer of early punk spirit in spite of the fact Sex Pistols was a business project by Malcolm McLaren. Undoubtedly it is produced very masterfully with some suggestive noise pop-inflected walls behind the refrains which can be considered the most arousing facet of the album. The 5-notch outing is a bit of the discography of Lemari Kota, a fine platform within the vast Indonesian music landscape.

Karras – Fernen (2006)




  • Electronic music 
  • Experimental electronica  
  • Organic electronica
  • Post-rock 
  • Glitchtronica 
  • Ambient 
  • Art music

Comment: Manrico Montero aka Karras aka Linga has issued a bunch of issues under such imprints as Mandorla, Rain, and EKO. Although the 7-notch outing came out from the latter French one and it had happened already 13 years ago while it is still actual due to its atmospheric beauty and fragile yet enchanting rhythmic structures and an adept synthesised touch between an organic feel and artsy succulent progressions. If you analyse it even more thoroughly you can see very austere sounds like glitches and hisses and distant echoes and fading reverberations coming out from the very bottom to be added to the whole mix. Furthermore, the Mexican artist is also not indifferent due to the dichotomy of noise and silence by providing immersive, sustainable pauses. If you wish it could be called a minor brother of Slowdive's Pygmalion (1995) or an alter ego of Tim Hecker's Haunt Me Haunt Me Do It Again (2001). Of course, it contains more electronics and less guitars than Pygmalion but its production and ideological level is analogous. Another branch of the thought is to recognise Pygmalion as one of the most seminal albums out of the 90s (which later on obviously influenced the music of such transgressive post-rock/ambient artists as Labradford, Transient Waves). The aforementioned excellent albums constitute a different approach to post-rock as it usually used to be – their crescendos are build upon on subdued, even obtuse progressions by shedding stepwise more light and adding scintillating elements with the intention to call forth epic impressions and stretch the dimensions of the soundscape in different directions. The apparent emotive apotheosis and majestic highlight of the issue is Dawn Chords (I) where a magniloquent ambient layer with the pointed motif is pushed through a backdrop of slightly fluttering crackling and swirling static. In temporal terms – approximately ten years ago such a kind of album were not tagged as post-rock or somehow related to it yet but now it seems to have clear-cut connotations with an experimental rock scene (one can draw parallels upon a historical event which also can be considered adequately from the distance). Such a sort of description and intention and thrive could be attributed to the music of Fernando Corona aka Murcof, allegedly the most well-known Mexican artist. In a word, an impressionistic top tier as if it were aurally painted somewhere in a remote Pacific island in the past.

3/16/2019

[Teaser of the day] Dustdevil & Crow - November


  • Improvised music
  • Avant-folk
  • Experimental folk
  • Free folk
  • Psych-folk

Year: 2011

[Teaser of the day] The Sway - Feasting On My Friends

Jamendo


  • Alternative rock
  • Psych-rock
  • Indie rock

Artist: The Sway
Release: Silk EP
Year: 2008

[Teaser of the day] Chenard Walcker - Touch Of Light


  • Sampledelic
  • Acid jazz
  • Plunderphonics
  • Crossover
  • Sound collage
  • Nu jazz
  • Electronic music

ReleaseRock'n Roll Boy
Year: 2004

[Teaser of the day] Inverness - Quema Las Naves


  • Dream pop
  • Shoegaze
  • Alternative pop/rock
  • Indie pop/rock

Artist: Inverness
Release: Illuminaciones
Label: Archive.org
Year: 2009

Hamlet His Highness – For All & None (2016)




  • Space rock 
  • Avant-rock 
  • Psych-rock 
  • Ambient rock 
  • Post-rock 
  • Chamber rock

Comment: recently I have unfortunately met a human being for whom I have done a huge favour to make headway in her professional life and general welfare but later I have discovered she is an emotionally stupid one (though intellectually she is rather smart) because she can not recognise positive and friendly (and just sexually neutral) attitude for her. Just talking with her is something you are stalked by searching possible "faults", it is something truly exhaustive by being attacked unexpectedly and by reason. Does she get satisfaction from it by saying negatively? Are she searching for a place under the Sun? A drama queen with inferiority complexes. The only way is to reject her as much as possible by having no word with her even while sitting nearby her. An unlucky girl though for whom I cannot feel no compassion. What could help against and for these people? It might be such sort of music represented by a Belarusian combo called Hamlet His Highness whose music played truly loud will introduce oblivion in one's soul. I would call it an example of improvised post-rock, at times it is an example of elliptically rotating space rock played by a couple of musicians. Lots of chord changes on electric guitars and all of that being amplified and panned by violin bows. Both spatially and emotively it is an exquisite instance. One's contracted soul will be expanded, healed again. As the title hints at it – for all and none (other possibilities/remedies are to listen to the Smiths or The Fall – I just bought 6-CD box The Fontana Years where MES provides poignant descriptions to us of how ridiculous we are. It gives always a heck).

