/Tech-house, Club dance,
Deep house, Remix/
Blogiarhiiv
12/31/2014
Galeria Discos – Memorias EP (2014)
12/28/2014
[Teaser of the day] Albert Glasser - Into The Sewers
The Late Virginia Summers – TLVS (2006)
/Lo-fi, Ambient, Cowbell
indie, Drone rock, Post-rock, DIY, Live recording/
Comment: Redstarcommunity is a Swedish record
label having been existing since 2001 and having the discography of 22 issues so
far. TLVS was 11th release
which consisted of elemental crackled noises, graceful glockenspiel snippets,
spaced-out drones, ambient music inspired reverberating soundscapes and improvised
noodling here and there. Emotionally are outstanding those moments when epic
guitar chords are put into delayed loops while being accompanied by sublime
glockenspiel fabric and droning bold cello keys (Almost Asleep, Part One). You
Are What Gets Me In Trouble was recorded in live at The Nanci Raygun in
Richmond, USA. Grossly, it is a lo-fi sort of post-rock/experimental indie
approach produced by Joe Morgan & Nathan McGlothlin.
Abisales – XDCS (2013)
/Post-rock, Experimental
rock, Power pop, Art rock/
Comment: The Còrdoba, Argentina-based combo`s instrumental 5-track issue is
an enchanting listening time because of involving an innumerable amount of key
changes and mood shifts throughout the course for the listener`s pleasure. More
concretely, restless at times even roaring guitar patterns and riffs are
cunningly varicoloured with cinematic keyboard based vignettes and sonic
effects. Indeed, power pop meets art rock in a tumultuous yet picturesque way.
Imagine yourself walking in the forest in a cold winter day while sun is
arising and making the clouds appearing yellowish orange.
Alarm Pressure – CON (2008)
/Psychedelic rock, Free
jazz, Improvised noise, Synth rock, Leftfield, Improvised music, Experimental
rock, Drone rock, Acid rock, Electronic/
Comment: Alarm Pressure is
a duo (Den Mitchell, and Nick Acorne) from Kharkiv, Ukraine whose 8-track debut
issue was an amalgamation of acid drenched sustained noises and synth
improvisations abundantly filled with many key changes and moody dodges. At
times natural instruments are traded for fully electronic progressions. May be
it is not correct to name it a branch of rock music at all because of having
obviously inspired by free jazz and improvised noise either. The LP can be
compared with the Chicago-based experimental jazz scene (Isotope 217, Chicago
Underground Duo). The result is fascinating and suggestive.
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