/Post-punk, Alternative pop/rock, Shoegaze, Gothic, New Wave, Experimental indie/
Comment: the debut album by a trio coming from Moscow, Russia does reflect a quite similar effect to the likes of Franz Ferdinand and Interpol, however, their output imposes even more through its acute roughness. Their music is uncompromising, seemingly having no intention for such calculations as regarding the objects of utility, on the other hand, lacking also the annoying hermetics so usual to the studio walls and pertaining of the producers of kind of I-know-which-is-the right way-to-record. It is personal sort of anxiety and pessimism, which encourages these musicians to struggle on to battle their fights. Obviously it is inspired by post-punk and proto-indie forerunners (Joy Division, The Cure, The Chameleons, Durutti Column) which came about from the end of the 70`s and early 80`s. Infused with the verbal side sustained by the pessimistic philosophy of life, and obscure moods. Inspite of a sort darksidedness the guitar chords are played up with the help of the glare and dinstinct flash and overdriving riffs do conduct a trip sometimes even further, crossing the boundaries of post-punk, and coming over to the house of shoegaze music (a la Swervedriver); beyond that there is given importance to the neurotic drums and some pinch of electronics with the purpose to get pushed up this desired and obligatory dark appealing. A worth issue mentioned in by many bloggers from around the world.