Càtodo Dùo – Al Tiro (2012)





  • Improvised music 
  • Avant-garde 
  • Live 
  • Experimentalism 
  • Electro-acoustic

Comment: Amanda Irraràzabal (double bass), Ramiro Molina (electric guitar) aka Càtodo Dùo´s music first appeared at RMH some months ago when I wrote about their sophomoric issue Sizigias. Let's have the conversation introspectively. The debut album was different due the scope of instrumentation, the debut one was without analogue synths (played later by Amanda Irrarràzabal) by resulting in more dry timbres, suppressed noises and clanging and fewer electronic effects. However, it is an intriguing 36-minute improvised collaboration between Chile, and Argentina. If they meet once in a while it will result in music. Given that one does have enough attention in music and inclined to jazz and improvised glass bead game. The 2-track composition was recorded live on June 3rd, 2012 at Piso 3, Santiago De Chile. Similarly to the second issue the debut album was also recorded on Pan Y Rosas Discos, an imprint from Chicago, Illinois, USA.

Numbersix – Secret Journey (2005)




  • Synthwave 
  • Indie rock 
  • Art pop 
  • Alternative pop 
  • Sophisti-pop 
  • Ambient pop 
  • World fusion 
  • Crossover 
  • Synth-pop

Comment: in the last two weeks we have gotten sad news about Keith Flint, and Mark Hollis. The last of them was a legendary cult musician who did start with a synth-pop outfit but later progressed into an artsy outfit. The Rome, Italy-based Numbersix's 10-notch whole is something as if a crossover between the starting and finishing Talk Talk. At times the ghost of Ian Curtis appears to haunt us in a monotonous and laconic yet appealing way. Electronic elements are closely intertwined with ambient, even pristine space and sophisticated pop progressions which in turn are mixed up with concrete sounds and at times with the singing of indigenous people. At times the issue is getting into a lethargic dream based on buried improvisations and veiled lo-fi noodling. In a word, although it can be considered eclectic it is not a bad content at all. There is also up one track for reminding of Dark Side Of The Moon. Furthermore, it is inevitable and in the first place it is a decent crisscrossing. The release is an example within the discography of Camomille Records.

3/14/2019

[Teaser of the day] SEC - La Galère



  • Avant-rock
  • Experimental rock
  • Math rock
  • Live
  • No Wave
  • Art rock

Artist: SEC
Label: Self-released/Bandcamp
Year: 2016

[Teaser of the day] Alexei Biryukoff - chase #016


  • Musique concrète
  • Experimentalism
  • Field recording
  • Avant-garde
  • Non-music

Release: Train Chase
Label: Black Square
Year: 2013

3/13/2019

[Teaser of the day] Recue - Orchard Rd


  • Mood music
  • Electronic music
  • Chilltronica
  • Dubtronica
  • Ambient pop

Artist: Recue
Label: One
Year: 2006

[Teaser of the day] J. Surak - Skull Cloud


  • Drone
  • Minimalism
  • Experimentalism
  • Avant-garde
  • Micronoise
  • Ambient noise
  • Microtonal
  • Ambient
  • Ambient drone

Artist: J. Surak
Release: Skull Cloud
Label: Zeromoon
Year: 2014

3/12/2019

[Teaser of the day] Taura Yorihisa - plt



  • Shoegaze
  • Space rock
  • Experimental rock
  • Epic
  • Noise rock
  • Avant-rock
  • Crossover

ArtistTaura Yorihisa
Release: Nightfall
Label: Tanukineiri
Year: 2018

[Teaser of the day] Alain Boulugre - Potiteu Fenew



  • Punk rock
  • Art punk
  • Post-punk
  • Electronic
  • Sampledelic

Label: Linge
Year: 2019

Riccardo Cirani – Intonazioni Serafiche - Rimembranze d'un estatico oblio (2018)




  • Art rock 
  • Progressive rock 
  • Experimental rock 
  • Avant-rock 
  • Ambient rock 
  • Epic 
  • Improvised music

