- Hardcore
- Post-metal
- Experimental metal
- Avant-metal
- DIY
- Drone doom metal
- Progressive
- Improvised music
- Freeformfreakout
Comment: these 13 tracks clocking in at a 20 minute are issued on Velvet Blue Records filled in with galvanized guitar-induced monoliths, rattling hi-hats and quirky threads dominated by sheer electronic effects and unusual drumming times and instrumental deviation all along. The more I am getting into it the more I realize the artist's intention just to manipulate with metal-related heaviness rather than serving it as the purpose. The listener can perceive how the aforementioned genres are disintegrated and pulverised for the sake of playfulness and artistic fun, for the sake of sonorous entertainment and artistic madness. The Convoys can be considered an exception of excelling at hardcore punk. Another exception is The Nothingness by doing away with the gravity of experimentation and heaviness of metal. Just to start off and fading into nothing as the title refers to. Thirdly, the issue is produced by exploiting DIY attitude and lo-fi approach of which artists are predominantly penchant for sonic experiments. This one is the case. Volatile handling on a guitar and rejecting demarcated stylistic borders reminds of another Brazilian maverick called Lucas Pastina aka LFC.
