- Chillwave
- Seapunk
- Glo-fi
- Alternative
- Indie
- Mood music
- Future soul
- Soul
- Screwed and chopped
- Dreamwave
- Vaporwave
Comment:
I guess such sort of music could be considered an example of
contemporary slowcore even if the contemporary people would denote it
with the following tags like chillwave, chopped and screwed, seapunk,
vaporwave etc. The artist takes much time to present his state of
mind through those drowsy and languid meanderings; the length of the
pieces ranges from 8 minute to 56 minute (sic!). He is like a spider
who likes to seduce the victim and then eat him/her. However, I
couldn't resist it because boredom is conjured up in such a way as if
converted into the fluid of cerebral chemistry. It is sticky and
tight by its consistency being haunting due to those slowed down
vocal deliveries and drum pads and guitar chords. In comparison to
the aforementioned slowcore genre it is slowed down for twice at
least, chiming more like a freaked out soul delegate from the future.
Indeed, it sounds like a harbinger of future soul drifting across the
one and the same thread. I guess Ariel Pink's first issues could have
been sounded it that fascinating way if being slowed down. But it is
not an important point in that case. Once again, I am enthralled by
the branching of the physical boredom of austere chords and somehow
haunting sensuality coming out of it. It is a sort of minimal music,
isn't it. The minimal sort of music of the zombies with regard to the
penultimate track, for instance. What will be the next big thing
with regard to the production side? Maybe intense states of madness
and fury to be stretched out and then converted into the sonic files?
I guess it could be a reasonable way to give music another spin in a
contemporary key. In truth, there are up some more overtly
chilled-out compositions either where the twisted point is more
repressed. In a nutshell, it is a wondrous issue, which obviously
does have its own disciples as well. For example, listen to Florian
Wahl's brand new one 14.
