Blogiarhiiv

5/18/2020

[Teaser of the day] Bloody Blue - Don`t Let Me Down



  • Electronic music
  • Leftfield
  • Avant-garde
  • Ambient
  • Post-psychedelic electronica
  • Experimentalism

Artist: Bloody Blue
Release: NATURE MORTE
Label: Alrealon Musique/Bandcamp
Year: 2019

[Teaser of the day] Due Samoani - gol in rovesciata di Paramatti



  • Acid pop/rock
  • DIY
  • Psych-pop/rock
  • Drone pop/rock
  • Indie rock
  • Krautrock
  • Lo-fi

Artist: Due Samoani
Release: che disastro
Label: Self-released/Bandcamp
Year: 2015

[Teaser of the day] cynthia.exe - This Is What Make Us Human


  • Electronic music
  • Drag house
  • Avant-pop
  • Ghostwave
  • Witch house
  • Experimental pop
  • Dark synth

Artist: cynthia.exe
Release: V/A - Witch House Sudamérica
Label: Cian Orbe
Year: 2020

Woven Tales – Hazel (2012)


  • Lo-fi 
  • Outsider house 
  • DIY 
  • Chillwave 
  • Electronic 
  • Synth-pop 
  • Indietronica 
  • Hypnagogic pop 
  • Organcore 
  • Drone pop 
  • Ambient pop 
  • Glo-fi

Kahtlemata nullindate lõpp oli õnnelik aeg; kuidagi väga helge – kas see emotsioon oli vallandatud majanduskriisist või Bandcamp'i tekkest või New Weird-liikumisest või noorte pettumusest nn establishment-muusikas. Tõepoolest, suured (indi)rojud olidki rojud ja on edasi rojud. Negatiivse aspektina meenub Animal Collective'i manööverdamine aastal 2009, kus senini ürgne ja enamuses veenev avangardistlik ekspressiivsus konverteeriti millekski seesuguseks, mis ei olnud enam originaalne ja inspireeriv. Ja bändi allakäik pärast seda oli ilmne. Asemele tuli chillwave, toonaste lo-fi elektroonikat armastavate noorte arusaam dream pop'st. Olulist osa selle esilekerkimises mängis Prantsusmaa võrguleibel Beko DSL, mis esimesel kahel aastal iga nädal üllitas peamiselt kaheloolisi singleid sellistelt kollektiividelt –  kui nimetada vaid tuntumad – nagu Memoryhouse (kelle lood pooles ulatuses ühtisid imetabase The Years EP'ga aastal 2010), The Bilinda Butchers, Wonder Wheel, The KVB, Ela Orleans, Death And Vanilla, Sore Eros, The Dreams, kellest nii mõnedki jõudsid suurema publikuni. Üks neist üllitatud artistidest oli Woven Tales ehk Saint Petersburg'st Floridast pärit Brian Warden, kelle kahelooline sisaldas eriilmelisi, eksperimentaalseid postpsühhedeelseid kompositsioone. Erinevalt käesolevast albumist Hazel ei olnud seal chillwave'ga eriti pistmist. Need kuus lugu rulluvad lahti kui õndsad unistused eikusagimaal, kus rõhk on pigem ajalisel dimensioonil; lõputus öös kui päevase armetuse ja kurnatuse vastandil. Eskapism, mis kasutab unenäolisuse ja õndsaksolemise värskendamiseks teravamaid ja ebaharilikumaid võtteid ja helisid. Kohe alguses reliis juhatab kuulaja "valele" rajale autsaiderhausiga (7777.8888). Kuulates lugu God Helmet tuleb chillwave-valemi sisse lisaks dream pop'le lisada drone pop (mida siinkirjutaja on enamikel juhtudel täiendanud stiililaiendusega organcore). Hea (pop)albumi eelduseks on mõistlik kogus transgressiivsust, et mängida erinevate ideede, fantaasiate ja helidega optimaalsetes piirides (piirid paratamatult loovad-mõtestavad fenomeni). Siin on piirid, siin on salajast piiride ületamist, siin on lahutamatult arenguid ja kordamise maagiat; seetõttu on selles dünaamilist essentsi ja lummavat muusikalist tähendust.

Dadala – 2018 (2019)


  • Improvised music 
  • Avant-garde 
  • Bebop 
  • Experimentalism 
  • Electro-acoustic 
  • Psychedelic 
  • Free jazz
 
Mäletan üht päeva, kui tööl mängis taustaks meeleolu-jazz ning üks töökaaslastest krimpsutas nina, öeldes, et igav on see lõputu tuututamine. Nojah, eks jatsuga ole see lugu, et eksklusiivsus noh; kas õigustatud või mitte. Minu arust mitte, sama hästi võiks müramuusikat pidada väga eksklusiivseks, aga...paljude kuulajate jaoks ei olevat see muusika, vaid...müra. Tulevad meelde teatud episoodid seoses Klassikaraadio Fantaasia-saadete tagasisidestusega nii toimetajate kui kuulajate poolt. Teisalt ma olen tajunud jazz-muusikas kogu aeg teatud piire, isegi kui tegu on vaba, improviseeritud muusikaga. Teatud instrumendid, teatud käigud, teatud, piiratud potentsiaal arenguteks. See teatud eksklusiivsusele tuginev eelhoiak on ilmselgelt pärssivat mõju omanud. Ma võin kuulata nüüd päkapikudiskot - kuigi lapsik, samas teatud viisil haarav ja nostalgiline -, saades sellest suurema emotsionaalse laengu (90ndatel tõsiselt vastandusin vaibakloppimisele) kui näiteks 16-minutilisest tüütust tuututamisest. Jazz tekitab ja süvendab sageli tühjususest nakatunud anonüümset tunnet; erinevalt mürast ja ehedast industriaalmuusikast (mitte see valdavalt vaimuvaene kontseptsioon, mida tuntakse industriaalrokina) ei püüagi see sulle külje alla pugeda. Püütakse evida autoriteeti selles vaese mehe maailmas, omamata õigustatud alust selleks pretentsiooniks. Ei midagi erilist. Lisaks olen tabanud end mõttelt, et kui universumis on olemas mõtteline kõvaketas jazz-muusika jaoks, kas see ei peaks juba lõhki olema? Tundub, et see on kõik oma võimalused ammendanud, ning kümme ringi takkajärgi. Dadala on oma kontseptsiooni jatsuga ristanud, samas andmata sellele kogu kätt. Siin on lisaks pisikesteks tükkideks lõigatud elektroonikat, mürapurskeid, elektroakustilist koperdamist, mis on kas lineaarses või paralleelses kulgemises. Muideks, Dadala on virtuaalorkester, ning sel viisil rohkem või vähem teadlikult vastandudes jatsu puudutavate laivesituste eksklusiivsusele (tõsi, laivesitustes võibki peituda jatsu tõeline mõte). Kokkuvõttes, käesolev kümnelooline album on pigem positiivse impulsiga nii kunstilises kui tunnetuslikus mõttes.

