10/09/2014
Aairria - The Abyss (2014)
/Dark ambient, Abstract, Minimalism,
Experimentalism, Ambient drone, Avant-garde, Soundscapes, Microtonal/
Comment: approximately 2
weeks ago Aairria released a brand new one, Phonography Archive 02 under his own Rain Netlabel. However, Abyss
was his previous release consisting of sole, 55-minute composition (the
subtitle of it is Wrenching Nostalgia).
The concept embarks on with some silence which soon will be interrupted by ghostly
echoes and bleak reverberations which later will be slightly accelerated or sustained
with vibrant frequencies here and there. Indeed, the soundscape of it is truly profound
and imaginative. In spite of its temporary intense nature the result has been
managed in a way to afford for the listener to get relaxed and find out the way
into its very core. Because of being highly imaginative the issue can be
considered interactive either. More concretely, the listener can imagine the
ghosts and witches dwelling somewhere in between Earth and Hell, ghouls residing
in caves and other threatening underground voids contents. Otherwise the
listener can perceive painful feels by remembering good old days passed by and
never supposed to be come back.
ki††y c▲t – Hold On (2011)
/Witch house, Witch wave,
Trianglecore, Remix, Sampledelic, Drag house, Experimental electronica,
Leftfield/
Comment: actually there is up quite little information
about this artist but it is a one-man-project from Russia. Musically he is a
proud representative of the so-called witch house/drag house movement. More
profoundly, the style does mean crosses and triangles represented in artists`
names, song and album titles. At times all of that is indecipherable or
problematically discernible. Musically it is infiltrated with gloomy synth
sounds similar to dark ambient profiles and semi-slamming, mid-tempo rhythms. Hold On is an outstanding issue thanks
to catchy solutions in harmonies and in conveying majestic progressions over
permanently changeable cadences. The album contains many “hit songs” (at least,
having potential for it) – One Day
Teapression, Take Me Away, Midnight
Car, March of Not Very Dead, Try▲ngel. By the way, the album will be
ended up by a remix of Try▲ngel. In a
word, the result is a classy album worth to be remembered and listened.
fydhws - The Sound (four movements in the key of D) (2014)
/Space rock, Post-metal, Doom
metal, Avant-rock, Post-rock, Epic, Experimental rock, Psych-rock, Epic, Conceptual/
Comment: fydhws is a fine example of the flourishing Macedonian underground scene
during the last five years. He is an experimentalist who has issued a lot of
albums by himself or in collaboration with other musicians. His soundscape used
to be guitar-centered, however, at times it might be more abstract and minimal,
at times more blossoming depending on a release. The recent issue of containing
4-long-track compositions is about to provide spaced-out, even dreamy guitar
sounds and stunningly majestic crescendos within it. His sonic patterns are
intriguing varying from repetitive, obsessive sonic tumult to more panoramic
undulations. It is an up-to-date issue of nowadays progressive rock music
because of incessantly drifting between the compartments of space rock, post-metal,
post-rock and psych-rock. This time all the sound is presented in the key of D.
All in all, fydhws` recent and foregoing oeuvre is an example of music being
simultaneously heavy and wondrous, however, affording to splice suggestive
explorations and outbursts with underlying technical proficiency. One of the
albums in 2014.
10/06/2014
[Teaser of the day] N0 C0p5 C0rp0r4+10n - Loops de Ódio
- Cyber punk
- Alternative
- Industrial rock
- Electro-punk
- Leftfield
[Teaser of the day] DasKapital - Manifesto Dos Enfermos
- Leftfield
- Art rock
- Psychedelic rock
- Experimental pop
- Electronic pop
- Synth rock
Tellimine:
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