Sunday, October 22, 2017

Noteherder & McCloud – The Tail (2008)



  • Free jazz 
  • Improvised music 
  • Avant-garde 
  • Experimentalism 
  • Modal jazz 
  • Live session 
  • Electronic music 
  • Leftfield

Comment: I am very glad to back again at WM Recordings, the imprint which has introduced me to many interesting artists like brunk, Chenard Walcker, Roy "Chicky" Arad, Keshco, Phil Reavis, Jared C. Balogh, The Hathaway Family Plot and many others. Beyond that the roster embraces such luminaries as the godfather of the home recording R Stevie Moore, and Russian dadaist sound collage and surf pop mixed madness Messer Chups. Undoubtedly The Tail is a highly complicated and mind-provoking one composed of three different live gigs by the two experienced musicians wherein you can enjoy many parallel running compartments based on the playing of a soprano saxophone, and on the other side it is undermined by poignant synthesiser-based bubbling and effects making an impact on a fastidious listener. And I am probably the demanding reviewer. And if you want to get a solid review of how to play the soprano saxophone in an intriguing way then this issue is for you. Synthesiser is a remarkably more broad instrument or it can even be considered a platform, however, this issue provides a little yet intriguing bit of it. It certainly touches on sonic qualities which remind me of electronic krautrock artists as Konrad Schnitzler, and Asmus Tietchens. Use The Desk Lamp is the favourite of mine because it is absolutely fascinating in its overwhelming tempo and energy. For me, it is jazz punk. In a word, the result is great.
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