Sunday, July 29, 2018 – Trilogy (2018)

  • Drone 
  • Electro-acoustic 
  • Avant-electronica 
  • Abstract 
  • Sound art 
  • Experimental electronica 
  • Microtonal 
  • Microsound 
  • Non-music 
  • Post-industrial

Comment:, a Prague, The Czech Republic-based artist is back with three tracks based on friction, and involving such materials as wood, metal, skin, water, and air. For many years ago such a sort of concept would have been interesting but I would soon realize that either the sound used to self-organize itself or there are certain limits for the sound to push the sound into a before existed form or forms. Or maybe human ears are way too weak to get into true new sounds. Or maybe your imagination begins to work in a way to produce sounds of having no existence in reality. It already enters into the philosophical question of phenomenon. However, it is yet interesting to listen to it even though it consists of off-white hisses, vaguely pulsating microscopic chips, exquisite electro-acoustic effects. I guess the artist has exploited contact microphones to provide the essence of the aforementioned materials and mediums. All in all, it is an intriguing whole which feeds your imagination and broadens some listening experience.
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