- Sampledelic
- Plunderphonics
- Electronic music
- Psychedelic
- Afrofunk
- Alternative
dance
- World music
- Afrofuturism
- Crossover
- Mood music
- Easy listening
Comment: today
is the birthday of Morrissey, the godfather of indie pop/rock. The
icon's band The Smiths has saved my life for many times and will be
doing in that way. Indeed, I have listened to The Smiths today and of
course I did drink 100 grams to bless Moz and his righteous way.
Indeed, I am aware of those little worms up today who have tried to
accuse him to be a racist, islamophobic and so on. Screw you, you
blind hypocrites. Moz is one of those few ones who deserves the
status of saint in these days. In the meantime I have listened to a
French samplecore/plunderphonic artist, Chenard Walcker who had
towered higher than his destiny and inspite of grave disease in the
first half of the 00s. Since the middle of the 00s he has been
disabled to the extent not able to produce music anymore but before
it he had issued a loads of albums under his own Free Sample Zone and
some albums on such imprints as WM Recordings, and Comfort Stand
Recordings. So his legacy is proudly up there and one should find the
way to go there and honour his doings. For sure, he has been one of
the symbols of the webaudio world and will stay in that status for
future as well. His concept is a bit tricky, and undermining because
all of that is based on the oeuvre of other artist's sound. Yet I am
quite sure no one of us is able to track down the original authors of
this 9-notch outing. In fact, it is a large scale of styles, rhythms
and sounds. Given that it can be admitted he turned it into a state
of art. I like his psychedelic Afrofunk approach, I have always liked
it very much, I like his slightly clumsy rhythmic patterns which
slyly work like spiderwebs to catch a listener. You can take part in
moody, almost gravity-free snippets by giving you the feel. All is
fine, all is consistently bound to create the drive and dreams inside
you.