Comment: this batch of 4 tracks (Seraphic Intonations with the subtitle Memories Of An Ecstatic Oblivion) is an enchanting progression through dynamic yet slightly easy-running picturesque guitars and loopy patterns as the creative algorithm of it beneath the strings. The term "seraphic" does mean "angelic", "sainty", "cherubic" by English Thesaurus. Of course, by following the aforementioned description we cannot reject the name of a genius called Robert Fripp (King Crimson) and his approach entitled flippertronics. Looped elliptical patterns to go on while vivid guitar chords and also full-fledged riffs used to be improvised atop thereby constituting a magnificent quintessence. On the other side, the moody impression of the album resembles Penguin Cafe Orchestra which was led by another outstanding guitar player Simon Jeffes (1949-1997). Additionally to it during a year I have discovered many great experimental guitar-based issues from Italy, for example, Gaetano Fontanazza's The Grandpa Lullabies (Sucu Music), and OOAME's Milanese-Nwas (Acustronica). And in general, thanks to Italian records like Nostress, Ephedrina, Sucu Music, and Laverna for purveyance of such intellectual sort of music. Indeed, the 56-minute gem is a part of the discography of Laverna. In many senses, it is an example of perfect album because while listening to it the time as a parameter gets set aside and the finishing and starting point come together as a symbol of the circle, a geometrical symbol representing perfection and completeness. Furthermore, it is an instance of ideal music because of uniting seamlessly easy listening and artsy intellectual/progressive rock tendencies. Spirit meets mind. Undoubtedly one of the best (cohesive, cinematic, expressive, pristine, epic, dynamic, enchanting) outings in 2018. I would like to imagine myself while listening to it after a hard day's work in the middle of wildlife somewhere in the middle of a vast forest and in a hut nearby a vast lake (Great Bear Lake, Great Slave Lake, Athabasca). It is not surprising because the wildlife is a face of Divine. Are you able to put this mind(set) down?

3/11/2019

[Teaser of the day] Unconceptual - Bush Dub



  • Dubtronica
  • Electronic music
  • Ambient dub
  • Alternative
  • Dubstep
  • Crossover

Artist: Unconceptual
Release: Unconceptual LP
Label: Section 27
Year: 2018

[Teaser of the day] Moki McFly - Seemless


  • Sampledelic
  • Hip-hop
  • Breaks
  • Psych-hop
  • Cinematic
  • Lo-fi
  • Acid-hop

Artist: Moki McFly
Release: Silom
Year: 2018

Peter Um – Merz (2017)




  • Electronic music 
  • Experimentalism 
  • DIY 
  • Lo-fi 
  • Comedy music 
  • Hip-hop 
  • Noise 
  • Avant-garde 
  • Alternative 
  • Abstract

Comment: this batch of 17 tracks, most of them are short snippets, is joyous and playful being tinged with an amusing dadaist touch and poignant electronic effects everywhere. Furthermore, his attitude is reflected through a domestic imprint, Chinstrap Music (an album called LOOK SHARP! and hear the difference was released on it), which is headed by Ergo Phizmiz, who can be considered to have been one of the most well-known sound collage/plunderphonic artists with People Like Us during the last two decades. I like the attitude of the plunderphonic style because all we as humans and consumers are closely related to public domain. On the other side, we have no chance to surpass our mortality so our would be to live in a way God would have fun by watching us. At the moment if we will watch around us we can see something which can be considered divine comedy but in an inferior sense. However, Merz is a superior case making us feel more upbeat and hopeful. To feel himself/herself alright while pretending to be a freak. Musically it is a wide spectrum ranging from electronic effects obsessed noise and abstract sonic experiments and acoustic anti-folk to obsessive yet somehow sparkling outsider synth-pop to some haphazard rap exercises. I would like to paraphrase the lyrics of a song by Suede – obsession in his head does not connect to the (customary) intellect (of one or another style). By producing his music the artist employs old school reel-to-reel tapes and producing threads. In a word, his touch and thinking manner used to make difference. The artist represents and undermines the establishment at the same time. Overwhelming outing in any case given that the future will not be owned by you and me, it will not be owned by nobody else because one`s words are magniloquent and thoughts are shoddy. Just the absolute void everywhere which may be filled with this sound. At least as a thought it is fancy. Let`s have an um-business!

3/10/2019

[Teaser of the day] Bledi Boraku - koha.4



  • Post-classical
  • Drone
  • Experimentalism
  • Crossover
  • Avant-garde
  • Trance music

Artist: Bledi Boraku
Release: Tha
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] Globular - Dasein



  • Electronic music
  • Psybient
  • Mood music
  • Ethnotronica
  • New Age
  • World fusion
  • Alternative
  • Chilltronica

Artist: Globular
Year: 2018

[Teaser of the day] Death Grips - Y


  • Hip-hop
  • Industrial-hop
  • Urban music
  • Electronic music
  • Experimental-hop
  • Avant-hop