5/17/2020

[Teaser of the day] Monster Rally - Escape to the Cloud Forest (Mountain Village)



  • World music
  • Electronic
  • Sampledelic
  • Easy listening
  • Raga music
  • Ethnotronica

Artist: Monster Rally
Release: Escape to the Cloud Forest
Label: Self-released/Bandcamp
Year: 2020

[Teaser of the day] Lobo Loco - Nice to be Near by You (ID 1014)


  • Psych-folk
  • Folk indie
  • Singer-songwriter
  • Outsider music
  • DIY
  • Indie folk

Artist: Lobo Loco
Release: Vagabond
Label: Free Music Archive/Jamendo
Year: 2018

[Teaser of the day] Arzathon - Torment Of Contrition


  • Electronic
  • Experimentalism
  • Field recording
  • Post-psychedelic
  • Spoken word
  • Post-industrial
  • Acousmatic music
  • Musique concrète
  • Avant-garde

Artist: Arzathon
Release: The Catalogue
Label: Rodent Tapes
Year: 2012

Primary – DEMO (2017)



  • Deathrock 
  • Post-punk 
  • Indie punk 
  • Alternative rock 
  • Indie rock

Kuuelooline ja 14-minutiline album New York'st, mis on mängitud klassikalises rokiformatsioonis, on suurepärane vaheldus igasugu targutavale popile ja rokile; poosetava popi tühi poos sõidetakse lihtsalt üle ja laiaks. Sirgjooneline ja lööv, samas piisavalt sügav ja terviklik rokk, mis serva- ja külgepidi puutub kokku postpungi ja USA surmarokiga (üks postpungi tuletistest). Jah, nelikul on poos, aga see on lihaks saanud, see on internaliseeritud-integreeritud-konfigureeritud, mitte ei joosta haledalt poosi taga. Naislaulja üürgab ja lõõritab vaheldumisi tumedate ja halle varjundeid heitva heliseina najal, meenutades enim 80ndate lõpus- 90ndate algul tegutsenud The Heart Throbs'i (lauljatari). Jah, see hääle sügavus ja tämbri värvus pärineks justkui mõnest davidlynchilikust süvikust. Ise nimetaksin seda muusikat lihtsalt indipungiks (kuigi termini defineerimine ei ole ilmselt kergete killast - rohkem tunde küsimus). Veelkord - väga puhastav kogemus, mis konverteerib ja absorbeerib negatiivseid hinge kogunenud jälgi. Misse hea muusika eesmärk muud ikke ole, kui lunastust ja tüünust pakkuda. Ja Peltsebuli saab ikka tumedust kiirgavate poomidega välja põletada. Põle!

Nicolas Bernier – courant.air (2010)


  • Post-folk 
  • Avant-folk 
  • Folktronica 
  • Glitch-folk 
  • Experimental folk 
  • Experimental electronica 
  • Abstract 
  • Glitchtronica

Nicolas Bernier'i muusikaga olen kõrvuti elanud rohkem kui kümme aastat - loomulikult on see reeglina meeldiv kooseksisteerimine olnud. Rõõm on ilmselt minupoolne olnud. Ennekõike meenuvad tema koostööalbumid teise kanadaprantslase, kitarrist Simon Trottier'ga selliste leibelite alt nagu 12rec. ja Zymogen. Digitaalne, armutu glitch-esteetika pastelse ja sageli eepilistesse kõrgustesse ja laiustesse nõutava kitarrikäsitlusega. 1977. aastal sündinud mehe elufilosoofia on nagu paljudel teistelgi kanadalastel vormunud ühelt poolt sügava armastusega loodusesse ning teisalt elu on ta viinud tehnilisse ja tehnoloogilise maailma. Ta ise on maininud seda suisa dihhotoomiana või konkreetsemalt armastuse-viha suhtena näituseks oma süleri vastu. Ühelt poolt võimaldab arvuti inimesele mobiilsust ja mugavust, teisalt ei ole ilmas anonüümsemat asja. Ta on kümnendatel loonud muusikat tantsuetendustele, filmidele, jätkates esteetiliselt viisil, millega alustas nullindatel. Ja saanud isegi auhinnatud, millega ei saa hiilata iga põrandaalune või selle piiril balansseeriv muusik. Täpsemalt, kõigepealt mees, siis kitarr ja elektroonika; mees sageli kitarri hillitsetult, pigem folgilikus võtmes mängimas; püüd tasakaalustada elektroonika külma hingust nagu Põhja-Quebec'i metsavöönd takistab tuulte ja külma levikut Hudson'i lahest, mida tuntakse Põhja-Ameerika külmkapina (külmkapid on toredad, undavad vaikselt; kuigi võivad sõltuvust tekitada). Vastav geograafiline asukoht on ilmselt üks põhjusi, miks näiteks Montréal, NB kodulinn, on üks suurimaid ja erilisemaid muusikalisi metropole. Helides kajastub külmus ja soojus, armastus ja trots, hirm ja ülevus, vastupidavus ja murdumine. Vastandid keerutamas boreaalset tantsu. Stiihia ja vabadus üksteise eksistentsile eeldust ja tähendust võimaldamas (kuulake kaaslinlase Tim Hecker'i nelja esimese albumi hunnitust). Ühesõnaga, kuulake seda (plaadifirma on Ahornfelder) ja tema teisi üllitisi. Ühes loos on kaasategev ka Simon Trottier.

