- Post-punk
- Chamber music
- Art music
- Minimal synth
- Vaudeville
- Cover
- Art punk
- Synthwave
- Neoclassical
- Post-classical
- Coldwave
- Crossover
- Contemporary classical
Comment: 12 years ago there was panic due to economic depression, there was panic pertaining to swine flu. In a word nothing has changed for better or worse if to compare it to the recent time. What could be predicted for a near future? It might be the world, our beautiful planet called Earth unveils its primal and more mystical and envious side with the aid of its primordial beings like bacteria, reptiles and trees being accompanied by destructive weather conditions to severely punish relatively juvenile yet arrogant species, first of all, a primate called the human being. We will see the superior frightening wisdom of them. They cannot stand for a stupid ape anymore.
Maybe all is triggered because of the absence of Crimson Muddle's music which had produced off-kilter artsy punk inspired chamber and classical music by showing the human being's ability to step aside from inferior clichés and moronic patheticness sometimes. All seems to be sustained all seems to be fucking dying, there is no ebbs and tides anymore – such frenetic juggernauts and mad idealists as Mark E. Smith, and Jared C. Balogh are also gone forever. Could you imagine a cover of Joy Division being brought forth by a convulsive art group in the vein of a mutant Kronos Quartet? Or a Vaudeville-soaked playing the fool on the base of catabolic piano arrangements and string hooks? Or hysterical operatic singing accompanied by a needle-sharp drum machine cadence and a layer of drunken cellos atop? Metabolism reversible? Here it is as a part of the library of Zorch Factory Records.