Artist: Death Grips
Release: Fashion Week
Label: Third Worlds
Year: 2015

Bean Machine – Scrap Brain Material (2018)



  • Breakbeat 
  • Ambient 
  • Breakcore 
  • Psybient 
  •  Electronic music 
  • Post-industrial 
  • Crossover

Comment: this set of 11 tracks chimes like a workout and accomplishment on dance music by a hyperactive producer. Indeed, it is a permanent shooting of broken beats, high-pitched signals and glitched-out noises to be mixed up into a frantic killing example of dance music. Indeed, as the title suggests it is thought for stimulation of one's brain in the first place by employing a recycling method, however, it is provided with such an intensity and vigour one is compelled to showcase dance movements voluntarily. Given that the aforementioned description some of you may think of it as a rigid, rough one. In fact, it is adeptly intertwined with soft timbres and atmospheric undercurrents. At some extent it can be considered even psychedelic because of a reminding psybient touch and drive. Due to the fact the issue is quite unique because of merging together post-industrial and psy-related genres. One is not expected to find out a skeletal glass bead game with all its different and intricate combinations only. By the way, there is up one clear-cut ambient exception called Metastasis. The release is the case of hidden merits and attributes. In a nutshell, it is a great issue being released on such a great imprint as Abstrakt Reflections.

3/09/2019

[Teaser of the day] The Tinopener`s Art - Angstmacher


  • Dark electro
  • Alternative
  • Gothictronica
  • Synth-pop
  • Electronic music

Year: 2017

[Teaser of the day] Kayve - On The Shore Of Uncertainty

Free Music Archive


  • Electronic music
  • Dubstep
  • Ambient pop
  • Alternative

Artist: Kayve
Release: Upgraded
Year: 2015

[Teaser of the day] Neuronphase - Pure



  • Electro-house
  • Club dance
  • Minimal house
  • Electronic music
  • Deep house
  • Alternative dance

Artist: Neuronphase
Release: 212
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] Lullabelle - Legend


  • Hauntology
  • Avant-garde
  • Sampledelic
  • Electronic music
  • Experimentalism

Artist: Lullabelle
Year: 2004

Pseudomantis – Fall (2012)




  • Electronic music 
  • Avant-garde 
  • Experimental electronica 
  • Dark wave 
  • Minimalism 
  • Dark ambient 
  • Post-industrial

Comment: this issue of just consisting of one extended, 32-minute composition starts off with halting effects and rusty echoes in the vein of rough and a little bit lobit electronic music which later on keeps steadily its pace formally minimal by employing a bit changes in the middle of ascending darkened ambient/dark wave flames. Since at a point the listener can hear twofold progressions, respectively. The course could get ever better (read: sinister) since then. Many ominous shades creeping from one's possible horrendous past and searching for a chance to overcome him. Time to live, time to die. And time to haunt thereafter. The impressively expressive issue is a part of the discography of Drill Records.

Uriko – Away From My Aim (2007)




  • Indie folk 
  • Alt-folk 
  • Americana 
  • Folk indie 
  • DIY

Comment: at the first glance this case of 6 compositions may seem a bit tedious and weary. Yet by listening to the release many times in a row there can be drawn analogous parallels upon Wilco's issues which also start to blossom after a while by unveiling different aspects and suggestive moments. Regarding the kind of indie folk one should not try to create a new form of it at any cost because it could be a Sisyphean effort. The virtue of a folk album is related to its coherence between the melodies and harmonies and the lyrics. Between some exquisite minutiae to create something truly spellbinding and impeccable. One can find out many enchanting moments from within it - from acoustic guitar-based rants to more bombastic synthesised orchestrations. The decent outing is a part of the discography of a German imprint, Digital Kunstrasen.

3/05/2019

[Teaser of the day] Accasari - Tigres



  • Ambient
  • Microtonal
  • Experimentalism
  • Soundscape
  • Ambient drone
  • Minimalism
  • Drone
  • Abstract
  • Avant-garde

Artist: Accasari
Release: Sables
Label: Self-released/Bandcamp
Year: 2018

[Teaser of the day] Humberto Luis Schenone - Sudestada Paredón y Después


  • Tango
  • Avant-garde
  • Experimental pop
  • Musique concrète
  • Art music

Year: 2009

3/04/2019

[Teaser of the day] Deicida 69 - Requiem



  • Psychedelic rock
  • Alternative dance
  • Acid rock
  • Spoken word
  • Krautrock
  • Avant-prog
  • RIO
  • Dance rock
  • Synth-rock
  • No Wave

Artist: Deicida 69
Release: Mirando Costras
Year: 2016

[Teaser of the day] D3Zs - We Know Kung-Fu (Featuring Pot-C & T-Pick)