Gemini Lounge Orchestra – Two Years on the Rock (2007)


  • Sampledelic
  • Sound collage
  • Spoken word
  • Electronic music
  • Avant-garde
  • Conceptual
  • Experimentalism
  • Hauntology
  • Plunderphonics

Tõepoolest, see album koosneb ainult ühest pikast loost, mis – üllatus, üllatus – kannab looga sama nime. Muusikaliselt koosneb see lohisevatest madala resolutsiooniga trip-hop rütmidest, mis on olnud valdav juba rohkem kui aastakümme (tänu Flying Lotus'e varjunimega ristiisale) ning teisalt narratiivi peegeldavast sämplipõhisest materjalist nagu filmist väljavõtted-vägivaldsed dialoogid, mis on täidetud urinate, karjumiste ja ähvardustega. The Rock oli tuntud kurikuulus vangla Alcatraz'i saarel Californias, kus istusid gangsterid (tuntuim kahtlemata Al Capone). Ligi kolm kümnendit sünnitas selle karmus ja kindlustatus legendeid. Selle albumi ülesehitus on nagu kurjategija eluloojoon - algab vaikselt, hillitsetult; liigub märksa valjema ja vägivaldsema suunas, mingi hetk sugenevad helgemad ja lootusrikkamad helid-etapid, kuigi lõpuks on vägivald ja tagasilangemine taas tavapärase koha omandanud. Rusikalöögid näkku. Üle äärte valguv vägivald. Käesolev vaade kaheaastasele perioodile võtab aega kõigest 17 minutit (tõsi, mõtteliselt on need jaotatud 18 osaks). Reliis on osa Proc-Recs-nimelise eksperimentaalplaadifirma kogust. Kuna väljaandmise aastaks on 2007, ei tohi ära unustada, et sel ajal ei olnud vanade sämplite põhise, kummitusliku alatooniga muusika haip kuigi märkimisväärne - see saabus pigem mõned aastad hiljem; viljakas pinnas oli kahtlemata olemas - Irdial Discs'i The Conet Project: Recordings of Shortwave Numbers Stations oli üllitatud ja isegi uuesti üllitatud ja The Caretaker oli kamaluga albumeid reliisinud. Wilco sämplis esimesest ning tänu tülile autoriõiguste üle jõudis laiemasse teadvusesse. Hiljem näitas taset selles vallas The Fucked Up Beat ning selle õigusjärglane CLOUDWARMER (kes hiljuti üllatas kolm albumit korraga).

5/09/2020

[Teaser of the day] Frankensteins Ballet - Bodennebel


  • Psychedelic
  • Experimental rock
  • Improvised music
  • Avant-rock
  • Live
  • Krautrock

Artist: Frankensteins Ballet
Release: Live
Label: Aumega Project
Year: 2020

[Teaser of the day] M-PeX - À Espera do Comboio da Noite


  • Electronic music
  • Avant-garde
  • Musique concrète
  • Organic electronica
  • Cinematic
  • Ambient
  • Microtonal
  • Dark ambient
  • Experimentalism

Artist: M-PeX
Release: O Cultivo de Flores de Plástico
Label: Enoughrecords/Jamendo/Archive.org/Bandcamp
Year: 2020

[Teaser of the day] Anxiety Of Silence - That`s My Heart


  • Punk rock
  • Indie punk
  • Post-punk
  • Art punk

ArtistAnxiety Of Silence
ReleaseRip It Up Side One
Label: Pen & Mallet/Folksoundomy
Year: 1988/2009

[Teaser of the day] DARKHOLLOW - Plomasos Satanicos


  • Black noise
  • Brutal metal
  • Black metal
  • Extreme metal
  • Avant-metal

Artist: DARKHOLLOW
Release: Ocultismo y Sabiduria
Label: Skull Dungeon
Year: 2019

5/08/2020

[Teaser of the day] Ringo Deathstarr - Never Drive



  • Alternative rock
  • Noise pop
  • Indie rock
  • Fuzz pop
  • Shoegaze

Artist: Ringo Deathstarr
Release: Colour Trip
Label: Self-released/Bandcamp
Year: 2017

[Teaser of the day] My Own Cubic Stone - Coercition Malsaine


  • Electronic music
  • Synth industrial
  • EBM
  • Dark electro
  • Dark ambient

Artist: My Own Cubic Stone
Release: L'Obsession du Contrôle
Label: Murmure Intemporel
Year: 2020

5/03/2020

[Teaser of the day] Egg Nebula - Killer Comets Chaser



  • Electronic music
  • Breakbeat
  • Drum and bass
  • Deep house
  • Alternative dance
  • Drill`n`bass
  • Jungle
  • Breakcore

Artist: Egg Nebula
Release: We Are Humanity .​.​.​And We Are Lost In The Cosmic Infinity
Label: Pavillon36 Recordings
Year: 2014

[Teaser of the day] Terminal Sound System - Note Five


  • Electronic
  • Avant-jazz
  • Experimentalism
  • Improvised music
  • Free jazz
  • Avant-garde

Artist: Terminal Sound System
Release: Black Note EP 
Label: Embryo Recordings
Year: 2004

[Teaser of the day] Ty Segall and the Freedom Band - Self-Esteem


  • Alternative rock
  • Indie rock
  • Sophisti-pop
  • Free jazz
  • Psychedelic
  • Live
  • Art rock

Artist: Ty Segall and the Freedom Band
Release: October 2, 2019 Bowery Ballroom   
Label: NYCTaper
Year: 2019

5/02/2020

[Teaser of the day] Alrucini - Síndrome Da Lúcida Solidão


  • Avant-rock
  • Experimental rock
  • Electronic
  • DIY
  • Dub rock
  • Improvised music
  • Lo-fi
  • Post-rock

Artist: Alrucini
Release: Lanterna Mágica
Label: Electro Rucini
Year: 2020

[Teaser of the day] Blank - Olokun



  • Electronic
  • Spoken word
  • Dark electro
  • Neoclassical
  • Industrial electro
  • Dark wave

Artist: Blank
Release: Thanatosis 
Label: Self-released/Bandcamp
Year: 2020

[Teaser of the day] Primary - Wormhole



  • Alternative rock
  • Indie rock
  • Post-punk
  • Art punk
  • Indie punk
  • Angst rock
  • Rock`n`roll

Artist: Primary
Release: DEMO 
Label: Self-released/Bandcamp
Year: 2017

Ethernet Orchestra – Oceans between Sounds (2020)



  • Improvised music 
  • Avant-rock 
  • Avant-garde 
  • Free jazz 
  • Modal jazz 
  • Cool jazz 
  • Trance music 
  • Experimental rock

Comment: it is asserted at their home site Ethernet Orchestra is an Internet-based musical ensemble that explores intercultural improvisation through networked musical performances on the web. These 132 minutes are executed by such artists as guitarist Chris Vine, trumpeter Roger Mills, Hervé Perez (saxophones, laptop, shakuhachi), piano player Holger Deuter, Moorin Khuur player and throat singer Bukhchuluun Ganburged, and in one track by deceased Richard Lainhart (1953-2011) who was being renowned due to experimentation on modular synthesisers and implementation on extended performance techniques. Additionally to the aforementioned names there are involved more musicians, in fact (look at the credits of each composition). More profoundly, this set of 16 tracks being formally embedded on 2 discs is a realization of a telematic real-time collaboration in different locations across the Globe. It is based on sessions during a span between 2014-2019. Musically it is an irresistible take on different modalities of jazz, a variety of (trance/space/progressive) rock-related things and improvised music in general. It is like a meditative exercise, effortless steps forward to find out peace from within oneself and then invoke benevolent ghosts to come out and provide the human kind with external enlightenment. In symbolist meaning, this enormous act in terms of time and technical fulfillment allows one to move down the bank of imaginary river which will ultimately end at the confluence with Styx, the river for dead ones (I guess it could be located somewhere in Southeastern Asia). In other words, it is a purgative trip toward the Meaning, toward the Threshold. The riveting outing is a part of the discography of Pueblo Nuevo, a Chilean imprint.

