- Lo-fi
- Improvised noise
- Experimental rock
- Electronic music
- Experimentalism
- DIY
- Noise
- Psycho-acoustic
- Drone
- Abstract
- Avant-garde
- Avant-rock
Comment: there
is quite much to say about this 16-piece whole. In other words, one
can write a solid review in alphabetic characters about it. The
artist created the music on DIY modules built up by himself. It
consists of two parts – three and four-voice interventions, and
polymorphic vivisections. By its mood it is at times tumultuous due
to intense noisy droning and whimsical glitched-out whirlpools, at
times it used to fade away due to those oblivious guitar patterns
being somewhere in the remote background. At times the aforementioned
parts will fuse with one another or being the transgressive threshold
for the other part. In fact, it is even more versatile than the full
title of this album hints at it. It reminds me of my own musical
doings while manipulating on my sampler Yamaha – by extracting
sounds into very small units and moving them back and forth and
searching for proper ones. In principle, it is nothing more or less
than just (shape)shifting austere sonic waves and just bare signals
to align them with one`s cerebral interface. Some magniloquent sort
of improvised noise by its method and output. At times it chimes like
a real, spirited embodiment of electricity (at
QuadNand
vierstimmig). By the way, I tagged the album partly as DIY, and lo-fi. Of course, it is the discussion point of considering any sort of electronic music as somehow lo-fi, or DIY. May it be a bit tautological? Pop-inflected music can be more clearly handled as hi-fi and lo-fi. The overcoming outing is a part of the discography
of Germany-based imprint Der Kleine Grüne Würfel.