behind the project is
Pascaline Raphaëlle whose
5-track issue is quite disparate in its stylistic variety and length.
It starts off with a silent electro-acoustic composition based on
repeated sounds, guitar-based chords and effects, microscopic noises
and hisses, and Pascaline`s chants atop. It can be considered an
example of slowed-down, deconstructive
the other side, it resembles those free folk/weird folk/freak folk
numbers in a decade back where some artists from a new generation of
folk musicians watched toward the forest and nature and therefore
organic sounds. Indeed, one is listening to music which chimes as
if recorded with the
microphone from a distance (especially at Waterlidl).
is a very short, 1-minute yet the only rhythmic improvisation. The
narrative will be changing in the last two compositions while
introducing ambient and droning sounds into the mix. More profoundly,
you can find out similarities with artists by Not Not Fun, Klaus
Schulze, Tangerine Dream, and her French compatriot Eléonore Hauguel
a.k.a. Ellah a. Thaun. In a word, the strong issue.