Trescoli – Lluvia (2018)



  • Musique concrète 
  • Field recording 
  • Experimental electronica 
  • Avant-garde 
  • Experimentalism 
  • Sound art 
  • Improvised music 
  • Organic electronica 
  • Avant-electronica 
  • Toytronica

Comment: this course of four compositions stopping by exactly at the 32 minute is as relaxing as it is intriguing. While employing a toy piano, by manipulating it through an immense amount of electronic effects, filters or accompanying it with found sounds like the wind, a remote thunderstorm and rain in different appearances or just intensifying it with elaborated signal processing all the whole will result in a compelling yet effortless result. Emotively the work of the Spanish composer instigates at times neutral sensations due abstract sonic extractions or positive infantile sentiments due to more loosely improvising on the toy piano, at times it is quite gloomy due to using the sound of clocking which reminds of the church bells as a hint of death (the whining wind as a sign of emptiness in the background is about to make the sorrowful feel even starker). Paradoxically, at the recent time, at the time of Coronavirus the churches should be closed though. Lots of sonic patterns and elements used to run permanently through or clash with each other to constitute a second sonic thread as if describing the state of mind within the brain of a pain-trodden deranged human being. No one couldn't foresee back then what would have been happening in a less than a couple of years. Nonetheless this outing already did embrace this feel of havoc and despair and sorrow. The astounding issue is a part of the discography of Audiotalaia, another Spain-related outstanding phenomenon.

5/01/2020

Mikołaj Janeczko – Planowo Ciszej (2019)



  • Ambient drone 
  • Experimentalism 
  • Avant-rock 
  • Electro-acoustic 
  • Experimental rock 
  • Guitar ambient 
  • Abstract 
  • Avant-garde 
  • Post-rock 
  • Psychedelic

Comment: It has always been great pleasure to put own hand upon a release of Crunchy Human Children though I personally have done it at a criminal rate. Mikołaj Janeczko, also Polish, invokes such sort of music which may seem to get lost on the fog. More profoundly, languid guitar drones are wrapped up in a grayish, mild cyclone which face to face create a hypnotic state of mind through different patterns of this sparse yet fertile kaleidoscope. One can hear elegant, ellipse-shaped iterations with a proper psychedelic hint or a bit more abrasive electro-acoustic brushes. Otherwise the first three compositions could be described as a Glenn Branca under the waterfall. In any cases it adds enchanting power to contribute to one`s better way of life. At the final track, Drzwi balkonowe, the course of 4-track loses some gravity and power to succumb to a more loose improvisation set with the assistance of flute playing by Przemysław Wojtaszek. All in all, it is a nearby perfect outing due to being ultimately uplifted to ceaseless feel of a continuum.

[Teaser of the day] Thuoom - Intrepid


  • Electronic music
  • Experimentalism
  • Kraut-electro
  • Minimal techno
  • Post-industrial
  • Micronoise
  • Avant-electro
  • Avant-garde

Artist: Thuoom
Release: Organism 
Label: Textural Healing/Bandcamp
Year: 2019

[Teaser of the day] Irish - Welcome Home (hulot)


  • Electronic
  • Lo-fi
  • Post-psychedelic electronica
  • Chamber music
  • Experimentalism
  • Drone pop
  • Post-rock
  • Post-kraut
  • Improvised music
  • DIY
  • Avant-garde

Artist: Irish
Release: Destructions
Label: Jamendo/Bandcamp
Year: 2007

[Teaser of the day] Дом Престарелых Аутистов - Тай



  • Progressive pop
  • Indie pop
  • Experimental pop
  • Art pop
  • DIY
  • Alternative pop
  • Avant-pop

Artist: Дом Престарелых Аутистов
Release: Сингулярность
Label: Pomogite Community
Year: 2019

[Teaser of the day] Cutside - The Room


  • Electronic music
  • Cinematic
  • Breaks
  • Chilltronica
  • Mood music
  • Trip-hop

Artist: Cutside
Release: State of Art
Label: blocSonic
Year: 2020

4/30/2020

[Teaser of the day] Trent Hawkins - From Here To There



  • Electronic music
  • Kosmische Musik
  • Ambient pop
  • Krautrock

Artist: Trent Hawkins
Release: 5 
Label: Bandcamp/Trash Can Dance
Year: 2020

[Teaser of the day] Bei The Aritst - U Gon Listen


  • Electronic music
  • Hip-hop
  • Urban music
  • Rap

Artist: Bei The Aritst
Release: VA-DJ Young Shawn - The Streets Source 7 (Hot Females)
Label: Hip Hop Mixtapes
Year: 2020

[Teaser of the day] Brideburger - Victims And Relatives In Japan


  • Guitar ambient
  • Experimental rock
  • Noisegaze
  • Ambient rock
  • Improvised music
  • Avant-rock

Artist: Brideburger
Release: A Beautiful Mind 
Label: Amnion
Year: 2011

[Teaser of the day] CLOUDWARMER - We Ought to Palaver, You and Me


  • Electronic music
  • Ambient
  • Experimentalism
  • Sampledelic
  • Art music
  • Post-classical
  • Avant-garde

Artist: CLOUDWARMER
Release: m o n o l i t h I I I
Label: Self-released/Bandcamp
Year: 2020

4/29/2020

Son of ZOG – Son of ZOG (2019)



  • Improvised music 
  • Avant-rock 
  • Psychedelic 
  • Experimental rock 
  • Space rock 
  • Krautrock 
  • Psych-rock 
  • No Wave

Comment: if you would like to differentiate Son of ZOG from ZOG then the first one comes chronologically after the latter by providing frantic sax improvisations in the embodiment of Phil Allison, additionally to Christophe Medina (the drums), Jonny Zchivago (bass), and Nadine Aleman (electronics). Indeed, one and the only Jonny Zchivago, by far the most important (my favourite blogger, of course!) behind Die or D.I.Y is involved in these projects.
What to say about this 10-notch outing? It is as intense and voluptuous as a wedding act between an innumerable number of venomous snakes in spring. It spits poison, mud and semen to oil a conventional drum and guitar configuration into economically a scorching but artistically blossoming underground act. Otherwise, getting inspiration from acts being depicted at Die or D.I.Y blog the likes of Glenn Branca, CAN, nihilistic old school industrial projects, obscure post-punk and No Wave acts (of showing up frequently inclination toward any kind of aesthetical transgression). I don't guess the combo has knowingly followed any aforementioned or not mentioned group more detailedly yet one can inevitably find out some similarities because before that so immense amount of music has been produced to blow up the servers in future. Putting aside my smartass brouhaha just find time to listen to this untamed flow of instruments and perceive frantic states of mind on the bottom of it. The issue is a part of the discography of Year Zero Records.

