- Lo-fi
- Singer-songwriter
- DIY
- Art folk
- Indie folk
- Folk indie
Comment:
at times I guess it is much harder to speak something reasonable and
appealing about the so-called simple musical issues in comparison to
the more sophisticated ones. It is not surprising at all because
those simple ones have been produced without pretense to embark on a
new beginning (being the illusion and thereof eventually
disappointment in most cases) and because of that these issues are
frequently more direct and honest as well. Let’s have a focus upon
this swarm of five compositions. It is composed of strumming guitars
and affectionate singing which in turn are spruced up with lovely
keyboard whiffs and synthesised orchestrations converted into catchy
melodies and harmonies for opening the way for little joys and
tickling delights. Yet having listened to these
gentle moments many times in
a row these ones got
magnified inconspicuously into something elemental and immanent. The
songs` intimate touch and awkward buildup used
to make difference which as
a result are immensely more
worthy than many issues being produced throughout innumerable hours
within the walls of professional studios. Catch
the touch! It is easy to do thanks to a humble, home recording feel.
For instance, listen to Better
When You`re Dead. That`s
mesmerizing. In a nutshell, as you could see by now I have found out
many words and sentencesto describe his fabulous issue. Leaving
It Broken just is. Just
for me, just for you, just for the world, just for all the universe.
And leave it broken. The issue is a bit in the discography of the
Japanese imprint Totokoko Records.