  • Hip-hop
  • Urban music
  • Rap

Artist: D3Zs
Release: U Got It Bad
Label: blocSonic
Year: 2014

3/03/2019

[Teaser of the day] Doctor Sandy Masters - Aqua Bling



  • Ambient
  • Minimalism
  • Soundscape
  • Dreamwave
  • Avant-garde
  • Experimentalism
  • Electronic music

Release: In Sea
Year: 2018

[Teaser of the day] Gnomefoam - Yorkshire Trousers


  • Electronic music
  • Synth-pop
  • Electro-rock
  • Acid house
  • Synth-rock
  • Crossover
  • Acid techno
  • Alternative dance

Artist: Gnomefoam
ReleaseMeet My Beassst
Year: 2009

OOAME – Milanese-Nwas (2018)




  • Folktronica 
  • Glitch-folk 
  • Post-folk 
  • Epic 
  • Electronic 
  • Avant-folk

Comment: by listening to this 11-notch release of having come out from an imprint, Acustronica this is something of which hard core is centred on heavy sampling of an acoustic guitar and its soft core is based on permanent and at the same volatile chord and format variations. More profoundly, it can be assumed all the samples are manipulated through an effect control panel by pitching and lowering, accelerating and decelerating, saturating and amplifying glitched-out minutiae. At the same time it is not a fusty technological adventure because of preserving an easy emotional impact within it. The general impression of it is atmospheric and spiritually ennobling despite convulsive and warped shapeshifting downwards. It reminds of psychedelic folk troubadours on a guitar only without any electronic interference. Indeed, it is an enchanting listening experience provided by Giorgio Sancristoforo.

Wasones – Rabia (2018)



  • Hardcore punk 
  • Punk rock

Comment: this batch of five tracks is a galvanized attack in the key of aggressiveness of hardcore punk. Any track represented over there does not extend more than a 2-minute span. Undoubtedly it is the best approach to channelize effectively one's rage and contempt. Fortunately we are living in a time being surrounded by greed, stupidity, moral decay, hypocrisy, hate speech, cruelty, artificial tendencies and intimidating based on political correctness, accusative labelling and a general lack of sense of humour and all of that is a good reference point for rebels to state himself/herself against the aforementioned threads. The point of mine is that in this way the rulers could get have a better platform to implement the divide and rule principle within a society. The more I follow recent intentions and tendencies going on in Western societies the more I can see very similar tendencies going on in the Soviet Union. And it is not elegantly natural at all. By listening to this Mexican quartet with the lead by their amazing frontwoman Julieta Ronquillo is a refreshing restart in the middle of the frowsty pound. Anarchism as a tool for punks is usually related to the left wing though the rejection of a deep state by them is clearly opposite to the leftists. In that case they may even be more related to the so-called economic right theorists whose purpose is to minimize the role of the government and the state as much as possible. Additionally, I did not forget that approximately a century ago in the Soviet Russia bolsheviks/communists killed anarchists. It was not a taboo for them altogether. Of course not because thereafter at a time they started to annihilate each other. Rabid, blind ones whose purpose was not to get a divine rather a rat-alike one. The courageous issue is a part of the discography of a Mexican imprint, Naciòn Libre.

3/02/2019

SkeAmo – erA (2011)




  • Indietronica 
  • Electronic music 
  • Experimental electronica 
  • Glitchtronica 
  • IDM 
  • Post-rock

Comment: this handful of tracks is a dexterous release by Jorge Sierra also being known as the lead figure of Eclectik Recording, and a visual artist. Musically it is a diverse whole within certain borders only – more profoundly, one can drift between lone yet suggestive piano chords, high-pitched yet gentle drones, velvety electronic churning, modulated odds and ends. Jorge Sierra is supported by female vocals by such artists as Chenene, Yoka, Worenagia. At Chrysalis the apotheosis of the track comes due to a sublime post-rock climax. It is the most beautiful moment on the release. The outing is a bit in the discography of Miga Records. Follow the universe.