4/26/2020

[Teaser of the day] Pinballsound - Не жалейте



  • Electronic pop
  • Synth-pop
  • Soviet wave
  • Retrowave

Artist: Pinballsound
Release: Дирижабль
Label: Self-released/Bandcamp
Year: 2016

[Teaser of the day] Voditel dlya Vera - Потерял интерес



  • Garage rock
  • New Wave
  • Fuzz pop
  • Post-punk
  • Alternative rock
  • Soviet wave

Artist: Voditel dlya Vera
Release: Ты
Label: Pomogite Community
Year: 2019

[Teaser of the day] Nicolas Bernier - proprietaire d`un chat aux grands yeu


  • Folktronica
  • Experimental folk
  • Glitch-folk
  • Post-folk
  • Electro-acoustic
  • Avant-folk

Artist: Nicolas Bernier
Release: Ail et l'eau faille 
Label: No Type/Panospria
Year: 2007

Six Organs Of Admittance – Losing Tracks Of Time (2019)


  • Psych-folk 
  • Free folk
  • Avant-folk 
  • Trance folk 
  • Singer-songwriter 
  • DIY 
  • Dream folk 
  • New Weird America 
  • Drone folk 
  • Americana 
  • Weird folk 
  • Raga folk 
  • Experimental folk 
  • American Primitive

Comment: Ben Chasny had been a central figure within the New Weird (America) movement during the 00s due to his one-man-project SOOA. Beyond that he had been involved in a group called Comets on Fire which in true made a bit different sound. In late times Ben Chasny has come out with a thread of albums consisting of tracks, alternate takes or aborted realizations having no place at disposal of Drag City, his domestic imprint. One of those miscellanies, Losing Tracks Of Time, nonetheless, used to sound indistinguishably as brilliantly in its enchantment as his premium outings. It might be the shell of these compositions is a bit more furry and bristled but it is as racy and arousing as before it used to be. It may be more guitar-centered due to guitar twangs and less involved in manipulating with a tone generator gizmo and electronics and prepared treatments. He steps against sublunary cravings and earthly vainness by playing iterative, trancey themes of Eastern influence. At times this silence is broken by blows in a scall therefore creating a dynamic counterbalance between the opposite sides. The latter side of Chasny`s can also be considered a positive one, a successful attempt to expel foul ghosts from inside out (do not ask for anymore is this evil either autonomous or dependent on weaknesses and impairments of a human being). A favourite of mine is Just A Little Fire which has been managed to encapsulate wobbly, galvanized sonic crust around tamed singing and an oppressed guitar. Another favourite King Coming By Carriage is a transcendental reverence to the fathers of the American Primitive movement and raga music being indivisibly mixed together. This solid 11-track outing is released on Hermit Hut which I suppose is Chasny`s own record.

4/24/2020

[Teaser of the day] We Melt Chocolate - Orange Sky



  • Indie pop/rock
  • Dream pop
  • Shoegaze
  • Alternative pop/rock

Artist: We Melt Chocolate 
Release: V/A Light from a dead star Vol​.​1
Label: Ray Rec
Year: 2020

[Teaser of the day] Small Colin - The Pumper



  • Electronic
  • Lo-fi
  • Indie pop
  • Hypnagogic pop
  • Bedroom pop
  • Alternative pop
  • Synth-pop
  • DIY
  • Chillwave

Artist: Small Colin
Release: Small Colin/Loonball 
Label: RSVP Tapes
Year: 2017

[Teaser of the day] Purepleaser - Always Forgetting With You



  • Space pop
  • Organcore
  • Experimental pop
  • Cover
  • Psych-rock
  • Dream pop
  • Drone pop
  • Alternative pop/rock
  • Indie pop/rock

Artist: Purepleaser
Release: Spiritualized In Other Medications
Label: The Blog That Celebrates Itself
Year: 2017

[Teaser of the day] Wes Tirey - Old Friend



  • American Primitive
  • Americana
  • Singer-songwriter

Artist: Wes Tirey
Release: I Stood Among Trees 
Label: Dying For Bad Music
Year: 2013

[Teaser of the day] Brain Influenza - Post Mortem Love


  • Electronic
  • Dark wave
  • Industrial rock
  • Electro-metal
  • Synth-rock

Artist: Brain Influenza
Release: The Forgotten Ones Part II (1999 2005)
Label: cOmaRecOrdz
Year: 2020

[Teaser of the day] Luarvik Luarvik - Sõõm õõva



  • Progressive rock
  • Experimental rock
  • Avant-prog
  • Improvised music
  • RIO
  • Avant-rock
  • Art rock

Artist: Luarvik Luarvik
Release: Passion & Fuuga 
Label: Strangiato/Bandcamp
Year: 2004

[Teaser of the day] Elisabeth Joan Kelly - The Salt of Winter



  • Contemporary classical
  • Art music
  • Chamber music
  • Classical music

Artist: Elisabeth Joan Kelly
Release: Concert music for orchestra, chorus, and chamber musicians, 2005​-​2010
Label: Self-released/Bandcamp
Year: 2018

[Teaser of the day] In Vitro - Cuix amo nican nica nimonantzin (horiso remix)


  • Electronic music
  • Downtempo
  • Organic electronica
  • New Age
  • Ambient pop

Artist: In Vitro
Release: Phantastico Dogma Remixes
Label: Breathe Compilations/Bandcamp
Year: 2010

4/20/2020

[Teaser of the day] Dmyra - Mask To Me


  • Americana
  • Indie folk
  • Lo-fi
  • Electronic
  • Folk indie
  • Post-folk
  • Folktronica
  • Art folk
  • DIY
  • Alt-folk

Artist: Dmyra
Release: Imagine Away 
Label: Clinical Archives
Year: 2011

[Teaser of the day] Tale Twist - Waking Up On A Tuesday Evening


  • Electronic music
  • Experimental electro
  • Improvised music
  • Micronoise
  • Industrial electro

