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Kuvatud on postitused sildiga Drill. Kuva kõik postitused
Kuvatud on postitused sildiga Drill. Kuva kõik postitused

3/09/2019

Pseudomantis – Fall (2012)




  • Electronic music 
  • Avant-garde 
  • Experimental electronica 
  • Dark wave 
  • Minimalism 
  • Dark ambient 
  • Post-industrial

Comment: this issue of just consisting of one extended, 32-minute composition starts off with halting effects and rusty echoes in the vein of rough and a little bit lobit electronic music which later on keeps steadily its pace formally minimal by employing a bit changes in the middle of ascending darkened ambient/dark wave flames. Since at a point the listener can hear twofold progressions, respectively. The course could get ever better (read: sinister) since then. Many ominous shades creeping from one's possible horrendous past and searching for a chance to overcome him. Time to live, time to die. And time to haunt thereafter. The impressively expressive issue is a part of the discography of Drill Records.

9/05/2018

1g0g – Quiet Cube (2010)




  • Live session 
  • Avant-garde
  • Electronic music 
  • Sound art
  • Dark ambient 
  • Musique concrète 
  • Experimentalism 
  • Minimalism 
  • Drone 
  • Ambient

Comment: this bunch of 53 minutes is an old recording from a Butoh theatre (Japanese dance theatre) in Sankt Peterburg, Russia taped in 2008. Undoubtedly it is an intriguing, adventorous issue though the very first minutes of it are needed to get into the point of it. In fact, what is the core and intention of this issue? How much the volume knob should be cranked up? Actually there are hidden many points into it to be found out by the listener. First of all, one can hear iterative patterns coming over your head in an enchanting way. It embarks on with a pattern of the repetitive ringing of church bells by representing it in a way to connect the mundane and heavenly aspect. There is up glitched-out debris, there are represented sounds reminding of the scrapes of metal, sometimes you can hear fascinating drones and murmuring and hectic short wave radios and mind-altering spoken words (in Finnish) which started to live their own life which later will be replaced stepwise by autumnal, a bit caliginous drone ambient and then in turn by splashing watery sounds and spatial female singing. However, the pace of the album continues to be the same – hypnotically iterative. The more you listen to it the more this magnificent world by Gosha Solntsev (a part of the art combo Noises Of Russia) opens up inside your spiritual and mental cerebral centre. The great issue is a part of the discography of Drill Records, and Haze Records (unfortunately I could not find out the link of the latter one anymore).