Circadian Eyes – A Future Nostalgic (2018)




  • Post-rock 
  • Electronic shoegaze 
  • Indie pop/rock 
  • Alternative pop/rock 
  • Epic 
  • Ambient rock 
  • Art pop/rock

Comment: do you like M83? I do not like. On the other side, I like it. It is like listening to an average example of punk music when three or four tracks from the beginning seem to be great but thereafter all would change into a quite boring, annoying case. The same can be said about the French project's sound sometimes. It might be the reason comes out from there the issue starts off with the most ecstatic moments yet later on nothing new cannot be added to a mix. At the same time the patheticness of electronic shoegaze/nugaze sound is sustained which at times may make impression upon, at times not. It depends on. It depends on different subjective and objective reasons. Circadian Eye's 10-notch whole being released on Hawk Moon Records is an analogue case – before having consumed the beer at the amount of a couple of litre I can feel the result is fine by the sounds and production, by its touch and temperance. And a quintessential mix eventually would come to fruition. Bryan Collins aka Circadian Eye's purpose is just to create an outing with hovering progressions and majestic synthesised chords and propulsive drumming beneath. It might be it is not an analogue case with M83 because by listening to this release three times in a row (as I used to behave while writing a comment) I did not feel any sort of embarrassment for a while. In a word, the result is completely accomplished and absolutely worth to be added to the list of the best albums in 2018 at RMH. And the beer would have been let outside the discussion it did not make any difference at all. Great by any means.

[Teaser of the day] Martin Rach - Loop9


  • Electronic music
  • Experimental electronica
  • Krautrock
  • Ambient
  • Minimalism

Artist: Martin Rach
Year: 2019

[Teaser of the day] Yoko Absorbing - Lo-Fo Theory


  • Avant-garde
  • Experimental electronica
  • Electronic music
  • Improvised music
  • Experimentalism
  • Avant-electronica

Release: Vinyl
Year: 2009

[Teaser of the day] The Borderline Bunnys - Regea


  • Breakcore
  • Electronic music
  • Rhythmic noise
  • Digital hardcore
  • Power electronics

Year: 2012

[Teaser of the day] Lys - Naunuee


  • IDM
  • Deep techno
  • Electronic music
  • Ambient techno

Artist: Lys
Release: Naunuee
Label: Sutemos
Year: 2004

2/27/2019

[Teaser of the day] Turvia - Irse


  • Indietronica
  • Avant-pop
  • DIY
  • Post-rock
  • Experimental pop
  • Electronic music

Artist: Turvia
Release: Entropia
Year: 2018

[Teaser of the day] Popkan - Nightman


  • Electronic music
  • Micro-electro
  • Alternative dance
  • Tech-electro
  • Minimal electro

Artist: Popkan
Release: First Step EP
Label: Textone
Year: 2005

[Teaser of the day] Leonel Jacquier - Baby Santa


  • Avant-techno
  • Electronic music
  • Experimental techno
  • Alternative
  • Micro-techno

Release: Naomi
Label: MonokraK
Year: 2012

Meik Puppe – Färbe Deine Elche (2007)




  • Art music 
  • Cabaret music 
  • Oldie music

Comment: unfortunately I have already forgotten my ability in speech and understanding in German though German was my second foreign language after Russian and before English. No practice kills one's adept to speak a language. This 7-track outing being issued on such an imprint as Digital Kunstrasen is as grossly focused on lyrics as it is craftily stylised on oldie cabaret music driven by vivid piano chords and more generally on permanent chord changes and thematic turns. As we know well in its early days, approximately a century ago, the cabaret in Germany (especially in metropolises like Munich, and Berlin) embraced avant-garde tendencies by providing an outlet for expressionists, for example. Because of that I guess the listener could get an increased impression from these texts of this 7-track outing. As the title already expressively hints at it - paint your elks. By the way, as the most rock music was based on the template of black blues music then such an avant-rock combo as Velvet Underground instead of it have had its roots in the white, even the so-called elite European culture, remarkably it did have an indirect cabaret touch as well (of course, for Hitler and his comrades who were being dismally stylised bastards it was an inferior representation of culture and it would be "cured" through concentration camps). By its touch the release is an old-fashioned yet amusing glimpse like warming up all those old ghosts.

nula.cc – a dream of smoke and birds (2018)




  • Drone 
  • Sound art 
  • Ambient 
  • Post-industrial 
  • Soundscape 
  • Dark ambient 
  • Ambient drone 
  • Musique concrète 
  • Organic electronica

Comment: a subsequent release by Prague, the Czech Republic-based nula.cc´s is a credible listening due to its emotive touch which in turn is induced by a crafty composition and suggestive sounds. The scheme as it used to appear if one intends to create a solid issue. Yesterday I saw a trailer about upcoming post-apocalyptic games like Metro Exodus, The Devision 2, Fear the Wolves, Atomic Heart, The Last Of Us 2 which indeed seemed to be quite fancy. All of that stuff used to resonate with the 7-notch outing of which area of activity seems to come out from a remote distance which is the dwelling place for mutants and inferior bastards. In fact, at the moment the heroes are gone and mostly the dickheads are left who have neither sympathy nor empathy (even if they pretend to have it). One can hear fear and oppressive tension oozing from those hazily saturated drones and semi-ambient and industrial progressions. It is empty and full at the same time, as if an embodiment of the schizoid nature of human being`s mind and psyche, the embodiment of a distracted configuration. Undoubtedly one of the strongest issues by the artist.