Artist: Tale Twist
Release: Path Collapse EP  
Label: Psicotropicodelia
Year: 2010

[Teaser of the day] Radiax - Urban Night



  • Electronic music
  • Breaks
  • Nu jazz
  • Easy listening
  • Jazz house
  • Chill out
  • Mood music

Artist: Radiax
Release: Broken Beats 
Label: Babel
Year: 2017

[Teaser of the day] Alexander Martovsky - North Caucasus


  • Indie rock
  • Nugaze
  • Epic
  • Shoegaze
  • Alternative rock
  • Dream pop

Artist: Alexander Martovsky
Release: M42 
Label: Sgustok Music
Year: 2010

4/19/2020

Mhenwhar Huws – Body Control (2020)




  • Electro-acoustic
  • Drone
  • Improvised music 
  • Experimentalism 
  • Avant-garde
  • Improvised noise

Comment: Mhenwhar Huws is a quarter from Glasgow, Scotland who perform both acoustically and amplified. Body Control is their first brand new album though having released a couple of live recording issues before. Given that the quartet employ a viola and violin beside electronics, double bass, and the percussion someone may expect to stumble upon Faust and Tony Conrad`s frantically iterative violin-based collaboration revisited. Nope, it is a bit different case, it seems to be quite agro-nutrient (some exceptions of noisy whiffs, though) in a restrained handling of their musical gear. As if being played in a local bar for a panic-struck audience who are certainly about to leave the locus soon. For sure, it is not about pub rock in any cases and some inveterate drunkards would in a deranged state of mind think of police cars to arrive at. Even if Steven Anderson starts to sing at one and only Mhenwhar Huws it is even more unbearable on an uneasy mode of singing and convoluted drones nearby. In general, the 9-notch outing seems to be fed into an electro-acoustic distillery which mostly is about processing the sound and at a time will come to a churned-up fruition (the above mentioned noisy outbursts, especially at Static Contact and oblique drones). I like it.

Alessio Ballerini – To Its Beginning To Its End (2013)




  • Ambient
  • Electronic music
  • Drone
  • Organic electronica
  • Ambient drone
  • Chamber music
  • Musique concrète
  • Field recording
  • Microtonal
  • Abstract
  • Post-classical

Comment: Alessio Ballerini (born 1980) is being an intriguing ambient/drone musician having been active since the end of the 00s. My first meet with the Italian's music was listening to Blanc (2010, Zymogen) where he collaborated with famous Austrian guitar alchemist Christian Fennesz on a track. Given that To Its Beginning To Its End is the very topic of ambient and drone music/or tightly mixed up with each other then the exploration must have been obsessive either in sequencing the templates or manipulating with microscopic elements. Any element represented within this whole of 4 tracks signifies something by adding weight either alone or changing its place within a configuration. At times the course gets an abstract turn due to having the static and faint abrasive hisses running around, at times moving towards a most exuberant realisation by incorporating the sea waves into the blend. At times the aforementioned elements are magnified, and vice versa, by significant piano incantations. And it is something which can be considered an impulse to help one break on through to the other side. The listener can hear sonic waves upsurging and then decreasing in volume until there is silence. Even those vibrations being added to the rear part of a sonic progression make up a change I would like to call tectonic. For the resemblance and then against the difference, for the repetition and then against the difference. Thoroughly enchanting, frequently transcendental release is a part of the library of Laverna. Apex charmer in all-encompassing sense.

[Teaser of the day] 感情がない GIVNO FUX - それが始まるところで終わる



  • Electronic music
  • Vaporwave
  • Chopped and screwed
  • Avant-garde
  • Lounge
  • Hypnagogic pop

Artist: 感情がない GIVNO FUX
Release: 私の肌に太陽
Label: tapewurm.fm
Year: 2020

[Teaser of the day] Liai - Jules



  • Electronic music
  • Ambient pop
  • Art music
  • Sophisti-pop

Artist: Liai
Release: Lili 
Label: Constellation Tatsu
Year: 2018

[Teaser of the day] Tiny Rockets - Reduce



  • Acid rock
  • Indie dance
  • Psych-rock
  • Indie rock
  • Improvised music
  • Alternative pop/rock
  • Alternative dance

Artist: Tiny Rockets
Release: All in the name of Machine Chaotica
Label: The Shotgun Charlie
Year: 2013

4/18/2020

Jakapi-Praestholm-Soo – Beek! (2019)




  • Improvised music 
  • Electro-acoustic 
  • Avant-garde
  • Electronic
  • Experimentalism 
  • Psycho-acoustic 
  • Art music
  • Psychedelic
  • Dada music 
  • Voice poetry

Comment: this set of 7 compositions is a collaborative act between two Estonian daring musicians and a Danish experimental/jazz stamina which in general reflects much upon pessimistic tendencies which may be considered a purgatorial outlet for recent dead-end music situation. Given that the human species` over-commitment to progress and coming around to an unjustifiable belief in endless development and presumable causal moral enhancement will have ended nowhere but a bad-looking crisis in pop music then dada and Tzara and their method of weird and wonderful is going to bail out. On the other side, by regarding the recent situation in pop music I guess the trio is having much more objects to deal with rather than providing spot on the superficial and lifeless tendency. The slightest inclination toward it may be a deconstructive or destructive act against it. The first of them is a hidden violent and the second one is an overtly violent act against the sonic brouhaha, respectively. It is quite strange of how such sort of music can put things into a boned perspective – it is predominantly led by Roomet Jakapi`s vocal trickery (whose main occupation is philosophy being penchant for topics of the early modern period). Niels Praestholm and Mart Soo provide mostly an electro-acoustic staccato background imbued with squeaks, creaks, screeches, skronks, and squalls. The whole does not feed into a rigorous concept but instead of coming up with playful, even psychedelic strokes. The decorous vanguard outing is a part of the discography of an Estonian imprint, Improtest.

Пражский студент – Доппельгангер (2013)



  • Psych-rock 
  • Avant-rock 
  • Acid rock 
  • Experimental rock 
  • Lo-fi 
  • Kraut-punk 
  • Garage rock 
  • Shitgaze 
  • Noise rock 
  • DIY
  • Space rock

Comment: first of all, it is a sort of album a few used to create today. Back in the beginning of the 10s then it was the case as this 11-track outing proves to show off. Stoned vocal bits and the guitars fed back from a rehearsal room with galvanized acidic keyboard madness do make up an unforgettable event especially if you think of Ty Segall`s albums as way too polished ones. Its muddy soundscape and hazy delineations between the instruments remind of CAN`s less known improvisations (such kinds of having been summoned on Lost Tapes), and artists from such an imprint from the 80s as Bob Chaos. Kровавый дуэлянт and the last two tracks provide a consummate spaced-out ecstasy. Fabulous shit in its endless iteration and frantic discordant blowup even if the formula of it is quite simple – just take ordinary modelling on the structure and then crank up the volume to the brim. I would like to call it art punk due to having motorik and spaced-out intensifiers within but I cannot do it regarding its absolutely nihilistic, rejecting attitude toward everything (maybe it is the pure case of art considering the last implicit thinking way). If I am true both the artist and an imprint, Pikkalma, come out of Perm, Russia.