2/26/2019

[Teaser of the day] Hanetration - Wither



  • Drone
  • Avant-garde
  • Post-industrial
  • Epic
  • Experimentalism
  • Post-classical

Artist: Hanetration
Release: Murmurist EP
Label: Self-released/Bandcamp
Year: 2014 

[Teaser of the day] Valhearst - Drunk of Passion



  • Electronic music
  • Outsider house
  • Singer-songwriter
  • Bedroom pop
  • Alternative dance

Artist: Valhearst 
Release: Rest Regards
Year: 2019

2/25/2019

[Teaser of the day] Felipe Baradit Stevenson - Rewiro


  • Synth-pop
  • Kosmische Musik
  • Techno pop
  • Alternative dance
  • Cosmic synth

Release: Techno Synth Pop 
Label: Epa Sonidos
Year: 2007

[Teaser of the day] Dark Frequencer - Hypnotica Part 2



  • Electronic music
  • Ambient techno
  • Musique concrète
  • Organic electronica
  • Dreamwave
  • Hypnagogic pop

Release: Hypnotica
Year: 2018

Mark Hamn – Function Buttons (2005)




  • Avant-garde 
  • Folktronica 
  • Alternative 
  • Experimentalism 
  • Ambient 
  • Glitch-folk 
  • Glitchtronica 
  • Post-folk 
  • Organic electronica 
  • Sampledelic

Comment: Mark Hamn is the pseudonym of an Italian musician, Francesco Giannico. It starts off like a music example of having lost its gravitation and as if coming out of a sinking car audio. Later on, it is filled in with succumbed shrieks, intense rattles, microscopic noises, thick bass frequencies, drawn-out sonic effects. And then a guitar comes in sometime to provide more anchored pinpoint for this 6-notch release under Maetrixsolution, Complementary Distribution (and temporally the Canadian Nishi imprint). By the way, by talking about Canadians, especially about these ones coming out from Quebec province I have to mention such artists as Simon Trottier, Nicolas Bernier, and Vincent Fuguere (Muhr) who also like to endeavour at crossroads of glitched-out electronica, folk and modern classical compositions. However, Francesco Giannico likes to play with the format and possible deviations and artificial errors within it. It is like an elegant standing against the form and pressure of a correct conversation and sterile creative process which are the obvious sources of killing our natural sense of (self-)expression. We just used to act in a way because we are teached to act in that way. Regarding what we should or must do, in fact, we do not have a comprehensive, experience-based understanding at all. We are like digitalised creatures with a narrow middle spectrum of frequencies if to be compared to the analogy of the sound. Just be ready to take one detail, then another and start to combine. Yet Francesco Giannico by standing in the middle of scattered sonic chaos will ultimately create blissful monumental spans and flashes. In a word, it is an exquisite listening.

2/24/2019

Art Electronix – Loop Constructor (2012)




  • Tech-house 
  • Techno 
  • Electronic music 
  • Club dance 
  • Alternative dance

Comment: behind the Ukraine-based combo Art Electronix are a woman, and a man who have evaluated such values as constant search of original sounding, development of art performances and live concerts, experimental quality music production, and many other art forms. Indeed, the duo has been truly prolific over the years by issuing more than 50 outings so far. This 3-notch issue comes out of such an imprint as Nanoloopsis and showcasing the Ukrainians' inclination toward techno and near techno rhythms. The latter category does mean techno cadences are mingled with electro, dub and house oscillations. In a nutshell, these 12 and a half minute constitute a substantial experience.

Andrew Weathers Trio – Guitar Man Whirligig (2018)




  • Post-rock 
  • Art rock 
  • Alternative rock 
  • Indie rock 
  • Experimental rock 
  • Avant-rock 
  • Americana 
  • Epic

Comment: Andrew Weathers is a musician from Littlefield, Texas, USA whose trio embraces four persons in fact. In truth, I do not know how the trio should be considered – should the lead figure be included or not? Weathers plays guitars, an organ, a pianet; Aaron Oppenheim plays a bass, Scott Siler plays the drums, and Tom Djll operates with a trumpet, and electronic effects. On this 6-notch release they play post-rock with an experimental angle where they pay attention to the structure and sparkling timbres. At times the quartet may associate with Tortoise but just a bit. Similarly to the legend from Chicago it is a post-rock case yet they also do not follow the classic crescendo-bursting buildups of the style. However, those semi-crescendos make highly sense. It is very fine to partake in a whole filled in with internal power and profound impulses coming permanently to the surface. Because of that their intention to create a cohesive, well integrated release does not water down at all. The guitar used to repeat the main motive in an enchanting way by exuding ennobling warmth at Short Denim Demon Shirt. The guitar as the main instrument on the album recedes at Eastern Island Palm Dub by admitting the lead to a suggestive, dreamy trumpet play. The finishing track Creosote Band (Trio) is a different case by playing some sort of darker cinematic Americana with smouldering eyes. That's great again. The beguiling post-rock release is a part of the discography of a cult post-rock imprint, futurerecordings. Obviously one of the best (post-rock) albums in 2018.