Bear in Miniature – Lettres à une rose (2018)



  • Electronic 
  • Modern classical 
  • Epic 
  • Field recording 
  • Ambient 
  • Post-classical 
  • Art music 
  • Musique concréte 
  • Minimalism

Comment: this batch of 3 tracks composed by a Brazilian, Rafael Torres, represents itself through ethereal vowel effects and synthesised spherical string sections which have enough time and much space around to move on and provide different exquisite consummations for our pleasure. At times it is embellished with watery iterative piano chords and panned with suggestive concrete sounds which like a partial foundation on it constitute phat patterns in sound and tempo. In fact, the description of mine is way too linear, way too one-dimensional by let blotted out the true nature of this wondrous issue being released on Spheredelic Records. It is like using the second derivation (the words) to describe the first derivation (the music) on describing the beauty of the Nature. Far out! The opening track L'esprit de l'ange chimes like a series of still extracted from a lightning-spiked evening which is imbued with tangible sultriness and palpable dampness. The abovementioned iterative piano keys sound almost psychedelically and definitely ennoblingly at the same time thanks to the compelling groove within. Excelente!

4/17/2020

Mechanimal – Crux (2020)



  • Synthwave 
  • Dark wave 
  • Synth-rock 
  • Minimal wave 
  • Gothic rock 
  • Electronic 
  • Rap
  • Minimal wave
  • EBM 
  • Post-punk
  • Neoclassical
  • Electro pop 
  • Industrial rock

Comment: after the very first listening of this 10-track album (On Inner Ear Records) I ceased to consider the album due to the impression of being the bride on a wedding and the dead person on a funeral. More profoundly, these tracks seemed to cover different styles yet showcasing their nature by numbers. However, by starting listening to it a month later my opinion would have changed since then. Of course, the opening track Ghetto Level, as the title already says, cannot be nothing more but ridiculous. OK, a little bit ridiculous. It would have been cooperated by MC Ride to bring more credibility to the otherwise convincingly composed track. On the other side, the following stuff is solid – it mostly ploughs the field of gothic/post-punk field with a strong electronic flavour (such derivatives of post-punk as EBM, synthwave, cold wave, minimal synth/wave are solely and intertwined represented over there). The whole contains a couple of gems within – Easy Dead is all about compelling guitar looming and suggestive chanting about easy phenomena in our lifes. Indeed, we are nothing more but to be inclined towards the dust and ashes. We are obsessed with it. In general, the guitar treatments are solidly built throughout the album. Razor Tube is a remake of Kraftwerk with hints at early Kraftwerk (with more motorik grooves which later would get transformed into the essence of Neu!) and classical, electro and techno-induced Kraftwerk. Hospital of the Storm is a thoughtful track where menacing chanting is backed up by exquisite guitar chords, electronic wobbles and lone yet stomping drumming. La Poverina Della Ossa is the most immersive composition being accompanied by a slightly orchestrated chamber/neoclassical number. In a word, this release would be a great addition in the luggage of a EBM/industrial/synth-pop preferring DJ. Additionally to its intrinsic value it used to touch important points to me like The Fall (especially the 90s when MES and his accompanying backups would transform more electronic; also Lycia, Current 93, and Death In June).

Elpha – No Blue (2020)




  • Ambient 
  • Neoclassical 
  • Micronoise 
  • Sound art
  • Avant-garde 
  • Dark wave 
  • Electronic music 
  • Electro-acoustic 
  • Experimentalism 
  • Vaporwave

Comment: this handful of tracks comes out from an imprint, Encadre being composed by Takefumi Naoshima. It is an intriguing outing because of consisting of lightweight white noises and hisses like Tim Hecker`s first outstanding aurora borealis inspired albums (from Haunt Me Haunt Me Do It Again to Mirages) and on the other side it is headed by murky piano chords in the vein of neoclassical/dark wave aesthetics. Thirdly, it is also underpinned by electro-acoustic techniques a la pounding echoes, austere metallic reverberations and even sustained buried guitar feedbacks which are traded for refracted structure changes for a few seconds only. The sort of dodges introduce some vaporwave feel either from getting us from a remote natural landscape to a decayed civilisation. Superb work in any cases.

[Teaser of the day] Deep Dive Sound - Bamboo Rain


  • Conceptual
  • Non-music
  • Field recording
  • Musique concrète
  • Experimentalism

Artist: Deep Dive Sound
Release: Postcards From The Jungle 
Label: Green Field Recordings
Year: 2019

[Teaser of the day] Photay - Traversing Frequency Bands



  • Electronic music
  • Ambient
  • Hauntology
  • Post-classical

Artist: Photay
Release: On Hold 
Label: Self-released/Bandcamp
Year: 2020

[Teaser of the day] Lucas Pastina - Light Cheese



  • Avant-rock
  • Experimentalism
  • Experimental rock
  • Improvised music
  • Outsider music
  • Avant-blues
  • DIY

Artist: Lucas Pastina
Release: Turkey`s Chest 
Label: Self-released/Bandcamp
Year: 2019

[Teaser of the day] Jodie Lowther - Hither and Yon



  • Electronic music
  • Ambient
  • Improvised music
  • DIY
  • Experimentalism
  • Electro-acoustic

Artist: Jodie Lowther
Release: The Phantom Circuit Session  
Label: Phantom Circuit
Year: 2020

4/13/2020

Drunken C – Whisper (2012)




  • Post-punk 
  • Singer-songwriter 
  • Cover 
  • Alternative rock 
  • Indie rock 
  • Gothic rock 
  • Deathrock

Comment: first of all, this album of handful of tracks is adorned with a fabulous cover print depicting a girl being embellished with a snake tattoo and obviously following a (Neo-)Pagan religion. It may be the girl depicted on the cover print is Cécile Raynaud who is one and the only behind this project. She has issued a couple of EPs under the Paris-based Zorch Factory Records. One of them is Whisper which showcases her ability to pull out convincing goth and desert-inspired compositions with galvanised guitar pounding and tortured appeal of singing. Her timbre and singing manner and (prepared) guitar signature remind of Kim Gordon, and Sonic Youth, respectively. In general, Whisper can be considered an exquisite bridge (or outlet) between the Francophone-centered coldwave and a more experimental approach. One track is her take on a My Bloody Valentine`s classic, Only Shallow by adding more electronic effects to the classic of sliding guitars played through a keyboard/sampler input. In a word, it is an example of truly convincing girl power, i.e without any childish postures and numb clichès.