[Teaser of the day] Airplanemusic - Astral Hologram Disappear


  • Hardstep
  • Electronic music
  • Ambient techno
  • Crossover
  • Alternative

Artist: Airplanemusic
Release: Elements
Year: 2018

[Teaser of the day] G.G. Allin's Dick - Hiki, the Scaly Man


  • Comedy music
  • Music hall
  • Freak pop
  • Vaudeville
  • Electronic music
  • Alternative

Artist: G.G. Allin`s Dick
Year: 2005

We Hate All These Liberals – Lost Tapes (2018)




  • Nu jazz 
  • Deep house 
  • Club dance 
  • Electronic music 
  • Drum and bass

Comment: as we know very well Portugal is being a well fare to foster great imprints like Test Tube, You Are Not Stealing Records, Enoughrecords, Green Field Recordings, XS Records, MiMi Records. Anti-Demos-Cracia as a music label was founded more than 30 years ago with purpose to release music of a combo called Varples Pravles. Since then the discography of the imprint has grown remarkably and music one could find out from there used to range from dark ambient and (post-)industrial incantations and rough psychedelic outbursts and just artsy experimental/unclassifiable glass bead game to more contemporary club driven beats. By the way, under ADC one can find out older, analogue-processed yet now digitalised releases (originally released on tapes or just waiting its time to be issued) and just brand new stuff as well. We Hate All These Liberals is a domestic, rolific, at the moment 13-album project under the label by producing music which can be labelled as rhythmic, profound and catchy. It veers away from deep house vibes, sultry nu/acid jazz oscillations to sublime drum and bass and stylistically more transgressive instances. It is a true quality stuff worth to be played both in sapid night clubs and evening radio shows of a good quality. It is nice to see again that people with conservative world perception love house music. Indeed, who could love all those artificially behaving liberals just by thinking of themselves as kind of better people and as if by knowing what other people also must do and because of that sweeping on a very slippery slope. Hitler knew, Stalin knew, Pol Poth, and Mao Zedong also knew exactly what is the best under their rule. The less the country and lobbist groups come into the life of a single person the better it is. We can all see what is going on in France for more than a couple of months. Another unfortunate example is socialist Venezuela. Grass roots democracy/sub-anarchy would be also an alternative. We want to be set free. However, music is something which provides an asylum against inferior, oppressive tendencies within the human race.

2/23/2019

[Teaser of the day] KOSIK - Center In, Center Out


  • Alternative
  • Art pop
  • Ambient pop
  • Electronic music
  • Indietronica

Artist: KOSIK 
Release: Fastas
Year: 2004

[Teaser of the day] Frank Biedermann - Endor Forest


  • Electronic music
  • Club dance
  • Dub house
  • Ambient house

Release: Wookiee Woods
Label: Stadtgruen
Year: 2004

VA – Soundtrack For Your Wedding (2006)




  • Electronic music 
  • Indietronica 
  • Post-rock 
  • Alternative 
  • Ambient pop 
  • Art pop 
  • Post-rock 
  • Plinkerpop 
  • Chamber pop

Comment: these 60 minutes are something special from the past when indie music was tightly mingled with electronic music. Aerotone was a German imprint which had complemented the tradition being launched by such imprints as Monika Enterprise, Morr Music, and City Slang. There are up 14 songs by such artists as The Royal Horse Gala, 7oi, Leader, Mint, Gras, Renniac, Turnus, Cignol, Cloinc, Blisaed, Muhr, Planet Boelex, Ecoplan, and Aligning Minds. In a word, back then in 2006 such sort of music was a borderline indie example but today it is not anymore. Such sort of music can be considered a mainstream indie case. However, old cases like this one are more pleasant for me than new ones because most new ones could be evaluated in the future while having a decent time span behind. One should get a chance to separate out between a hype and a lasting virtue. By the recent miscellany it can be admitted this borderline case is truly transgressive (it is the tautological assumption, though!) by providing many intriguing yet full-fledged dodges within the whole. All in all, admit a solid present for this special day.