[Teaser of the day] C. Reider - 0717 hysteresis



  • Electro-acoustic
  • Experimentalism
  • Drone
  • Musique concrète
  • Abstract
  • Illbient
  • Electronic music
  • Microtonal
  • Acousmatic music
  • Post-industrial
  • Avant-garde
  • Micronoise

Artist: C. Reider
Release: Mount Inwards 
Label: Vuzh Music
Year: 2020

[Teaser of the day] CLOUDWARMER - Webcam Atrocity

 

  • Electronic music
  • Hauntology
  • Experimentalism
  • Sampledelic
  • Trip-hop
  • Breaks
  • Avant-garde

Artist: CLOUDWARMER  
Release: monolithI 
Label: Self-released/Bandcamp
Year: 2020

[Teaser of the day] Tanner - Secret Secrete



  • Garage rock
  • Punk rock
  • Oi! punk
  • Riot grrrl

Artist: Tanner
Release: Tannerite 
Label: Bandcamp/Threefold
Year: 2019

4/12/2020

[Teaser of the day] Martin Režný - Prvni zivot Enkidua - step


  • Electronic music
  • Experimentalism
  • Musique concrète
  • Microsound
  • Improvised music
  • Sound art
  • Acousmatic music
  • Electro-acoustic
  • Avant-garde

Artist: Martin Režný
Release: Nesmrtelnost
Label: Signals from Arkaim
Year: 2020

[Teaser of the day] Bite - Odisea


  • Electronic music
  • Musique concrète
  • Organic electronica
  • Ambient
  • Microtonal
  • Electro-acoustic
  • Field recording
  • Minimalism
  • Sound art

Artist: Bite
Release: Calle Palma
Label: basic_sounds/Bandcamp/Archive.org
Year: 2015

[Teaser of the day] Six Organce Of Admittance - Somewhere Between



  • Psych-folk
  • New Weird America
  • Improvised music
  • Singer-songwriter
  • Free folk
  • Raga folk
  • Americana
  • Trance folk
  • Weird folk

Artist: Six Organs Of Admittance
Release: Compathia  
Label: Hermit Hut
Year: 2003

BVBEL – VNTIHERO TAPE (2015)



  • Witch house 
  • Hip-hop 
  • Electronic music 
  • Sampledelic 
  • Vaporwave 
  • Drag house 
  • Cloud rap 
  • Breaks 
  • Rap 
  • Urban music

Comment: BVBEL comes out of Belgium, the artist who has issued 20 albums in a span of 4 years (2015-2019). VNTIHERO TAPE is in principle – just artificially delineate it – a hip-hop album with inseparable hints at witch house, vaporwave, and VHS fetishism (it probably due to The Ring, a supernatural movie). Thanks to the latter ones the artist is able to sweep away sugary, simplistic vulgarity of machinery and other superficial ingredients of contemporary autotune-induced hip-hop soup. Instead of it one can hear funereal im(mortality), hints at our move towards death and decomposition. On the other side, there is no need to think of it, though, no one cannot blot it out endlessly, especially at the epicentre of the Coronavirus it would be unfit. Girlfriend in a corona, it`s serious, it`s really serious (an episode from contemporary danse macabre, isn`t?). In a word, get real, exploit your time reasonably to create something (the act of creation), take care of yourself and other creatures and Nature as an immanent appearance of the Lord. In fact, there is no need to get involved in such a (nominal) hogwash as the discussion about Jordan Peterson of being a philosopher or not. What`s the point? There is also no reason and no seat of mind to descend into Cioran-alike indifference. Great album by any means. There is the point.

Jan LF Strach – Balearen Kanaren E.P. (2018)



  • Dubtronica
  • Lo-fi
  • Outsider pop
  • RIO
  • Sampledelic
  • Progressive
  • Avant-garde
  • Zeuhl
  • Avant-prog
  • Synth-rock
  • DIY
  • Electronic

Comment: given that the word “stra(c)h” does mean “horror” in most Slavic languages and given that he has been around for years to reinterpret theoretical common sense understanding or prejudice of how a usual music style should sound then I guess the 6-track Balearen Kanaren might ring in a way we have had no comprehension so far. In fact, what are our expectations, what are our understanding of it? Balearic music is obviously depicted as a sort of sunshiny music but LF`s sound is morose, muddy and refracted as if chopped up in a busted-up tape recorder and then the tape pasted anew. One can hear some sort of progressive rock patheticness as if getting it from the body of work of his famous fellow countryman Czeslaw Niemen yet underpinned on behalf of the skulking RIO and Zeuhl scene. Where is the reason and where is an output could someone hint at precisely? You can hear enough electronic and guitar mixed noodling of progressive rock band until it turns either into a bit grating yet carnival-alike easy, humor-infused electronic templates or an unexpected dub-alike undertaking (Neighbourinna). One can find out lots of slight contradictions, conflicts, tensions but we call it playfulness of the game, isn`t? Horrendous playfulness of the game regarding the recent case being released on Underpolen.

4/11/2020

[Teaser of the day] Terrible Terrible - Tasting The Marrow


  • Indie pop/rock
  • Post-rock
  • Avant-pop
  • Experimental pop
  • Doo wop
  • Electronic
  • Alternative pop/rock
  • Art pop/rock

Artist: Terrible Terrible
Release: Get The New Computer 
Label: Jamendo/Bandcamp
Year: 2015

[Teaser of the day] Kuldaveärt Karud - b-04



  • Electronic music
  • Psycho-acoustic
  • Freeformfreakout
  • Experimentalism
  • Improvised music
  • Dada music
  • Avant-garde

Artist: Kuldaveärt Karud
Release: Æstivation
Label: Self-released/Bandcamp
Year: 2013

[Teaser of the day] Tujuh Kuda - Invasion of the Fries



  • DIY
  • Post-industrial
  • Psycho-acoustic
  • Drone
  • Experimentalism
  • Post-folk
  • Improvised music
  • Lobit
  • Post-psychedelic electronica
  • Electronic
  • Improvised noise
  • Avant-garde

Artist: Tujuh Kuda
Release: Coloniser/Penjajah 
Label: Noise Bombing
Year: 2020